Wallis Annenberg Center for Performing Arts announces three live streamed World Premiere musical events produced by HERSHEY FELDER PRESENTS – LIVE FROM FLORENCE benefiting The Wallis, including Hershey Felder as Sholem Aleichem in BEFORE FIDDLER – Live from Florence, Hershey Felder: PUCCINI – Live from Florence, and Hershey Felder as Sergei Rachmaninoff in ANNA & SERGEI – Live from Florence.
TheatreWorks Silicon Valley launches the New Year with the announcement of three World Premiere livestreamed performances in partnership with Hershey Felder Presents Live from Florence. First up in this year in the Hershey Felder Presents – Live from Florence series is BEFORE FIDDLER, featuring Klezmerata Fiorentina.
San Francisco Opera's 2018-19 Season opens Friday, September 7 with the double bill of Pietro Mascagni's Cavalleria Rusticana and Ruggero Leoncavallo's Pagliacci (or CavPag), and opening night galas hosted by San Francisco Opera Guild and the BRAVO! CLUB. Italian conductor Daniele Callegari makes his Company debut leading an International cast in Jose Cura's production, staged in revival by fellow Argentine Jose Maria Condemi. Opening weekend festivities inaugurating the Company's 96th season continue Saturday, September 8, with Gaetano Donizetti's Roberto Devereux and on Sunday, September 9, with San Francisco Chronicle Presents Opera in the Park, the annual free concert in Golden Gate Park celebrating the new opera season.
San Francisco Opera's 2018-19 Season opens Friday, September 7 with the double bill of Pietro Mascagni's Cavalleria Rusticana and Ruggero Leoncavallo's Pagliacci (or Cav/Pag), and opening night galas hosted by San Francisco Opera Guild and the BRAVO! CLUB. Italian conductor Daniele Callegari makes his Company debut leading an International cast in Jose Cura's production, staged in revival by fellow Argentine Jose Maria Condemi. Opening weekend festivities inaugurating the Company's 96th season continue Saturday, September 8, with Gaetano Donizetti's Roberto Devereux and on Sunday, September 9, with San Francisco Chronicle Presents Opera in the Park, the annual free concert in Golden Gate Park celebrating the new opera season.
The Metropolitan Opera will open its 133rd season on Monday, September 25 with a new production of Bellini's bel canto tragedy Norma. Soprano Sondra Radvanovsky returns to the Met as one of the world's leading interpreters of Norma, singing her first season opening performances.
Icicle Creek Center for the Arts Announces New Opera Series, 'Icicle Creek Presents The Met: Live in HD' at Snowy Owl Theater on its campus in Leavenworth.
Icicle Creek Center for the Arts Announces New Opera Series, 'Icicle Creek Presents The Met: Live in HD' at Snowy Owl Theater on its campus in Leavenworth.
Nashville Opera's 2011-12 season will feature three beloved opera productions: Giuseppe Verdi's La Traviata, Ruggero Leoncavallo's I Pagliacci, and the Nashville Opera premiere of Giacomo Puccini's The Girl of the Golden West (La Fanciulla del West).
A haunting tale of obsession, the internationally acclaimed Richard Jones production of
Tchaikovsky's The Queen of Spades opens Houston Grand Opera's (HGO) 2010 spring repertory.
Performances run April 16 - May 1, 2010 in the Brown Theater of the Wortham Theater Center.
Opera News calls Richard Jones's production of The Queen of Spades, originally created for
Welsh National Opera 'telling theatricality.' London's Observer wrote 'Once every few seasons, a
production gets pretty much everything right. This is one ... dramatically spine-chilling, visually spare and coherent; it was the kind of theatrical experience which changes the way you look at life.'
A haunting tale of obsession, the internationally acclaimed Richard Jones production of
Tchaikovsky's The Queen of Spades opens Houston Grand Opera's (HGO) 2010 spring repertory.
Performances run April 16 - May 1, 2010 in the Brown Theater of the Wortham Theater Center.
Opera News calls Richard Jones's production of The Queen of Spades, originally created for
Welsh National Opera 'telling theatricality.' London's Observer wrote 'Once every few seasons, a
production gets pretty much everything right. This is one ... dramatically spine-chilling, visually spare and coherent; it was the kind of theatrical experience which changes the way you look at life.'