Under Your Hat

What is a pro-shot and how is it different than an adapted film? Pro-shot is an abbreviation for professionally shot, denoting a stage play that was captured in its native habitat: a theatre. In general, a pro-shot seeks to film the exact experience that audience members would have at a live performance of the show, in contrast with a feature film which actually adapts the piece into a new form, including different locations, the removal of theatrical aesthetic, and changes to make the script work as a film as opposed to as a live theatrical show.

Multiple lost Broadway theaters intersect with the Hammerstein family. This follows since Oscar Hammerstein I was a theater owner and builder. In addition to Hammerstein’s which was named after him and is now the Ed Sullivan, and the New Victory which he originally built, there is also the Hammerstein Ballroom. Read more here!

Encore! Performing Arts’ production of HELLO, DOLLY! leans heavily into the relentless optimism and good time that’s made the musical a classic. They’ve crafted together a show which takes advantage of every aspect of its production, from the costumes to the orchestrations to the simple power of a Look from the lead.

Paper Mill Playhouse has announced casting for The Sound of Music, directed by Mark S. Hoebee. The production will feature Ashley Blanchet (Paper Mill’s Rodgers + Hammerstein’s Cinderella, Broadway’s Waitress) as Maria Rainer, and Graham Rowat (Broadway’s Dear Evan Hansen, Sunset Boulevard) as Captain Georg von Trapp.

Paper Mill Playhouse has announced casting for On Your Feet! The Story of Emilio & Gloria Estefan, the first production of Paper Mill’s 2022-2023 season. The production will feature Linedy Genao (On Your Feet! on Broadway) as Gloria, and Brandon Espinoza (Broadway’s SpongeBob SquarePants) as Emilio.

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

How do we make a list of the 101 greatest show tunes from the past 100 years? Well, we did the near-impossible task.  Check out our full list here! 

Yehuda Hyman is a Brooklyn-based choreographer and playwright who's new play, The Mar Vista: In Search of My Mother's Love Life will be running at the Ford Foundation Studio Theatre at The Pershing Square Signature Center from March 5 through March 23, 2019. Yehuda Hyman spoke to BroadwayWorld about the process of developing the show over the last several years and the unique stories it portrays.

The Sylvan Winds announce the final concert of the 2016-17 Season celebrating music, culture, and history. Performing in historic and notable New York City buildings and performance venues, the ensemble creates imaginative and informative programs that complement the environs of each space.   

Under the stars in Peninsula State Park for the 2016 season, Northern Sky Theater (NST) stages their latest World Premiere, Doctor! Doctor! Milwaukee's Matt Zembrowski, who grew up sitting in the state park audiences since he was 12, dreamed  of writing a musical for the former American Folklore Theater, now Northern Sky, his entire life and this season fulfills that vision. Books, lyrics and music composed and written by Zembrowski, a considerable artistic feat, recommend the play as 'a prescription for laughter,' which the new musical delivered for opening week audiences. NST's talented acting troupe produce lighthearted laughter for an enthusiastic Door County crowd.

Glen Street Theatre is excited to announce their 2016 season of entertainment at the beautiful Belrose venue. A diverse programme of drama, music, satire and comedy plus a series of kids shows promises something for everyone.

PITTSBURGH – Performing in Pittsburgh for the first time since 1977, Randy Newman, whose music speaks to multiple generations, closes the Pittsburgh Symphony Orchestra's Summer with the Symphony: Today Night Icons series tonight, July 30 at 7:30 p.m. at Heinz Hall.

PITTSBURGH – Performing in Pittsburgh for the first time since 1977, Randy Newman, whose music speaks to multiple generations, closes the Pittsburgh Symphony Orchestra's Summer with the Symphony: Thursday Night Icons series on July 30 at 7:30 p.m. at Heinz Hall.

San Francisco, CA, April 9, 2015 – Opera Parallèle has announced its 2015--2016 season, which will feature its first collaboration with SFJAZZ, a new production of Peter Maxwell Davies' riveting and mysterious The Lighthouse, and the world premiere of a new children's opera by Chris Pratorius. Opera Parallèle and SFJAZZ will present their first collaboration: a new, fully staged production of Champion: An Opera in Jazz by Terence Blanchard, SFJAZZ Resident Artistic Director, with eight performances to be given February 19-28, 2016 at SFJAZZ Center. Based on the life of African-American boxing champion Emile Griffith (1938-2013), the production marks both Opera Parallèle's first foray into an operatic jazz idiom and SFJAZZ's first opera. The complete schedule of performances will be announced and tickets go on sale to the general public mid-July, 2015. For more information, visit www.operaparallele.org and www.sfjazz.org. Peter Maxwell Davies' three-character opera, The Lighthouse, based on the mysterious and unsolved disappearance of three people off the Scottish coast in 1900 will be given a new production April 29-May 1, 2016 at Z Space in San Francisco. The season will open with the world premiere of a new children's opera by Chris Pratorius entitled Amazing Grace, featuring San Francisco fourth graders and soloists, November 12-14, 2015, at a venue to be announced. For more information about the Opera Parallèle season, visit www.operaparallele.org .

The Picture Show at Bay Street Theatre has announced announce that Peconic Landing is sponsoring its long-running, classic Picture Show Series for the 2013 Season.

The opposites attracting plot is probably as old as romantic comedy itself, but even if Rooms: a rock romance follows familiar paths, the Paul Scott Goodman (book/music/lyrics) and Miriam Gordon (book) two-person musical is such a buoyant, funny and upbeat affair that the clichés of the story are conquered by the cleverness and exuberance with which the story is told. Under Scott Schwartz's swift and breezy direction, the 90-minute one-act scoots the audience along on an immensely enjoyable ride.