The Wonderful Thing - 1920 - Broadway Articles Page 4

Silver Spring Stage presents These Shining Lives by Melanie Marnich, directed by Bob Benn and produced by Seth Ghitelman, the powerful true story of the strength and determination of women working in a 1920's clock factory exposed to toxic chemicals. Theirs is an inspirational story of survival and courage to save other workers from harm. These Shining Lives will perform weekends October 26 to November 17.

Today we are talking to Patricia Kelly, the widow of one of the most iconic and influential performers in entertainment history, Gene Kelly, all about her husband's incomparable career on Broadway and in Hollywood, in honor of his centennial. Tracing Gene Kelly's journey from his theatre roots starring in Cole Porter's LEAVE IT TO ME!, Rodgers & Hart's PAL JOEY and William Saroyan's Pulitzer Prize-winning THE TIME OF YOUR LIFE on Broadway to his unforgettable screen appearances in many of the greatest movie musicals ever made - COVER GIRL, SINGIN' IN THE RAIN, THE PIRATE, AN AMERICAN IN PARIS and many more included - Mrs. Kelly gives us a look into the life of one of the most important artists of the twentieth century. In addition to behind-the-scenes stories involving Kelly's frequent collaborators - such as esteemed director Vincente Minnelli, songwriter and producer Arthur Freed, arranger Saul Chaplin and others - Mrs. Kelly also shares candid anecdotes involving her husband's involvement with directing Rodgers & Hammerstein's FLOWER DRUM SONG on Broadway, helming the feature film adaptation of HELLO, DOLLY! starring Barbra Streisand, as well as his appearing in two idiosyncratic movie musicals later in his life, LES DEMOISELLES DE ROCHEFORT (THE YOUNG GIRLS OF ROCHEFORT) for Jacques Demy, as well as his au revoir to movie musicals in form of the Olivia Newton-John roller disco starrer XANADU. Additionally, Mrs. Kelly fills us in on all the details about this weekend's two-night Gene Kelly retrospective celebration, which she leads and narrates, as part of GENE KELLY @ 100 and her future plans for the multimedia presentation - each evening titled AN EVENING OF GENE KELLY and CHANGING THE LOOK OF DANCE ON FILM, respective - as she begins to tour the show across the country. Plus, reflections on SINGIN' IN THE RAIN's 60th anniversary and the recent Fathom HD premiere presentation in theaters, the impact of Kelly's work behind the camera, his choreographic legacy, what a legend is like at home, memories of attending the opening night of THE PHANTOM OF THE OPERA (starring HELLO, DOLLY! lead Michael Crawford), what the master would say about GLEE, SMASH, BUNHEADS and today's movie musical renaissance, as well as much, much more!

Earlier today I had the extreme privilege of speaking to one of the biggest Broadway stars of the new millennium all about her new ABC Family original series BUNHEADS - two-time Tony Award-winning triple-threat dynamo Sutton Foster. Candidly recalling her professional beginnings, auditioning for the national tour of THE WILL ROGERS FOLLIES at only 17 for director/choreographer Jeff Calhoun - our recent 2012 Tony Awards special chat available here - and starring in GREASE on Broadway under his direction shortly thereafter, Foster also shares her post-Tony Awards night memories from ten years ago today, when she first won a trophy for her star-making turn in THOROUGHLY MODERN MILLIE. Clearly, Foster has remained busy since her Tony-winning Reno Sweeney in the hit revival of ANYTHING GOES last season, as well, with the fantastic new Amy Sherman-Palladino-penned BUNHEADS proving to be the ideal opportunity for her to bring her considerable stage chops to the small screen and show off her serious skills as a comedienne, dancer, singer and actress to a whole new audience in a major way. Of course, Broadway babies have known for over a decade that Sutton Foster is the rare star that comes along once a generation and BUNHEADS now gives her the national stage so that she may give the world everything she's got to give - and that's a whole lot. In addition to an analysis of the central character on BUNHEADS, Michelle, and a look ahead to what we can expect in the ensuing season that kicks off tonight at 9 PM on ABC Family with the enchanting and hilarious pilot episode, Sutton and I also shine a light on the many musical theatre associations in the BUNHEADS universe, current and future - such as the razzle dazzle Las Vegas opening number of the pilot, penned by songwriters Marc Shaiman and Scott Wittman, which was originally performed on Broadway in CATCH ME IF YOU CAN; BUNHEADS series regular and A CHORUS LINE original cast standout Kelly Bishop as Michelle's domineering ballet instructor mother-in-law; Michelle's determination to land a lead role in CHICAGO someday; and, we even discuss some possibilities for musical numbers and song sequences on BUNHEADS in the future ("At The Ballet", perhaps?). Plus, Sutton shares her thoughts on SMASH, expresses her interest in exploring a revival of THE UNSINKABLE MOLLY BROWN onstage soon and much, much more!

