You Can't Take It With You - 1983 - Broadway Articles Page 11

In her new cabaret effort, It's a Good Day: A Tribute to Miss Peggy Lee (running four more times through next February at the Metropolitan Room), Stacy Sullivan so adroitly articulates and emotionally inhabits the songs-and Lee's life story-through the astute arrangements and the well-crafted script, that it is almost impossible not to come away with a new appreciation for one of America's greatest jazz/blues/pop singers.

Sunday's MEET THE PRESS WITH DAVID GREGORY on NBC featured a roundtable discussion with Obama campaign senior adviser Robert Gibbs, former Republican presidential candidate Newt Gingrich, Democratic strategist Hilary Rosen, Republican strategist Mike Murphy, and NBC News Political Director Chuck Todd; and a one-on-one interview with former California Governor Arnold Schwarzenegger. Below are highlights and a transcript of Sunday's program.

Today we have the honor of talking to an actor equally skilled in comedy and drama who is now a playwright and director in his own right, with his new play, BULLET FOR ADOLF, being a New York stage hit - the one and only Woody Harrelson. A huge Hollywood star who has appeared in countless recognizable and beloved film properties over the last twenty-five years - from Oliver Stone's NATURAL BORN KILLERS, Milos Foreman's THE PEOPLE VS. LARRY FLYNT, Robert Altman's A PRAIRIE HOME COMPANION and many more notables (not to mention his many comedies, ranging from WHITE MEN CAN'T JUMP to ZOMBIELAND), all the way up to his most recent screen appearances in THE MESSENGER, RAMPART and the international smash hit franchise-kick-off THE HUNGER GAMES - with a special focus on his new Broadway play which he co-wrote and directed, A BULLET FOR ADOLF - in this chat, Woody and I cover the bases. Covering his career from understudying in Neil Simon's BILOXI BLUES on Broadway and his subsequent big break on CHEERS to his string of iconic film portrayals, Harrelson and I shine a light on his theatrical side while he also elucidates the process that finally brought the story of BULLET FOR ADOLF to the theatrical stage, sharing the true life tale behind its characters, location, plot and themes along the way and opening up about possibilities for the play's future - West End, perhaps? Maybe a film? Plus, Harrelson also looks ahead to the many exciting projects coming up in the next several weeks and months now that A BULLET FOR ADOLF has settled in to an extended run at New World Stages, now on sale through October 21 - such as working with fellow InDepth InterView participant Philip Seymour Hoffman and the rest of the starry assortment of players on the highly anticipated THE HUNGER GAMES: CATCHING FIRE and its subsequent sequels (which begin shooting this week in Atlanta, GA); sharing the small screen with Matthew McConaughey on a new HBO thriller/serial-killer-themed anthology series titled TRUE DETECTIVES; starring in SEVEN PSYCHOPATHS, written and directed by celebrated playwright and filmmaker Martin McDonagh; even sharing his candid impressions and adoration of his favorite state of the union, Hawaii - all of that and much, much more!

Find out who's really crazy when a couple of lovebirds bring their mismatched families together. The Antaeus Company, L.A.'s multiple award-winning classical theater company, presents You Can't Take It With You, the timeless comedy about love, life and living by George S. Kaufman and Moss Hart. Gigi Bermingham directs the fully double cast production Oct. 18 through Dec. 9, with low-priced previews beginning Oct. 11.

Writer for stage and screen Aaron Sorkin spoke at Syracuse University's 158th Commencement yesterday; read a transcipt from his speech below!

Today we are kicking off BroadwayWorld's exclusive multi-part InDepth InterView series focusing on the New York Pops 29th Birthday Gala concert celebrating the music and musicals of Lynn Ahrens & Stephen Flaherty, JOURNEY ON, that will take place at Carnegie Hall on April 30 at 7 PM by taking to the lyricist half of the lauded Tony Award-winning songwriting team herself, the thoughtful and candid Lynn Ahrens. In a wide-ranging conversation covering many of her theatrical collaborations with Stephen Flaherty from their first musical, LUCKY STIFF, in the 1980s, to their Tony-winning success with RAGTIME in the 1990s, to their astounding slate of shows since - SEUSSICAL: THE MUSICAL, DESSA ROSE and THE GLORIOUS ONES included - all the way up to 2012 and their new musical in pre-production in Germany, ROCKY, based on the iconic 1975 Oscar-winning Sylvester Stallone-starring boxing film. Ahrens also shares firsthand news on the new Ahrens & Flaherty musical based on the art and life of Degas and the upcoming feature film version of LUCKY STIFF, directed by Christopher Ashley, as well as reflects on her work for the stage, page and screen outside of her work with Flaherty - songs for SCHOOLHOUSE ROCK and songs for the hit indie musical film CAMP among them. Plus, Ahrens shares her enthusiasm for her many collaborators and the performers famous for interpreting her work as well as relates her excitement for the star-studded JOURNEY ON concert spectacular at Carnegie Hall. All of that and much, much more!

