Interview: Theatre Life with Joe Iconis And Charlie Rosen
by Elliot Lanes - Jun 18, 2025
The Untitled Unauthorized Hunter S. Thompson Musical is a “gonzo” terrific new musical currently running at Signature Theatre through July 13th. Today’s subjects are two of the reasons the show is so successful.
Interview: Theatre Life with Barry Edelstein
by Elliot Lanes - Jan 28, 2025
Today’s subject Barry Edelstein is currently living his theatre life as the Artistic Director of San Diego’s renowned Old Globe. On January 30th he will be giving a special presentation on putting together his adaptation of Shakespeare’s Henry VI plays entitled Henry 6. at our very own Folger Theatre as part of their third annual Reding Room Series which runs from January 30th through February 2nd.
Interview: Measha Brueggergosman-Lee of Opera Atelier's ALL IS LOVE
by Ilana Lucas - Apr 8, 2024
BroadwayWorld Toronto spoke to ALL IS LOVE star Brueggergosman-Lee about her love for the show and the company, the importance of taking risks, and how her upcoming Governor General’s Lifetime Achievement Award is really an encouragement to keep creating.
Feature: Neil LaBute Play Takes Center Stage at ATC Cabaret
by Robert Encila-Celdran - Oct 16, 2023
To his credit, Klugheit sees the controversy as a chance to engage an otherwise piercing inquiry into our cultural obsession with physical beauty. REASONS TO BE PRETTY paints an unflinching portrait of seemingly reasonable Americans in emotional crisis -- socially well-adjusted folks who suffer from profound insecurity and power struggles.
BTG Reveals Casting For MILLION DOLLAR QUARTET and PHOTOGRAPH 51
by Stephi Wild - Jun 2, 2023
Berkshire Theatre Group (BTG) and Kate Maguire (Artistic Director, CEO) have announced casting for two of its summer 2023 shows: Million Dollar Quartet, a three-time Tony Award–nominated once-in-a-lifetime musical evening back by popular demand with some of the same cast as 2017 and Photograph 51, an intriguing portrait of the race to discover the mysteries of the DNA double helix.
See Judy Kuhn, Ricky Rojas & More at The Green Room 42 in February
by Chloe Rabinowitz - Jan 27, 2022
The Green Room 42 has announced their February line-up for in-person performances. Additionally, The Green Room 42 is excited to launch 5/5/5 Tickets – in celebration of their 5th Anniversary, five $5 tickets will be available for every show from February 15, 2022, through February 14, 2023.
The Green Room 42 Announces January Line-Up
by Chloe Rabinowitz - Jan 7, 2022
he Green Room 42 has announced their January line-up for in-person performances in addition to launching reWINEd, a new streaming series where you can rewatch some favorite recent shows paired with at-home drink recommendations from each artist.
BWW Interview: John Lloyd Young Excited For His REUNIONS & Live Performances
by Gil Kaan - Aug 10, 2021
Tony and Grammy winner John Lloyd Young makes his first LIVE post-pandemic performance in Los Angeles with JOHN LLOYD YOUNG: REUNIONS at Feinstein’s at Vitello’s August 21, 2021. Got to catch up with John again after all these socially distant months to chat about his busy schedules - quarantined and future.
BWW Interview: Khori Dastoor of THREE DECEMBERS at Opera San Jose Is Up to the Job of Making Art That Is Relevant for Our Times
by Jim Munson - Dec 18, 2020
Talking to Khori Dastoor, General Director of Opera San José brings to mind that old quote from Elizabeth Taylor when she was faced with unimaginable adversity, “Now is the time for guts and guile.” Just one year into her tenure as GD, Dastoor is faced with an almost impossible situation due to the Covid pandemic. Out of all the arts, opera, the artform which she has made her life’s work, arguably has the biggest challenges. After all, the act of singing operatically produces enormous amounts of aerosols, the core audience is older and thus especially at risk for Covid, and the population at large may not consider opera to be essential to their lives. Since creating new works is practically impossible, many GD’s are offering a sort of greatest hits of former glories, video snippets from past years that were already in the can. Or maybe something like a “reading” of an old holiday chestnut like Der Rosenkavalier, presented Brady-Bunch style on Zoom.
So what does Dastoor do instead? She goes bravely programs a brand-new, beautifully-produced production of Jake Heggie’s Three Decembers, starring no less than world-renowned opera star Susan Graham, alongside two of Opera San José’s super-talented Resident Artists, soprano Maya Kherani and baritone Efraín Solis. This immensely moving chamber work is based on an unpublished play by Terrance McNally, adapted by librettist Gene Scheer, and tells the story of a family struggling to connect during the early years of the AIDS pandemic. The work premiered in 2008, yet somehow feels more relevant than ever, given the parallels with what we’re all going through today, as evidenced by McNally’s death from Covid earlier this year. The opera is currently available for streaming through the end of December. For more information or to purchase tickets, visit operasj.org.
BroadwayWorld spoke with Dastoor shortly after the filming of Three Decembers had been completed. Dastoor was remarkably open and forthcoming about the challenges of the opera world right now, even as her passion for growing the artform burns stronger than ever. We talked about how she managed to produce Three Decembers during Covid, her successful earlier career as a lyric soprano, and the imperative to keep the arts alive during these difficult times. Her responses to my questions were invariably thoughtful, often surprising and not without humor. And, as a rare woman of color leading an opera company, her understanding of the need to open up her artform runs deep. Above all, though, she is just plain fun to talk to - effortlessly engaging, whip-smart, emotionally transparent, and without an ounce of pretension.