Today we are continuing BroadwayWorld's exclusive multi-part InDepth InterView series focusing on the New York Pops 29th Birthday Gala concert celebrating the music and musicals of Lynn Ahrens & Stephen Flaherty, JOURNEY ON, that will take place at Carnegie Hall on April 30 at 7 PM, by talking to the musical half of the Tony Award-winning songwriting team, Stephen Flaherty.

Jessie Mueller is currently making her Broadway debut in ON A CLEAR DAY YOU CAN SEE FOREVER alongside Grammy and Emmy Award winner and multi-platinum recording artist Harry Connick, Jr. The production opened on December 11, 2011at the St. James Theater.

Berwick's Hackmatack Playhouse's production of 'Singin' In the Rain' (one of Hackmatack's most Popular Productions in 1996) will close on Saturday Aug 13.

Berwick's Hackmatack Playhouse continues their 40th anniversary summer with 'Singin' In the Rain' (one of Hackmatack's most popular productions in 1996) opening Wednesday, July 27 through Saturday Aug 13.

Berwick's Hackmatack Playhouse continues their 40th anniversary summer with 'Singin' In the Rain' (one of Hackmatack's most popular productions in 1996) opening Wednesday, July 27 through Saturday Aug 13.

Following a successful season which brought Long Beach Opera (LBO) increased ticket sales, a 20% growth in its subscriber base, and an unprecedented number of sold out performances, LBO announces its plans for 2012. The ambitious 'Absurd-Bizarre- Surreal' season will include a double bill of one-acts and three full-length operas. Commenting on his selections, LBO's Artistic and General Director Andreas Mitisek says, 'I like to provide a diverse look into the world of rarely seen, little known masterworks. Each of the 2012 operas fits that category. Where most companies cozy up to composers of the 19th century, in the coming season, LBO will highlight composers of the 20th century (Francis Poulenc, Bohuslav Martinu, Astor Piazzolla) and the 21st (Osvaldo Golijov, Michael Nyman).

For her record-breaking twenty-fourth year at the famed Oak Room of the Algonquin Hotel, the Queen of Cabaret, ANDREA MARCOVICCI, returns to her first love - the torch song!

For her record-breaking twenty-fourth year at the famed Oak Room of the Algonquin Hotel, the Queen of Cabaret, ANDREA MARCOVICCI, returns to her first love - the torch song!

'S Wonderful: The New Gershwin Musical will be coming to the Colonial on September 30 at 7:30PM. Tickets are $55 and $35 and can be purchased in person at the Colonial Ticket Office at 111 South Street Monday-Friday 10AM-5PM, performance Saturdays 10AM-2PM, by calling (413) 997-4444 or online at www.thecolonialtheatre.org.

'S Wonderful: The New Gershwin Musical will be coming to the Colonial on September 30 at 7:30PM. Tickets are $55 and $35 and can be purchased in person at the Colonial Ticket Office at 111 South Street Monday-Friday 10AM-5PM, performance Saturdays 10AM-2PM, by calling (413) 997-4444 or online at www.thecolonialtheatre.org.

The last time Sam Underwood appeared on stage he was completely naked. He was playing Alan Strang in the much lauded production of Peter Schaffer's EQUUS at East Hampton (NY)'s John Drew Theatre. Those who are familiar with the play know that it culminates in a 20 minute nude scene for the actor playing the tormented young Strang. How then would the actor be recognized when he walked into a restaurant in New York City fully clothed?

The NYC400 is the first-ever list of New York City's ultimate movers and shakers since the City's founding?from politics, the arts, business, sports, science, and entertainment.

The New York Musical Theatre Festival (NYMF) celebrates its fifth year with 24 full productions, a dance series, a developmental series, concerts and special events.

The travails of designing a Broadway production often go unnoticed by many theatre-goers as their only exposure to a show is the finished product, yet the stories behind the magic often lead down interesting paths which can result in wonderful collaborations and sometimes an onslaught of accolades...

Manhattan Theatre Club (Lynne Meadow, artistic director; Barry Grove, executive producer) is pleased to announce full casting for the world premiere of LoveMusik, a new musical featuring the songs of Kurt Weill, starring Tony Awardâ winners Michael Cerveris and Donna Murphy.

WHO: Toby's Dinner Theatre of Baltimore WHAT: It's a Wonderful Life: The Musical WHEN: Through January 14th, Thurs - Sun, with select Weds and Thurs matinees HOW MUCH: Prices vary. Go to www.tobysdinnertheatre.com

The Waterwell companypresents a musical adaptation of the Eugene O'Neill play.