There's so much already going on this season in Triangle theater! I'm so thrilled by what I've seen so far, and I cannot wait to dive into so many more amazing productions. I can't tell you exactly what to see, but I'll let you know what I am definitely going to be seeing this year.

There's so much already going on this season in Triangle theater! I'm so thrilled by what I've seen so far, and I cannot wait to dive into so many more amazing productions. I can't tell you exactly what to see, but I'll let you know what I am definitely going to be seeing this year.

There's so much already going on this season in Triangle theater! I'm so thrilled by what I've seen so far, and I cannot wait to dive into so many more amazing productions. I can't tell you exactly what to see, but I'll let you know what I am definitely going to be seeing this year.

There's so much already going on this season in Triangle theater! I'm so thrilled by what I've seen so far, and I cannot wait to dive into so many more amazing productions. I can't tell you exactly what to see, but I'll let you know what I am definitely going to be seeing this year.

The Repertory Theatre of St. Louis (The Rep) opened Sunday in the Park with George, music and lyrics by Stephen Sondheim and book by James Lapine, on the Browning Mainstage of the Loretto-Hilton Center for the Performing Arts last night, January 4. The production will run through January 29, 2012. Get a first glimpse at the production with the video below!

The Repertory Theatre of St. Louis (The Rep) opens Sunday in the Park with George, music and lyrics by Stephen Sondheim and book by James Lapine, on the Browning Mainstage of the Loretto-Hilton Center for the Performing Arts tonight, January 4. The production will run through January 29, 2012. Below, we bring you a first look at the official production photos!

The Repertory Theatre of St. Louis (The Rep) will present one of the best musicals ever written, Sunday in the Park with George. With music and lyrics by Stephen Sondheim and book by James Lapine, the show will be performed on the Browning Mainstage of the Loretto-Hilton Center for the Performing Arts, 130 Edgar Road (on the campus of Webster University), Webster Groves, January 4 - 29, 2012.

AMPM Entertainment Concepts present Freestyle Free For All & Friends in the Arena at Trump Taj Mahal on Saturday, November 5, 2011.

There's so much already going on this season in Triangle theater! I'm so thrilled by what I've seen so far, and I cannot wait to dive into so many more amazing productions. I can't tell you exactly what to see, but I'll let you know what I am definitely going to be seeing this year.

Long Wharf Theatre, under the director of Artistic Director Gordon Edelstein and Interim Managing Director Joshua Borenstein, presents the Tony Award-winning musical Ain't Misbehavin' on the Mainstage from Oct. 26 through Nov. 20.

AMPM Entertainment Concepts present Freestyle Free For All & Friends in the Arena at Trump Taj Mahal on Saturday, November 5, 2011.

Bright, sunny, clarion-voiced leading lady Liz Callaway is not only known for her roles in the Broadway productions of MERRILY WE ROLL ALONG, BABY, CATS, MISS SAIGON and THE LOOK OF LOVE, but also for her string of highly-successful studio albums - among them, the sensational 60s ode THE BEAT GOES ON and the musical theatre-centric THE STORY GOES ON, in addition to last year's superlative PASSAGE OF TIME - and, she is also well-loved for stunning live stage double-bills with her sister, Ann Hampton Callaway - represented on record by SIBLING RIVALRY and, now, the new live album and show all about baby boomers and their sensational music, titled BOOM! In this all-encompassing conversation, Callaway and I parse her predilection for certain composers - Burt Bacharach, Jimmy Webb, Stephen Sondheim and many more included - as well as her memories of working with some of the most important musical theatre creators of the twentieth century over the course of her thirty-year career, such as legendary director Hal Prince and Sondheim himself on projects diverse as MERRILY WE ROLL ALONG, A STEPHEN SONDHEIM EVENING and FOLLIES: IN CONCERT. Plus, we also talk about Callaway's various musical influences, her childhood, her first Broadway show and first Broadway onstage experience, revisiting MERRILY twenty years later with the entire original cast, live versus studio performing, as well as what's coming up next for her in the coming months and new year - including the Christmas stage spectacular, YULETIDE - and more!

