These Days - 1928 - Broadway Articles Page 13

The National Jazz Museum in Harlem's February 2010 schedule of events are chock full of choices for all from newcomers to the music to seasoned fans of music.

Music Director Alan Gilbert will conduct the New York Philharmonic in an all-Russian program, featuring Prokofiev's Piano Concerto No. 2, with the Russian-born pianist Yefim Bronfman as soloist, and Rachmaninoff's Symphony No. 2, Thursday, January 7, 2010, at 7:30 p.m., Friday, January 8, at 8:00 p.m., and Tuesday, January 12, at 7:30 p.m. Mr. Gilbert will also lead the Rachmaninoff symphony on the Rush Hour Concert, Wednesday, January 6, at 6:45 p.m.

Music Director Alan Gilbert will conduct the New York Philharmonic in an all-Russian program, featuring Prokofiev's Piano Concerto No. 2, with the Russian-born pianist Yefim Bronfman as soloist, and Rachmaninoff's Symphony No. 2, Thursday, January 7, 2010, at 7:30 p.m., Friday, January 8, at 8:00 p.m., and Tuesday, January 12, at 7:30 p.m. Mr. Gilbert will also lead the Rachmaninoff symphony on the Rush Hour Concert, Wednesday, January 6, at 6:45 p.m.

The January-February public programming schedule at the Museum of Jewish Heritage-A Living Memorial to the Holocaust will feature compelling discussions, lively music, and engaging films.

Music Director Alan Gilbert will conduct the New York Philharmonic in an all-Russian program, featuring Prokofiev's Piano Concerto No. 2, with the Russian-born pianist Yefim Bronfman as soloist, and Rachmaninoff's Symphony No. 2, Thursday, January 7, 2010, at 7:30 p.m., Friday, January 8, at 8:00 p.m., and Tuesday, January 12, at 7:30 p.m. Mr. Gilbert will also lead the Rachmaninoff symphony on the Rush Hour Concert, Wednesday, January 6, at 6:45 p.m.

As the curtain falls on another successful season in Kettering, Playhouse South Community Theatre is thrilled to announce their 50th anniversary season. The 2010 season celebrates the fun and magic of 50 years of live theater in South Dayton. There is something for adults and children alike.

Music Director Alan Gilbert will conduct the New York Philharmonic in an all-Russian program, featuring Prokofiev's Piano Concerto No. 2, with the Russian-born pianist Yefim Bronfman as soloist, and Rachmaninoff's Symphony No. 2, Thursday, January 7, 2010, at 7:30 p.m., Friday, January 8, at 8:00 p.m., and Tuesday, January 12, at 7:30 p.m. Mr. Gilbert will also lead the Rachmaninoff symphony on the Rush Hour Concert, Wednesday, January 6, at 6:45 p.m.

One of the many delights of director Michael Blakemore's revival of Noel Coward's giddily funny 1941 froth, Blithe Spirit, is that this 2009 production looks like it could have been seen in the play's premiere year. No doubt contemporary Broadway theatre can provide more spectacular ways for an actress playing a ghost to enter a room than to just have her walk through the French windows. And certainly if an invisible spirit chooses to destroy her husband's drawing room, modern technology can whip up a few tricks more gasp-inducing than simply having a picture frame fall and a bookshelf topple over. But when you have one of the English language's great comedies played by a company that excels in the verbal dexterity of the playwright's wit, there's no need for such distractions.

It was believed by many back in 1932, as it still is today, that the only reason Eugene O'Neill was not awarded that year's Pulitzer Prize for his Mourning Becomes Electra, an epic retelling of Aeschylus' Oresteia trilogy that declares Sigmund Freud as the true victor of the American Civil War, was that after granting him top honors for Beyond The Horizon (1920), Anna Christie (1922) and Strange Interlude (1928) the gang at Columbia figured enough was enough. So history was made that year when the Gershwin, Gershwin, Kaufman & Ryskin lark Of Thee I Sing became the first musical so honored, leaving O'Neill waiting until after his death to nab another, for Long Day's Journey Into Night.

Seattle Theatre Group (STG) presents SILENT MOVIE MONDAYS this November at The Paramount Theatre, Mondays at 7pm. This all-classic silent film series is accompanied by live music featuring the historic Mighty Wurlitzer Organ, one of the last three remaining organs of its kind to reside in its original environment, played by critically acclaimed organist Jim Riggs.

The NYC400 is the first-ever list of New York City's ultimate movers and shakers since the City's founding?from politics, the arts, business, sports, science, and entertainment.

Frist Center for the Visual Arts Announces their upcoming events. August 2009 Thursday, August 6 Music in the Grand Lobby 6-8 p.m. The Contrarian Ensemble

Seattle Theatre Group (STG) presents Musica Curiosa at The Paramount Theatre on Sunday, June 28, 2009 at 7:00pm. Musica Curiosa is a concert fundraiser to restore The Paramount's Mighty Wurlitzer Organ featuring live music. Attend this evening length concert to show support for the preservation of this amazing historic instrument. Evening includes David Peckham performing live on the Mighty Wurlitzer Organ and Dennis James playing a glass armonica and a theremin.

Seattle Theatre Group (STG) is proud to announce its 2009 - 2010 performance season with 34 extraordinary engagements at the historic Paramount and Moore Theatres, as well as the Falls Theatre at ACT. Shows range from performance art and comedy to legendary musicians, dance and silent film.

Seattle Theatre Group (STG) presents Trader Joe's Silent Movie Mondays this June at The Paramount Theatre, Mondays at 7:00 p.m. This all classic silent film series features lovely women of the twenties and is accompanied live by Dennis James on the Mighty Wurlitzer Organ. The first film of this series, Flesh and the Devil will be screened for free, courtesy of Trader Joe's, STG's silent film series sponsor since 2002.

Seattle Theatre Group (STG) presents Musica Curiosa at The Paramount Theatre on Sunday, June 28, 2009 at 7:00pm. Musica Curiosa is a concert fundraiser to restore The Paramount's Mighty Wurlitzer Organ featuring live music. Attend this evening length concert to show support for the preservation of this amazing historic instrument. Evening includes David Peckham performing live on the Mighty Wurlitzer Organ and Dennis James playing a glass armonica and a theremin.

MAXWELL C. KING CENTER FOR THE PERFORMING ARTS announces their MARCH, APRIL, MAY, LINE-UP 'Dame Edna Everage - My First Last Tour' Friday & Saturday, April 3& 4, 8:00 pm Tickets On Sale Now

Today's Broadway Blogs on BroadwayWorld.com from Sunday, March 22, 2009.

Today's Broadway Blogs on BroadwayWorld.com from Friday, February 20, 2009.

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Performance Space 122 is proud to announce the fall 2008 schedule.

New York Theatre Workshop (NYTW) announced that due to critical acclaim and sold-out houses 'The Sound and The Fury (April Seventh, 1928'), will extend its run through Sunday, June 1, at NYTW.

The national tours of 'Grease' and 'Legally Blonde' will begin at The Providence Performing Arts Center

New York Theatre Workshop (NYTW) Artistic Director James C. Nicola and Acting Managing Director Fred Walker have announced that The Sound and The Fury (April Seventh, 1928), based on part one of the novel by William Faulkner, created by Elevator Repair Service (ERS), and directed by John Collins, will begin performances Tuesday, April 15, at NYTW, 79 East 4th Street, between Second Avenue and Bowery. Opening night is scheduled for Tuesday, April 29 at 7:00pm. The production will run through May 18.