When We Are Young - 1920 - Broadway Articles Page 11

Like a lot of writer John Logan's works NEVER THE SINNER explores the darker side of humanity. It was his first play, but you wouldn't know it by the intensity it spawns as its tale unfolds. The New Jewish Theatre is presenting a taut production of this piece which focuses our attention on Leopold and Loeb, the teenage purveyors of the 'crime of the century' in the early 1920's. It's a well crafted and dramatic show that only breaks the palpable tension that's been building in the air for an intermission about half way through it. What makes this story particularly timely, in my estimation, is that these two 'kids' became enamored with Nietzche's idea of there being 'supermen' who are above the law due to their supposed superiority. That's a drastic simplification of the concept as a whole, but the point is that we can still see this type of thinking in the current world we live in. This is a show that's definitely worthy of your time and attention.

The suspenseful mystery genre of theatre is one that should always be approached with caution; the mixture of sprinkling around clues without giving up the ending to the audience is one that can be difficult to get just right. However, at Little Theatre of Mechanicsburg, their production of LOVE FROM A STRANGER has managed to grip the attention of the audience, and the reviewer in particular, in ways they may not have imagined.

SOULSKIN Dance is proud to present a brand new work SATIN & SWING as part of their 4th Season in San Francisco. Artistic Director and Choreographer Adrianna Thompson seeks to engage audiences in a study of two eras, the 1920s and the present. Dance Mission Theatre transforms into a time machine, transporting us back to the 1920s. Glitz and glam sparkle from the dingy corners of a speakeasy. Raucous jazz blares, bringing bejeweled and sequined dancing flapper girls to life. An evening of indulgence has begun. The entry notes of Prince's 'Erotic City' ring in your ears, an echo from another time. Suddenly you notice the writing on the wall. The crash of overindulgence is imminent.

Elevator Repair Service, a New York company with a decided literary turn, has brought its lengthy but satisfying staging of Hemingway's first novel, 'The Sun Also Rises,' to Shakespeare Theatre Company's Landsburgh stage for a healthy Washington run. For Hemingway fans, this is reason enough to make a pilgrimage downtown; for theatre enthusiasts, even those who wouldn't normally touch Hemingway with a 10-foot-pole, the sheer exuberance and creativity of the ensemble should be a huge draw.

2017 is shaping up to be an eventful year at The Iridium as we continue to host MTV Live Setlist (the episode featuring 'dark girl pop' band MUNA airs this Saturday, February 4 at 9pm ET), and the acclaimed live public television series Front and Center (season 6 airing now at various dates/times across the country)! 

SOULSKIN Dance is proud to present a brand new work SATIN & SWING as part of their 4th Season in San Francisco. Artistic Director and Choreographer Adrianna Thompson seeks to engage audiences in a study of two eras, the 1920s and the present. Dance Mission Theatre transforms into a time machine, transporting us back to the 1920s. Glitz and glam sparkle from the dingy corners of a speakeasy. Raucous jazz blares, bringing bejeweled and sequined dancing flapper girls to life. An evening of indulgence has begun. The entry notes of Prince's 'Erotic City' ring in your ears, an echo from another time. Suddenly you notice the writing on the wall. The crash of overindulgence is imminent.

Music Director Alan Gilbert will lead the New York Philharmonic on the EUROPE / SPRING 2017 tour, March 23-April 7, 2017. The two-week tour - Alan Gilbert's ninth and final international tour as Music Director, the seventh with him to Europe - will feature fourteen concerts in seven countries.

Museum of the Moving Image and its online publication Sloan Science & Film are pleased to join the nationwide film program Science on Screen, an initiative of the Coolidge Corner Theatre supported by the Alfred P. Sloan Foundation, in presenting a series of screenings accompanied by discussions with scientists and filmmakers.

Joe's Pub at The Public has announced its nightly performances from January 18-29, 2017. Scroll down for more information, and visit www.joespub.com for a complete list of shows!

Andrew Upton's new adaptation of Anton Chekhov's first play, Platonov, The Present opens tonight at the Barrymore Theatre (243 West 47th Street) for a limited engagement through Sunday, March 19, 2017. THE PRESENT features the Sydney Theatre Company cast of 13, each making their Broadway debut, including Cate Blanchett (Anna) and Richard Roxburgh (Mikhail).

Happy New Year, BroadwayWorld! As we eagerly anticipate the amazing musicals and plays coming up in 2017, we're taking a moment to look back at the significant Broadway closings of 2016.

With a handful of new pieces set to bow before the Tony Awards deadline in April, BroadwayWorld brings you a look at those plays currently set to bow on the Great White Way this year!

Full casting is announced today for Michael John LaChiusa's The Wild Party, which receives its first major London production at The Other Palace, playing from Monday 13 February to Saturday 1 April 2017, with a press night on Monday 20 February.

