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Review: TO KILL A MOCKINGBIRD at KC Music Hall
by Alan Portner - Oct 26, 2023


Aaron Sorkin’s 2018 stage re-imagination of the classic Harper Lee novel “To Kill A Mockingbird” opened Tuesday at the Kansas City Music Hall for a one week run.  It is one of the finest touring companies of any play I’ve been privileged to witness in many years.  “Mockingbird” stars well-known actor Richard Thomas in a stellar turn as the lead character of Atticus Finch.

Cast Announced for Third Season of TO KILL A MOCKINGBIRD Tour; First Look!
by Stephi Wild - Sep 12, 2023


The complete cast has been announced for the third touring season of the First National Tour of tTo Kill a Mockingbird. Learn more about the cast and check out all new photos here!

Interview: FAMOUS Returns to The 11:11 as a Tighter, More Visually Stunning Play Addressing the Cost of Fame
by Shari Barrett - May 10, 2019


FAMOUS re-opened in April after a successful run in 2018. I decided to speak with the show's Creator/Director Michael Leoni (ML) and producers Michelle Kaufer (MK) and Cassidy Pepper (CP), about how the new production uses stylized movements by the characters, enhanced lighting and sound designs, to bring the play flow so much more fluid than last year's version. The result grabs the audience's attention to the point of being able to hear a pin drop, making the entire experience even more stunning and breathtaking than before. And, of course, its relevance to the #MeToo movement is immediately recognizable as power players move in and out of Jason's life during the party.

BWW REVIEW: Artful Direction And Strong Performances Are Andrew Lloyd Webber's Challenging ASPECTS OF LOVE's Saving Grace
by Jade Kops - Nov 30, 2018


ASPECTS OF LOVE, Andrew Lloyd Webber (Book & Music), Don Black (lyrics) and Charles Hart's (lyrics) 1980's story of various types of relationships is given the intimate small stage treatment at Hayes Theatre in Andrew J. Bevis' (Director) new production.

BWW Review: A Remote Kansas BUS STOP Takes Center Stage at Theatre 40
by Shari Barrett - Nov 19, 2018


It is Bo's hard-learned lesson about romance and respect that keeps BUS STOP in the forefront as one of the great classic American romance stories. And thanks to the talented cast and director Ann Hearn Tobolowsky's attention to detail and effective use of freeze framing cast members while others speak, these well known characters will reach out and grab you by the heart, stirring your emotions as lessons are learned, partnerships are formed, and everyone gets exactly what they want by the time the road re-opens, especially a naive cowboy and a 19-year old hick singer from the Ozarks determined to make a better life for herself.

BWW Review: PARFUMERIE Takes Much Too Long to Get to the Love Story at its Heart
by Shari Barrett - Nov 6, 2018


The 1936 Hungarian play PARFUMERIE by Miklos Laszlo has the humble distinction of living in the shadow of the more famous movies (and Broadway musical) that it inspired. In fact, Hollywood has cashed in on the play not once but three times - the first adaptation was the 1940 Ernst Lubitsch romantic comedy 'The Shop Around the Corner,' starring James Stewart and Margaret Sullavan, which was followed by the 1949 screen musical version 'In the Good Old Summertime,' starring Judy Garland, and much later by the 1998 Nora Ephron movie 'You've Got Mail,' with Tom Hanks and Meg Ryan. And of course, the Broadway musical 'She Loves Me' - adapted from the play by Jerry Bock, Sheldon Harnick and Joe Masteroff - opened in New York in 1963 and is now one of the most beloved (and revived) musicals during the Christmas season each year. All I can say is for those who enjoy this story of mistaken identity between pen-pal lovers should see one of those versions

Photo Flash: Remembering Tony Winner Roger Robinson
by Walter McBride - Oct 1, 2018


As BroadwayWorld reported last week, Tony Award-winning actor Roger Robinson died Wednesday, September 26, 2018 in Escondido, California from a complicated heart condition. He was 78.

BWW Review: HIP HOP FILM FESTIVAL 2018 Brings Fresh Perspectives and Hot Talent to Harlem
by Cindy Sibilsky - Aug 13, 2018


The 3rd annual Hip Hop Film Festival was held, fittingly, at the historic National Black Theatre founded by Dr. Barbara Ann Teer who moved to Harlem in 1968 and saw that the once vibrant neighborhood was suffering from a sense of hopelessness after the losses of African American leaders Dr. Martin Luther King Jr. and Malcolm X and desperately needed a community space and cultural arts institution that would 'be reflective of the power, grace and excellence of a people' (according to her daughter and current CEO Sade Lythcott).

Photo Flash: The Theatre Group at SBCC Presents GREASE
by A.A. Cristi - Jun 25, 2018


The Theatre Group at SBCC will start the season July 11-28, 2018 in the Garvin Theatre with the musical, GREASE.  Book, lyrics and music by Jim Jacobs and Warren Casey.

BWW Review: THE ADVENTURES OF THE BLACK GIRL IN HER SEARCH FOR GOD is Less Than it Could be at Karamu
by Roy Berko - Apr 8, 2018


George Bernard Shaw's views on religion may be summarized by his statement, 'People believe anything that amuses them, gratifies them, or promises some sort of profit.'

Photo Flash: MERRILY WE ROLL ALONG Comes to Porchlight Music Theatre
by A.A. Cristi - Jan 30, 2018


Porchlight Music Theatre is proud to announce the next mainstage production it its 2017 - 2018 season Merrily We Roll Along, January 26 - March 11,  2018, music and lyrics by Stephen Sondheim and book by George Furth, with direction by Porchlight Music Theatre Artistic Director Michael Weber, associate direction and musical staging by Porchlight Music Theatre Artistic Associate Christopher Pazdernik and music direction by Aaron Benham at Porchlght's home, the Ruth Page Center for the Arts, 1016 N. Dearborn Street. Merrily We Roll Along is based on the play by the same name written by George S. Kaufman and Moss Hart. The performance schedule is Thursdays at 7:30 p.m., Fridays at 8 p.m., Saturdays at 4 p.m. and 8 p.m. and Sundays at 2 p.m. (March 4 and March 11) and 6 p.m. (February 4, February 11, February 18 and February 25) with a weekday matinee Thursday, March 8 at 1:30 p.m. There is no 4 p.m. performance Saturday, Feb. 3 and no 7:30 p.m. performance on Thursday, March 8. Tickets are $33 - $60 and are available at PorchlightMusicTheatre.org or by calling the Porchlight Music Theatre box office, 773.777.9884.

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