Twilight: Los Angeles 1992 - Off-Broadway Creative Team

Ms. Eisenhauer and collaborator Jules Fisherhave collectively been awarded Broadway’s Tony Award for Best Lighting Design of a Musical seven times, including Stephen Sondheim’s Assassins (2004, Revival), Bring in ‘Da Noise, Bring in ‘Da Funk (1996), Jelly’s Last Jam (1992), The Will Rogers Follies (1991), Grand Hotel (1990), Bob Fosse’s Dancin’ (1978), and Pippin (1973), and once for Best Lighting Design of a Play for Ulysses in Nighttown (1974). For motion pictures, Fisher and Eisenhauer designed theatrical lighting for Rob Marshall's Chicago, Mel Brooks' The Producers, Richard Linklater's School of Rock and Bill Condon's Dreamgirls, and Disney's live-action remake of ... read more In a celebrated career spanning almost 40 years, Jules Fisher has lit over 200 Broadway and off-Broadway shows, as well as film, ballet, opera, television, and rock-and-roll concert tours. He has received 18 Tony nominations and won 8 Tony awards for Lighting Design, a record in this category. His most recent project, "Assassins", (2004 Tony award) also won him the Drama Desk and Outer Critic's Circle awards. His previous Tony awards were for "Bring in 'da Noise, Bring in 'da Funk," 1996; "Jelly's Last Jam," 1992; "The Will Rogers Follies," 1991; "Grand Hotel," 1990; "Dancin'," 1978; "Ulysses in Nighttown," 1973; ... read more John Gromada (Composer/Sound Designer) has composed music or designed sound for more 40 Broadway productions, including All My Sons, Torch Song, The Elephant Man, The Trip to Bountiful with Cicely Tyson (Tony nomination), Gore Vidal's The Best Man (Drama Desk Award), Clybourne Park, Seminar, Man and Boy, The Columnist, Next Fall, A Bronx Tale, Prelude to a Kiss, Proof, A Streetcar Named Desire, Twelve Angry Men, and the original A Few Good Men. His other New York credits include Amy and the Orphans, Bruce Norris' Domesticated, Old Hats, Measure for Measure (Delacorte Theater), The Orphans? Home Cycle (Drama Desk ... read more Broadway: Bernhardt/Hamlet; Come From Away; August Wilson’s Jitney; Amazing Grace; Lucky Guy; The Scottsboro Boys; Finian’s Rainbow; Chita Rivera: The Dancer’s Life; Ma Rainey’s Black Bottom; King Hedley II; One Mo’ Time; The Wild Party; Marie Christine; Footloose; The Tempest; Twilight: Los Angeles, 1992; Angels in America: Millennium Approaches & Perestroika; Chronicle of a Death Foretold; and Jelly’s Last Jam. Off-Broadway: The Public Theater, Playwrights Horizons, Second Stage, Soho Rep, Lincoln Center Theater, New York Theatre Workshop, Manhattan Theatre Club, and the Roundabout Theatre, among others. Regional: Berkeley Repertory Theatre, La Jolla Playhouse, Steppenwolf, Hartford Stage, Long Wharf Theatre, the ... read more Kline won a scholarship to the Juilliard School’s drama division in 1970. In 1972, he co-founded the City Center Acting Company (now The Acting Company), touring nationally in classical repertory productions and The Robber Bridegroom. He appeared on the soap opera Search for Tomorrow (1976) and returned to the stage in Dance on a Country Grave (1977). He won his first Tony Award for On the Twentieth Century (1978) and a second Tony for The Pirates of Penzance (1980), later reprising the role in the film version (1983). His New York Shakespeare Festival credits included Richard III (1983), Henry V ... read more THE PUBLIC is theater of, by, and for all people. Artist-driven, radically inclusive, and fundamentally democratic, The Public continues the work of its visionary founder Joe Papp as a civic institution engaging, both on-stage and off, with some of the most important ideas and social issues of today. Conceived over 60 years ago as one of the nation's first nonprofit theaters, The Public has long operated on the principles that theater is an essential cultural force and that art and culture belong to everyone. Under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, The Public's wide ... read more