BWW Reviews: OLD KIT BAG a Good Old-Fashioned Great Night Out
OLD KIT BAG is a small show with a big heart, paying tribute to the power that music has to bring people together in times of trouble.
The latest reviews and critic recommendations from South Africa.
OLD KIT BAG is a small show with a big heart, paying tribute to the power that music has to bring people together in times of trouble.
Whichever way you look at it, THE VERTICAL HOUR is an engaging and challenging play.
With its alternative creative springboard, STRUCK SILENT captures a sense of what it means to be an aging person in a modern society, but the piece never fully distils its inspirations into a thesis that confronts, challenges or moves the audience in the moment of performance.
Abrahamse & Meyer Productions are back at the Artscape Arena with ONE ARM, the company's latest exploration of the work of Tennessee Williams and the first of which is a new adaptation of a non-theatrical work by the iconic playwright and author.
A good friend of mine often says that stand-up comedy is one of those things that cannot be mediocre.
In THE KINGMAKERS, Viljoen turns his hand to political satire, delving into the dark side of oppositional politics, where the word of the spin doctors is law and where secrets hold more weight than transparency.
EMOTIONAL CREATURE is a piece of theatre that is incredibly well-tailored for its target audience of teenage girls, who will love this production should they have the opportunity to visit the Baxter Theatre during its short ten day run.
OSCAR AND THE PINK LADY is structured as a series of letters to God by the play's protagonist, ten-tear-old Oscar.
FRANÇOISE HARDY & BREL, SO ALIVE, SO WELL! locates itself within the tradition of popular entertainment in cabaret, an unassuming compilation of songs made famous by Francoise Hardy and Jacques Brel, threaded together by the slightest suggestion of a narrative concept in which the two meet in a Par
BLUEPRINT is the high profile, alternative new dance project by Darkroom Contemporary, a project being presented under the World Design Capital banner at the Cape Town City Hall.
Eugene O'Neill's DESIRE UNDER THE ELMS is the subject of a new adaptation, with the action transferred from 1840s New England to the Eastern Cape of the 1890s in an attempt to amplify the resonance that O'Neill's classic play has for the South African theatre audiences of today.
SLOWLY is theatre that pulsates with life and purpose, that demands engagement and which stirs the imagination and the emotions deeply.
Jazzart's latest production, BHABHA, represents a low point for the company, after a downward spiral over the past 18 months.
VASLAV is a dynamic, vigorous and disturbing exploration of Vaslav Nijinsky's mind just prior to his internment in an asylum in Switzerland, based on the diaries he wrote over six weeks before he was committed, on the edge of a complete nervous breakdown.
The greatest thing about THE SHADOW OF THE HUMMINGBIRD is seeing South African theatre legend, Athol Fugard, back on stage.
Acclaimed South African writer-director Lara Foot's new play deals with the specific trials and tribulations of the fishing community of western Kenya, telling a story that holds a great deal of resonance for us here in South Africa, without being drowned out by our own socio-political history and s
SALT is an incredibly satisfying theatrical experience, the emergence of a new voice within the South African theatre landscape.
Protest theatre should burn fiercely in the darkness that surrounds it; RETURN OF THE ANCESTORS only flickers enough for us to make out what we have already seen.
WRETCHED leaves the audience knowing that hearts bleed and the power lies within us to shift our heart-spaces.
FERGUS OF GALLOWAY makes for a great night of new musical theatre, a South African premiere of which the Rosebank can be proud of hosting in its intimate theatrical haven.
In this cabaret, Candice van Litsenborgh places centre stage those actors whose work directors love 'so doggone much that (they're) their second choice', singing a selection of 18 songs along the way.
Nine students from the University of Cape Town's Drama Department take on the time-honoured task of storytelling, providing an hour or so of rib-tickling entertainment as they make their way through ten tales from Southern Africa
PAPERBOY is a coming of age story in which writer Grant Jacobs delivers a captivating and endearing performance.
SHOW AND TELL pairs the glamorous Michele Maxwell with the urbane Roland Perold in this intimate musical revue.
Watching DIE BUFFEL and THE OPEN COUPLE is an audience friendly experience of watching a television sit-com on stage, followed by a deconstructed sit-com.
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MAMMA MIA! Teatro at Montecasino (10/16-11/22) |
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MAMMA MIA! Artscape Theatre (9/03-10/11) |
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Resonance and Reflections Cape Town City Hall (9/03-9/03) |
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HIGHLIGHTS Homecoming Centre (8/26-8/29) |
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MAMMA MIA! The Musical! Teatro at Montecasino (10/16-11/22) |
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MAMMA MIA! The Musical! Artscape Theatre (9/03-10/11) |
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Enrico Brignano - Bello di Mamma 2026 Mapo Club (9/01-9/01) |