Wig Out! - Off-Broadway Creative Team

Broadway: Bernhardt/Hamlet; Come From Away; August Wilson’s Jitney; Amazing Grace; Lucky Guy; The Scottsboro Boys; Finian’s Rainbow; Chita Rivera: The Dancer’s Life; Ma Rainey’s Black Bottom; King Hedley II; One Mo’ Time; The Wild Party; Marie Christine; Footloose; The Tempest; Twilight: Los Angeles, 1992; Angels in America: Millennium Approaches & Perestroika; Chronicle of a Death Foretold; and Jelly’s Last Jam. Off-Broadway: The Public Theater, Playwrights Horizons, Second Stage, Soho Rep, Lincoln Center Theater, New York Theatre Workshop, Manhattan Theatre Club, and the Roundabout Theatre, among others. Regional: Berkeley Repertory Theatre, La Jolla Playhouse, Steppenwolf, Hartford Stage, Long Wharf Theatre, the ... read more More than 35 plays and musicals including Anything Goes; Venus in Fur; Nice Work if You Can Get It; Young Frankenstein; Curtains; Grey Gardens; The Pajama Game; The Producers; Contact; Kiss Me, Kate. Many productions Off-Broadway and for resident and regional theatres in the U.S. Opera: The Met, NYCO, LAMCO, San Francisco, Houston Grand, Seattle. Abroad: Royal Opera, Scottish Opera, La Fenice, Maggio Festival Florence, L'Arena di Verona, Teatrolirico di Cagliari, Teatro Sao Carlos Lisbon. He is the recipient of Tony, Drama Desk, Outer Critics, Drama-Logue and Hewes design awards. Robert Kaplowitz is a Tony Award-winning sound designer with an impressive career in theater, film, and television. Born in New York City, Kaplowitz attended NYU's Tisch School of the Arts where he received a BFA in Film and Television Production. Kaplowitz began his career in sound design working on off-Broadway productions before making his Broadway debut in 1998 with the play "The Beauty Queen of Leenane." Since then, he has worked on numerous Broadway productions, including the Tony Award-winning shows "Fela!," "The Deaf West revival of Spring Awakening," and "The Band's Visit." In addition to his work on Broadway, Kaplowitz has also ... read more Landau's early work included site specific productions with New York City's En Garde Arts, including Orestes and The Trojan Women: A Love Story, both by Charles L. Mee, as well as her original play "Stonewall: Night Variations." Floyd Collins, with a book by Landau and a score by Adam Guettel, opened off-Broadway at Playwrights Horizons in 1996. Landau was nominated for the Drama Desk Award for Outstanding Book of a Musical and the Drama Desk Award for Outstanding Director of a Musical, and the production won the Lucille Lortel Award for Best Musical. A later version of the show played ... read more Additional credits include: Henry V Classical Theatre of Harlem, 2011 Production Stage Manager Paz's Broadway credits include Hadestown (2019 TONY, Outer Critics Circle, Drama Desk for Outstanding Sound Design nominations); Associate Designer of Bandstand (2017); Dear Evan Hansen (2016) Disaster the Musical (2015); The Assembled Parties (MCC); and Fela! (2009). Paz has also worked Off-Broadway on Twelfth Night and Othello (The Public Theater- 2018 Shakespeare in the Park); Miss You Like Hell (The Public Theater); Julius Caesar, A Midsummer Nights Dream, and As You Like it (The Public Theater- 2017 Shakespeare in the Park); Burn All Night (A.R.T Oberon Stage); Ugly Lies the Bone (Roundabout); A Sucker EmCee (LAByrinth); The Muscles in Our Toes ... read more Credits include: A Civil War Christmas 2012 - Associate Costume Designer- New York Theatre Workshop (NY,NY) A Boy and His Soul 2009 - Assistant Costume Designer -Vineyard Theatre (NY, NY) Cotton Club Parade 2011