BWW Reviews: Kentwood Players Make Hollywood Arms Memorable
by Don Grigware - Nov 16, 2011
To my knowledge this is the West Coast premiere of Hollywood Arms by Carol Burnett and her daughter the late Carrie Hamilton, based on Burnett's well written best-selling memoir One More Time. There was a reading at the now Carrie Hamilton Theatre of the Pasadena Playhouse a few years back when the theatre switched names, but not a full-fledged production. The Kentwood Players do quite well in bringing the slice-of-life dramedy to life, now onstage at the Westchester Playhouse through December 17.
SOUND OFF: Risky REGINA
by Robert Diamond - Jul 28, 2010
Today we are taking a listen to the new Sony Masterworks & Arkiv Music re-release of Marc Blitzstein's half-musical/half-opera REGINA, based on THE LITTLE FOXES by Lillian Hellman. A little bit like Adam Guettel's THE LIGHT IN THE PIAZZA or Michael John LaChiusa's MARIE CHRISTINE in that it defies any traditional definition or classification, it is a true masterpiece and a marvel of craftsmanship and creativity, whatever it is. Leonard Bernstein once called REGINA his favorite theatre score of all time and perhaps no other score of the period comes closest to the classical aspirations - actual accomplishment, actually - as much as Bernstein's own CANDIDE which he wrote with Lillian Hellman and John LaTouche seven years later, inspired by this show. This score virtually has it all: opera, jazz, Dixieland, blues, gospel spirituals, Victorian parlour songs, stirring symphonic sequences, stunning arias, glorious choral swell-ups, biting satirical anthems, cakewalks, recitative and some serious - seriously innovative - dialogue/song centerpiece scenes to all three acts of this operamusical. Whatever you want to call it: a triple-decker treat awaits!
Review - South Pacific: Why Do The Wrong People Travel?
by Michael Dale - Apr 20, 2008
With all due respect to Kelli O'Hara, Paulo Szot, director Bartlett Sher and even Richard Rodgers, Oscar Hammerstein II and Joshua Logan, the real star of the Lincoln Center revival of South Pacific is orchestrator Robert Russell Bennett, whose sublime work from the original 1949 production is now enchanting contemporary audiences.
THE THREEPENNY OPERA Opens At International City Theater
by BWW News Desk - Feb 20, 2009
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
THE THREEPENNY OPERA Opens At International City Theater
by Gabrielle Sierra - Jan 20, 2009
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Five Classic MGM Musicals Re-Mastered For DVD Debut
by Andrew Hartman - Jan 13, 2006
Warner Home Video announces that five classic MGM musicals have been re-mastered for an April 25 release, marking their debut to DVD.
The box set 'Classic Musicals From The Dream Factory' will contain 'It's Always Fair Weather,' 'Summer Stock,' 'Three Little Words,' 'Till The Clouds Roll By,' and 'Ziegfeld Follies.' In addition, the titles will also be sold individually.
