This Is the Army - 1943 - West End Articles Page 9

The Cleveland Play House Artistic Director Michael Bloom announces the world premiere production of Thornton Wilder's novel Heaven's My Destination, adapted by award-winning playwright Lee Blessing. The play is the centerpiece of the fourth annual FusionFest, a multidisciplinary performing arts festival.

The Cleveland Play House Artistic Director Michael Bloom announces the world premiere production of Thornton Wilder's novel Heaven's My Destination, adapted by award-winning playwright Lee Blessing. The play is the centerpiece of the fourth annual FusionFest, a multidisciplinary performing arts festival.

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Freud's War tells of the thrilling story of the Freud family's escape from the Nazis in Austria and their exile in Britain. Based on primary sources, many published for the first time, Helen Fry's Freuds' War begins with Martin Freud's experiences of growing up in Vienna as Sigmund Freud's eldest son. It provides a window onto life in one of the most prominent of Viennese households. The story then spans the turbulent years of the First World War in which three of Sigmund Freud's sons fought. They, like so many Austrians, were fiercely patriotic and did not think twice about fighting for their country. Ironically less than twenty years later that would count for nothing when the Nazis annexed their country. Despite his worldwide reputation as the founder of psychoanalysis, Sigmund Freud's security in his native Vienna changed overnight when Hitler's forces annexed Austria on 12 March 1938. His books had already been burned across Germany, and now he and his family were at immediate risk. Helen Fry opens a window onto the life of a prominent Jewish family in pre-war Vienna and describes how this most famous of families became exiled from its homeland by the Nazis.

Freud's War tells of the thrilling story of the Freud family's escape from the Nazis in Austria and their exile in Britain. Based on primary sources, many published for the first time, Helen Fry's Freuds' War begins with Martin Freud's experiences of growing up in Vienna as Sigmund Freud's eldest son. It provides a window onto life in one of the most prominent of Viennese households. The story then spans the turbulent years of the First World War in which three of Sigmund Freud's sons fought. They, like so many Austrians, were fiercely patriotic and did not think twice about fighting for their country. Ironically less than twenty years later that would count for nothing when the Nazis annexed their country. Despite his worldwide reputation as the founder of psychoanalysis, Sigmund Freud's security in his native Vienna changed overnight when Hitler's forces annexed Austria on 12 March 1938. His books had already been burned across Germany, and now he and his family were at immediate risk. Helen Fry opens a window onto the life of a prominent Jewish family in pre-war Vienna and describes how this most famous of families became exiled from its homeland by the Nazis.

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

The 92nd Street Y Theater has announced their fall lineup.

Although Spike Lee won't reveal his previously announced theatrical project until a June 28th press conference, the production will most likely be of the WWII comedy-drama Stalag 17.

Sarah Corey's Eva has more than just a little bit of star quality