Pulitzer Prize winning author and journalist William Kennedy was the guest of honor at a special toast at popular Theater District eatery, Trattoria Dopo Teatro. Longtime friend and noted film and theater producer Barbara Ligeti along with Trattoria Dopo Teatro owners architect Emilio Barletta & Giuseppe Manica hosted the reception to salute the author on the release of his eagerly anticipated new novel, 'Chango's Beads and Two Toned Shoes'.

Today, in an extension of the FLASH FRIDAY column, we are sharpening our focus on the six upcoming revivals of musicals that are soon to hit the boards in the next few months (post-FOLLIES) and battle it out for the Best Revival as the Broadway season heats up just when the weather begins to cool: the classic Jule Styne/Bob Merrill musical that originally starred that star-of-stars, Barbra Streisand - FUNNY GIRL; the groundbreaking rock opera that rewrote the theatrical rulebook thanks to young creators Andrew Lloyd Webber and Tim Rice - JESUS CHRIST SUPERSTAR; the hippie, flower child take on the Christ story covering some similar Biblical ground to that of SUPERSTAR, with this one being the composing debut of WICKED songwriter Stephen Schwartz - GODSPELL; another Andrew Lloyd Webber/Tim Rice collaboration that won seven Tony Awards and acted as the vehicle for Patti LuPone's blazing Broadway debut in a starring role - EVITA; the significantly reworked, revised and rewritten new version of the beautifully scored time-travel musical by Burton Lane and Alan Jay Lerner, this time starring a male movie star crooner - ON A CLEAR DAY YOU CAN SEE FOREVER; and, the landmark American opera composed by the Gershwins with DuBose Haywerd - PORGY & BESS. While each and every one of these entities has a huge hit song or two that nearly everyone on the planet knows by heart - "Don't Rain On My Parade", "I Don't Know How To Love Him", "Day By Day", "Don't Cry For Me Argentina", "On A Clear Day…" and 'Summertime' included - each of these revivals also comes after a film version (or two) that, in more than a few of these cases, will be relatively difficult to top as far as expectations of many audience members undoubtedly will go. So, by taking a listen to the smash hit crossover songs from these musicals as well as looking at their respective film version's trailers - as well as a couple of surprises, too - perhaps we can glean some insight into what makes these generally pretty terrific properties so well worth reviving on Broadway, here, now, today, in 2011. Furthermore, all of this crystal ball commentary is not even taking into account the starry assortment of performers that have already been announced for these productions so far - especially with FUNNY GIRL's Lauren Ambrose and Bobby Cannavale, GODSPELL's Hunter Parrish, SUPERSTAR's lauded Josh Young, EVITA's Ricky Martin and Michael Cerveris, PORGY's Norm Lewis and Audra McDonald, as well as the leading man in what was once a leading lady's role (that of Barbara Harris) in ON A CLEAR DAY YOU CAN SEE FOREVER, Harry Connick, Jr.! What a tight race it is turning out to be for these new productions, particularly come Tony time in June! With rock to rhumba and borscht belt comedy to messianic hosannas and even full-out opera, seemingly every conceivable customer base is more than covered by this packed, potentially, well, awesome, season of shows - and many Broadway babies around BroadwayWorld are undoubtedly looking most forward to these six forthcoming revivals - with particularly good reason given the relative dearth of new musicals announced so far. So, let these revivals revive your flagging spirits as we leap into the 2011-2012 season with this comprehensive prospective and retrospective all about what makes them work so well in the first place and so worthy of another look!

Long Wharf Theatre, under the director of Artistic Director Gordon Edelstein and Interim Managing Director Joshua Borenstein, presents the Tony Award-winning musical Ain't Misbehavin' on the Mainstage from Oct. 26 through Nov. 20.

GRAMMY® Award-winning, multi-platinum artist LeAnn Rimes breathes new life into country classics originally performed by male recording artists by reinterpreting each song on her forthcoming new album Lady & Gentlemen due out September 27, 2011 on Curb Records.

ClassicsFest 2011 - The Antaeus Company, L.A.'s classical theater ensemble, presents its 7th 'summer splash' of actor-initiated workshops, readings, and special events. Audiences can choose from a veritable smorgasbord of the classics. This week: The Matchmaker by Thornton Wilder, You Can't Take It With You by George S. Kauffman and Moss Hart, and a Wild Card audience favorite from the Festival.

ClassicsFest 2011 - The Antaeus Company, L.A.'s classical theater ensemble, presents its 7th 'summer splash' of actor-initiated workshops, readings, and special events. Audiences can choose from a veritable smorgasbord of the classics. This week: The Matchmaker by Thornton Wilder, You Can't Take It With You by George S. Kauffman and Moss Hart, and a Wild Card audience favorite from the Festival.