Surely most theatre folks have seen productions of the fabulous musical THOROUGHLY MODERN MILLIE, winner of six Tony Awards including Best Musical, making the show the 2002 season's most awarded new show on Broadway, based on the original story and screenplay by Richard Morris for the 1967 Universal Pictures film directed by George Roy Hill and starring Julie Andrews. I can tell you without a shadow of a doubt, the current production directed by Anne Gesling for the Y.E.S. Youth/Teen Program at Santa Monica's Morgan-Wixson Theatre is just as good as many adult production I have seen, given the cast's talent, Gesling's spot-on fast-paced direction and fabulous 1920's costuming, Daniel Koh's musical direction creating wonderful cast harmonies, and creative choreography by Lauren Blair.

Henry David Thoreau was a rebel. A rebel with many causes. He opposed taxation, contested war on foreign soils, was a strong advocate for the abolition of slavery, refused to pay fees for things that he thought were earned and therefore should not cost money (e.g., as a Harvard graduate he rejected paying the dollar required for getting his official graduation certificate). He believed in the interdependence of man and nature, independent thinking, education through discovery, and he rebuffed organized religion.

If the word Fragile (pronounced Frah-GEE-lay) or the phrase "You'll shoot your eye out, kid" bring a smile to your face, then you are likely one of the many people who love A CHRISTMAS STORY, the classic 1983 movie that has become required viewing for many families each Christmas season. And, while you may know the story by heart, you have likely never seen it told the way you will if you check out A CHRISTMAS STORY the musical on stage at the Palace Theatre in Waterbury, CT for just two performances on November 18th and 19th. Told with the flair only a musical can bring, A CHRISTMAS STORY puts an unfamiliar twist on the familiar classic. I caught up with Susannah Jones who plays the role of Ralphie's mother, and discussed her experience with the show, life on tour, and even her childhood equivalent to Ralphie's Red Ryder BB Gun.

Although many guests at the opening night of MainStage Irving-Las Colinas' sparkling production of CHICAGO commented that they've only ever seen the musical's famous (and fantastic) movie, the minimalist stage version has razzle-dazzled audiences for nearly twenty years, making it the longest running revival in Broadway history. While the show offers hardly more than a dozen scantily clad dancers, a bandstand, and a handful of feathers, the magic originally created by John Kander, Fred Ebb and Bob Fosse still manages to shine, even in community theatres across the country.

In a production commissioned by the Finborough Theatre, and rediscovering one of the West End's most popular dramatists of the 1930s and 1940s, Dr Angelus by James Bridie starring David Rintoul and Malcolm Rennie plays at the acclaimed Finborough Theatre on Sunday and Monday evenings and Tuesday matinees from Sunday, 27 November 2016 (Press Night: Monday, 28 November 2016 at 7.30pm).

Co-Artistic Directors David Hogan & David Rogers are thrilled to announce the 2017 Season. 'Celebrate With Us' encompasses a Canadian theme as the VPP honours our country in its 150th year. When asked about the line up for the upcoming season, Hogan said 'Happy Birthday Canada - this season is dedicated to you. We wanted to give back to our great nation that has made us feel glorious and free. Everything in this season is written, composed, compiled, choreographed, directed, performed and/or put together by Canadians. We are thrilled to celebrate Canada.' Director of Cultural Services for the Town of Petrolia, Richard Poore echoed Hogan's sentiments, saying, 'I am so pleased and proud to be part of the 2017 VPP Summer Season announcement. I know our audiences will continue to be thrilled by the VPP experience.'

Co-Artistic Directors David Hogan & David Rogers are thrilled to announce the 2017 Season. 'Celebrate With Us' encompasses a Canadian theme as the VPP honours our country in its 150th year.

Andrew Lloyd Webber today announces plans for The Other Palace, the newest addition to The Really Useful Theatres Group. The Other Palace is situated less than 100 yards from Buckingham Palace and close to the Victoria Palace, hence its name.

Count Dracula must leave Transylvania for England, where, as he says, there are more "opportunities."

Greed, power, betrayal, and the American Dream.  The themes of The Great Gatsby are timeless, transcending the Roaring 20's era where the classic story takes place.  And now you can experience the tragic tale like never before - with a Shadowbox twist.  Shadowbox Live is presenting their newest dance theater production, Broken Whispers, opening August 18th at 503 S. Front Street.

You say that you're feeling a little blue, or maybe just experiencing some 'non-specific' sadness? Then a sure cure for your condition can be found by attending STAGES St. Louis' scintillating presentation of THE DROWSY CHAPERONE. This is an incredible and uproariously funny show that pokes gentle fun at the very core of musical theatre conventions. Everything is fair game in Bob Martin and Don McKellar's witty script, which even manages to lampoon opening blackouts and intermissions. This revival is a much welcomed and thoroughly enjoyable experience, and I can't remember the last time I've laughed so hard!