Kym Vaitiekus Shares his Thoughts on DUBBO CHAMPIONSHIP WRESTLING
Dubbo Champinship Wrestling, a new aussie musical that’s a king hit.
Sydney, Australia Theater Reviews
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Kym Vaitiekus Shares His Thoughts On A LETTER FOR MOLLY
A Letter for Molly follows artist Renee as she explores and reflects on the family relationship ladder.
Guest Reviewer Kym Vaitiekus Shares His Thoughts On AN AMERICAN IN PARIS
An American in Paris is a glorious and inventive new musical inspired by the 1951 movie with a superb collection of music by the Gershwins.
BWW REVIEW: Dale Burridge Returns To The Stage With AT THE CROSSROADS, A Fabulous Review Of His Career To Date.
AT THE CROSSROADS marks Dale Burridge’s return to the theatre stage after an over two-decade absence.
BWW REVIEW: Little Triangle Theatre Company Reconsiders Sondheim's Relationship Songs With A Queer Lens In ISN'T IT QUEER?
Little Triangle Theatre Company reframes Stephen Sondheim’s relationship songs with an entertaining revue ISN’T IT QUEER? where love stories originally written for heterosexual connections are presented by different voices and pairings.
BWW REVIEW: Belvoir's Take On LIGHT SHINING IN BUCKINGHAMSHIRE Attempts To Present Caryl Churchill's Dramatization Of The 17th Century English Civil War For A Modern Era
Caryl Churchill’s LIGHT SHINING IN BUCKINGHAMSHIRE is given a modern Australian makeover with Eamon Flack and Hannah Goodwin’s (co-directors) interpretation for Belvoir St Theatre.
BWW REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On CIRCA'S PEEPSHOW
Brisbane based company Circa present a double act at the reimagined Theatre Royal in Sydney.
BWW REVIEW: WAYSIDE BRIDE Celebrates Reverend Ted Noffs' Inclusive Ministry That Challenged The Norms Of 1970's Australia
Alana Valentine’s WAYSIDE BRIDE draws on real experiences from interviews and a personal connection to share the stories Of Reverend Ted Noff’s unusual ministry.
BWW REVIEW: RedLine Production's Presentation Of THE SEVEN DEADLY SINS & MAHAGONNY SONGSPEIL Is A Surprising Feat In A Small Space
Director Constantine Costi pulls off the seemingly impossible of squeezing in a 17 piece orchestra, under the Baton of Brian Castles-Onion, a dancer and 6 singers into the small space of the Old Fitz Theatre to present an entrancing interpretation of Kurt Weill (Music) and Bertolt Brecht's (text/lyr
BWW REVIEW: HEROES OF THE FOURTH TURNING Explores The Connection Between Religion And Politics That's Fracturing The US
Under Craig Baldwin’s direction, Sydney audiences are given a glimpse into the impassioned arguments that the American conservative Christian community have been making in favour of having their beliefs be the cornerstone of US politics in HEROES OF THE FORTH TURNING.
BWW REVIEW: Noël Coward's BLITHE SPIRIT Is Given A Modern Makeover In Sydney Theatre Company's New Staging
BLITHE SPIRIT, the satirical farce about the pitfalls of interrupting the souls of those past on for personal amusement plays out at the Sydney Opera House.
BWW REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On HANDA OPERA ON SYDNEY HARBOUR, THE PHANTOM OF THE OPERA
What a joy to see an enormous production of The Phantom of the Opera on Sydney harbour against the city skyline.
BWW REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On NORTH BY NORTHWEST
Director Simon Phillips has transferred one of Alfred Hitchcock’s expert works to the auditorium.
BWW REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On WHITE PEARL
White Pearl astounds with colourful layers.
BWW REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On BERNIE DIETER'S CLUB KABARETT
@BernieDieter @jaimime @sydneyfringe BWW REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On BERNIE DIETER'S CLUB KABARETT
BWW REVIEW: Given The Musical Theatre Treatment, Dolly Parton's 9 TO 5 Remains The Feel Good Female Empowerment Story With A Stellar Australian Cast
Dolly Parton (Music and Lyrics) and Patricia Resnick’s (Book) musical adaptation of Resnick and Colin Higgins 1980’s ‘labour film’ 9 TO 5 bursts onto the Sydney stage with a fabulous and fun celebration of female empowerment.
