Susan Sarandon shines in slippery study of a life in pieces
6 / 10
It is beautifully directed by Matthew Warchus, who elicits magnificent performances from the ensemble. Sarandon performs with ease, assurance and total ownership of her character; Riseborough, in scraped back ponytail, is astonishing as a woman whose life has hurtled off-course. Rosy McEwen, as an unfaithful wife who feels like an actor in her own life, is a scintillating, dangerous force on stage. The two youngest Marys – the 12-year-old trying to impress her heavy-drinking mother, played by Alisha Weir, and Eleanor Worthington-Cox’s hopeful high-school pupil – are also a pleasure to watch, as is the entire cast.
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