BWW Reviews: One Small Step for MACBETH, One Huge Leap for Opera in Africa
In MACBETH, Brett Bailey gives us Shakespeare by way of Giuseppe Verdi's opera, filtered through Third World Bunfight's trademark post-colonialist, avant-garde manifesto.
The latest reviews and critic recommendations from South Africa.
In MACBETH, Brett Bailey gives us Shakespeare by way of Giuseppe Verdi's opera, filtered through Third World Bunfight's trademark post-colonialist, avant-garde manifesto.
It is the right time and place for plays about the mining industry, but style ultimately triumphs over and substance in Here Manje and KBT's UNDERMINED.
The cast album of BLOOD BROTHERS offers an interesting listening experience to fans of the show and musical theatre enthusiasts - and the fact that it exists at all is to be commended and valued.
OOM SCHALK: FROM THE HEART makes for an easy and relaxing evening at the theatre.
Provocative, intelligent and cathartic, A HUMAN BEING DIED THAT NIGHT is the kind of play that every South African should see.
DEATH OF COLONIALIST is a good play with a stellar central performance from Jamie Bartlett.
At its best, STAND UP is very entertaining stand-up comedy.
The Cape Dance Company (CDC) has grown into one of South Africa's top contemporary dance companies.
WRONGLY ACCUSED is back in Cape Town for a run over the festive season in the intimate Masambe Theatre at the Baxter.
Come Monday night, Loyiso Gola may well be an Emmy Award winner, which will be evidence for some of just how far ahead of the pack Gola is in his field.
It has been 20 years since Andew Lloyd Webber, Don Black and Christopher Hampton's SUNSET BOULEVARD made its West End premiere.
With a solid foundation in Rademeyer's writing and tour de force performances from Gabriel and Lombard, THE VIEW is a must-see, a thrilling and evocative emotional experience that reminds us of the power of our humanity and just how powerful the consequences can be when we forget it.
Being able to see a production of this rarely produced Tennessee Williams drama is reason enough to make the trip to the theatre, all the more so with the resplendent Jennifer Steyn taking centre stage.
The reality of what has been achieved in this adaptation belies the potential that this version of BLOOD BROTHERS held in its conception.
ILLUSIVE starts off as a nifty novelty show, but soon develops into a literally jaw-dropping experience.
BELOW MY FEET could be called a choreographer, dancer or producer's baby pictures.
SUPERSTARS is a superb evening of dance with an eclectic line-up that has something for everyone, including lovers of dance as well as those who accompany them to the theatre.
It may be Jazzart's 40th anniversary this year, but the distinct sense of style that is the trademark of their work is alive and well in WAITING FOR RAIN.
TIN BUCKET DRUM is undoubtedly a one of the highlights of the current theatre season in South Africa because everyone involved in bringing the show to the stage, from concept through to performance, has honoured what lies at the core of all theatrical endeavours: the act of storytelling.
50 SHADES OF BAMBI is a reflection of a life well lived for the crude and forthright Bambi Kellermann as she looks back on her life as well as at some of our current social and political trends in her own special way.
This revival of Peter Hayes and Jacqueline Dommisse's 1998 puppet play introduces Sadako Sasaki's story to a new generation of South African audiences, both young and old, and is as relevant now in its plea for peace as it was 15 years ago.
Should you attend THE CHESTER MISSING ROADSHOW, you will have a good time.
Featuring some top notch production values and a vivacious cast, THE ROCKY HORROR SHOW will prove popular with both long-time fans of the show as well as those who are seeing it for the first time.
On paper, A TOWN CALLED FOKOL LUTHO looks as though it should work, but some appealing songs and a few chuckles aside, the show falls short of what it aspires to be: an engaging and memorable musical comedy that holds its own in the local musical theatre scene.
Together with a pair of compelling performers, Joanna Evans has created a moving reflection of the things that draw us together as human beings, as well as of those that tear us apart in THE YEAR OF THE BICYCLE.
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MAMMA MIA! Teatro at Montecasino (10/16-11/22) |
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MAMMA MIA! Artscape Theatre (9/03-10/11) |
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Resonance and Reflections Cape Town City Hall (9/03-9/03) |
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HIGHLIGHTS Homecoming Centre (8/26-8/29) |
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MAMMA MIA! The Musical! Teatro at Montecasino (10/16-11/22) |
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MAMMA MIA! The Musical! Artscape Theatre (9/03-10/11) |
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Enrico Brignano - Bello di Mamma 2026 Mapo Club (9/01-9/01) |