The Good Negro - Off-Broadway Creative Team

Chu's lighting for Mlima’s Tale earned him the Lucille Lortel Award for Best Lighting in 2019 and an Outer Critics Circle Award nomination in 2018. Also in 2018, he received an Obie for Sustained Excellence in Lighting Design and a Berkshire Theatre Critics Association Award for Outstanding Lighting Design for Dangerous House. In 2009, Chu was nominated for a Lucille Lortel Award for his lighting of The Good Negro. Jay Duckworth is the founder of the Prop Summit a yearly meeting of Broadway, off - Broadway, LORT theaters and Academic prop professionals and student . He has been the Keynote Speaker for The Kennedy Center American College Theater Festival as a guest of United States Institute of Theater Technology 2011 & 2015. Headed Master classes in Properties at numerous Universities. The roll call of shows he has create original work for starts in remastered Classic Greek Theater, re-imagined Shakespeare plays and musicals including Hamilton and stark Brechtian shows and continues with contemporary and ink wet works at his ... read more Kluger's Broadway credits include Marvin's Room, Significant Other. Other New York credits include I Was Most Alive With You, The Light Years, Antlia Pneumatica, Marjorie Prime, Iowa (Playwrights Horizons); Man From Nebraska (Second Stage); The Effect, Tribes (Barrow Street Theatre); The Mystery of Love and Sex, Nikolai and the Others (Lincoln Center); Lost Girls, The Nether (MCC); Describe The Night, I'm Gonna Pray for You So Hard, Women or Nothing (Atlantic Theater Company). Recently: The Little Foxes (NYTW); The Winter's Tale (The Public/Shakespeare in the Park). New York: Mabou Mines, Vineyard Theatre, 13P, Lincoln Center Theater Directors Lab, Ma-Yi Theater Company, Signature Theatre Company. Regional: Coronet Theatre; Kirk Douglas Theatre; The Theatre @ Boston Court; East West Players; Taper, Too; Walt Disney Concert Hall; Mark Taper Forum. NYTW Usual Suspect. Proud member of AEA. Notable set/costume designs include: Broadway: Once on This Island (Tony, Outer Critics, Drama Desk nomination), Sunday in the Park With George, Six Degrees of Separation, In Transit, Eclipsed (Tony Award), The Elephant Man (Broadway, West End), Violet. Off-Broadway: Familiar, The True, Here Lies Love (NY, London), Sweet Charity, Bella, and Booty Candy. Over 200 regional and international credits. Encores! Off-Center Principal Designer. Awards: Obie Award for Sustained Excellence, 3 Lucille Lortels, TDF Sharaff Award, 2 ATW Henry Hewes, Helen Hayes. Upcoming: Wild Goose Dreams. Head of Design at Fordham University Theatre Program. @clintramos More than 60 Broadway shows, including The Front Page, The Crucible, Blackbird, The Color Purple, Waitress, The King and I, War Horse, This Is Our Youth, Of Mice and Men, Romeo and Juliet, Lucky Guy, Death of a Salesman, Venus in Fur, A View From the Bridge. He has worked extensively at the Lincoln Center (Disgraced, Blood and Gifts), the Public Theater (Hamlet, King Lear, Mother Courage, Father Comes Home From The Wars), MTC (Ruined, Murder Ballad), NY Theatre Workshop (Red Speedo, Othello), and the Met Opera (Le Nozze di Figaro, Il Trovatore). THE PUBLIC is theater of, by, and for all people. Artist-driven, radically inclusive, and fundamentally democratic, The Public continues the work of its visionary founder Joe Papp as a civic institution engaging, both on-stage and off, with some of the most important ideas and social issues of today. Conceived over 60 years ago as one of the nation's first nonprofit theaters, The Public has long operated on the principles that theater is an essential cultural force and that art and culture belong to everyone. Under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, The Public's wide ... read more