BWW REVIEW: Showing The Same Resilience As The Characters Within The Story, A CHORUS LINE Finally Opens In Sydney
Like the determined dancers that feature in its story, Director and Choreographer Amy Campbell’s A CHORUS LINE has pushed through the multiple pandemic related setbacks to finally open at Sydney Opera House’s Drama Theatre.
BWW REVIEW: With An Incredible Scientific Legacy Overshadowed By The Eventual Exposure Of His Sexuality, BREAKING THE CODE Presents Both Sides Of Alan Turing's Life
While much of Alan Turing’s work was the subject of the Official Secrets Act, his personal life was not afforded the same anonymity and details of his sexuality overshadowed his achievements for many years.
BWW Review: HEATHERS – THE MUSICAL, The Musical Adaptation Of The Cult Classic Comes To Darling Quarter
Making his musical theatre directorial debut, Jake Tyler delivers a wonderful production of HEATHERS-THE MUSICAL for The Mitchell Old Company, a new independent theatre company.
BWW REVIEW: THE END OF WINTER, Noëlle Janaczewska's Contemporary Commentary On Climate Change From A Cold Appreciator Opens At Griffin Theatre
Part dramatic monologue, part TED Talk, Noëlle Janaczewska’s THE END OF WINTER is a moving personal story of one woman’s awareness of loss on multiple levels as she contemplates the future of her favourite season.
BWW REVIEW: Nathan Maynard's AT WHAT COST? Is A Powerful Insight Into The Historic Treatment Of Tasmania's Indigenous Community And The Ongoing Fight Against Exploitation
Anchored in history and reality, Nathan Maynard’s AT WHAT COST? brings the story of treatment of Tasmania’s Indigenous population to the forefront as a modern generation deals with a new form of appropriation and exploitation.
BWW REVIEW: Tracey Trinder's KILLING KATIE: CONFESSIONS OF A BOOK CLUB Shines A Spotlight On The Complexities Of Female 'Friendships'
Tracey Trinder’s play KILLING KATIE: CONFESSIONS OF A BOOK CLUB is a hilarious and honest look at the realities of female relationships.
BWW REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On WUDJANG: NOT THE PAST
Bangarra Dance Theatre and Sydney Theatre Company, in their first co-production present the world premiere of WUDJANG: NOT THE PAST.
BWW REVIEW: The Captivating Versatile Powerhouse CASEY DONOVAN Delivers A Fantastic Concert At Sydney Festival's Speaker's Corner
The multi-talented Casey Donovan delivered a captivating concert at Sydney Festival, showcasing her vocal versatility and ability to tap into the true emotion of the music she sings.
BWW REVIEW: Glace Chase's Brilliant New Work TRIPLE X Finally Arrives In Sydney To Thunderous Applause.
Glace Chase (Writer and Performer) takes the classic story of secret love with someone not deemed ‘acceptable’ to their family and friends’ expectations and adds an extra layer of complexity in her new play TRIPLE X.
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Rigoletto Joan Sutherland Theatre, Sydney Opera House (7/21-8/21) |
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A Taste of Ireland - The Irish Music & Dance Sensation Bay Pavilions (9/08-9/08) |
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Monty Python's Spamalot Sydney Event Centre - The Star (10/15-10/18) |
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A Taste of Ireland - The Irish Music and Dance Sensation Civic Theatre Newcastle (9/06-9/06) |
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A Beautiful Noise Sydney Lyric Theatre (11/14-12/20) |
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Inner Landscapes The Joan (7/16-7/16) |
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A World in Love Sydney Opera House (7/27-7/27) |
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Morning Melodies: What's New, Pussycat Kingston City Hall (8/25-8/25) |
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A Taste of Ireland - The Irish Music and Dance Sensation WIN Entertainment Centre (9/11-9/11) |
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Piss Be With You Cleo Rapture (2/23-6/02) |