Walker Holt has big dreams for his tailor’s shop, and an even bigger order to complete. Over the course of 24 hours he must work tirelessly to satisfy his new client’s impossible tailoring needs.
But as the night goes on, it’s not just the trouser hems that start to fray as tensions rise and Walker’s friendships and relationships are pushed to their limits. His success comes at a cost, but what price is he willing to pay?
Lynette Linton (Blues for an Alabama Sky, Shifters) directs Michael Abbensetts’ (Sweet Talk, Empire Road) era-defining comedy, with additional material by Trish Cooke, in its largest ever staging.
Arinzé Kene makes Walker as blindly driven as he could possibly be. Frustration explodes from him when his staff do not follow his orders; at one point, he collapses onto the floor and squeals like a petulant child. When the company comes together, the stage is alive with their differences of opinion about who and what they should be. This is a glorious revival that proves Abbensetts’s work deserves and needs to continue to be seen.
As a period piece, it is entirely dusted down and stands gleaming. Oliver Fenwick’s lighting design suffuses the stage in sepia as characters recount memories, or it spotlights them in emotional ways – a sentimental technique yet it works. For all its clunkier moments, this is undefinably winning drama. Perhaps it is down to the truth of the characters, so tender, hopeful, determined and unbeaten despite everything. A retro gem.
| 2025 | West End |
West End |
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