The Taming of the Shrew - 1999 - Off-Broadway Articles Page 15

Peter Gill, returns to his native city with a portrait of provincial life in 1890s Russia. Based on Chekhov's short story, A Provincial Life follows one young man's struggle to exchange his privileged position for the life of a worker.

Today in 1957, The Taming of the Shrew openend at the Phoenix Theatre, where it ran for 23 performances. A comedy by William Shakespeare, the play is believed to have been written between 1590 and 1591. The main plot depicts the courtship of Petruchio, a gentleman of Verona, and Katherina, the headstrong, obdurate shrew. Initially, Katherina is an unwilling participant in the relationship, but Petruchio tempers her with various psychological torments-the 'taming'-until she becomes a compliant and obedient bride. The subplot features a competition between the suitors of Katherina's more desirable sister, Bianca.

San Francisco's cutting-edge Cutting Ball Theater continues its 12th season with the World Premiere of TONTLAWALD. This original ensemble-based piece commissioned by Cutting Ball weaves evocative a capella harmonies and visceral movement into a multilayered retelling of an ancient Estonian tale.

Manhattan Movement & Arts Center presents a Master Class with Herman Cornejo, a Principal Dancer with American Ballet Theatre on Monday, February 20, 2012 from 4:30-6:00pm for ladies and gentlemen, continuing 6:00-6:30pm for gentlemen only, at the Manhattan Movement & Arts Center, 248 W. 60th Street, NYC (between Amsterdam and West End Avenues).

The Broken Heart, a 1629 tragic-comic play written by John Ford (Tis Pity She's a Whore), directed by Selina Cartmell in her American debut is Theatre for a New Audience's fourth production of the 2011 - 2012 theatre season.

Classic Stage Company has announced complete casting for their upcoming production of Shakespeare's A MIDSUMMER NIGHT'S DREAM, which begins previews at CSC on Wednesday, April 4 for a limited engagement through Sunday, May 20. Joining two-time Tony Award winner Bebe Neuwirth (Hippolyta/Titania) and acclaimed film/television/stage star Christina Ricci (Hermia) in the cast are Jordan Dean (Demetrius), Nick Gehlfuss (Lysander), David Greenspan (Flute/Fairy), Halley Wegryn Gross (Helena), Anthony Heald (Theseus/Oberon), Erin Hill (Starveling/Fairy), Chad Lindsey (Snout/Fairy), Taylor Mac (Egeus/Puck), James Patrick Nelson (Snug/Fairy), Steven Skybell (Bottom) and Rob Yang (Quince/Fairy). Directed by Tony Speciale (Unnatural Acts), A MIDSUMMER NIGHT'S DREAM has its official opening Sunday, April 29.

The Broken Heart, a 1629 tragic-comic play written by John Ford (Tis Pity She's a Whore), directed by Selina Cartmell in her American debut is Theatre for a New Audience's fourth production of the 2011 - 2012 theatre season.

Peter Gill, returns to his native city with a portrait of provincial life in 1890s Russia. Based on Chekhov's short story, A Provincial Life follows one young man's struggle to exchange his privileged position for the life of a worker.

San Francisco's cutting-edge Cutting Ball Theater continues its 12th season with the World Premiere of TONTLAWALD. This original ensemble-based piece commissioned by Cutting Ball weaves evocative a capella harmonies and visceral movement into a multilayered retelling of an ancient Estonian tale.

Court Theatre Artistic Director Charles Newell and Executive Director Stephen J. Albert present the World Premiere of Invisible Man, adapted from Ralph Ellison's novel by Oren Jacoby, and directed by Christopher McElroen.

San Francisco's cutting-edge Cutting Ball Theater ushers in the new year with the first offerings of the company's year-long celebration of the centennial of August Strindberg's death; the company will honor the playwright's vast career throughout 2012 with symposiums, lectures, and staged readings of his works as part of the Hidden Classics Reading Series and RISK IS THIS…The Cutting Ball New Experimental Plays Festival, culminating in a festival of fully-staged new translations of Strindberg's five Chamber Plays, entitled Strindberg Cycle: The Chamber Plays in Rep, in October of 2012. All centennial events take place at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets and more information, the public may visit cuttingball.com or call 800-838-3006.

Today in 1948, opened at the Shubert Theatre. Kiss Me, Kate is a musical with music and lyrics by Cole Porter. It is structured as a play within a play, where the interior play is a musical version of William Shakespeare's The Taming of the Shrew. The original production starred Alfred Drake, Patricia Morison, Lisa Kirk and Harold Lang. Kiss Me, Kate was a response to Rodgers and Hammerstein's Oklahoma! and other integrated musicals, and it proved to be his biggest hit and the only one of his shows to run for more than 1,000 performances on Broadway. It won the first Tony Award presented for Best Musical, in 1949.

Court Theatre Artistic Director Charles Newell and Executive Director Stephen J. Albert present the World Premiere of Invisible Man, adapted from Ralph Ellison's novel by Oren Jacoby, and directed by Christopher McElroen.

Banana Boat Productions and New Perspectives Theatre Company (NPTC) will present WOMEN IN TRANSITION, two plays by the prolific Zeno Obi Constance, Trinidadian author of Banana Boat and NPTC's acclaimed production of The Ritual. This new co-production closes November 6, 2011 at New Perspectives Studio, 458 West 37th Street.

Banana Boat Productions and New Perspectives Theatre Company (NPTC) will present WOMEN IN TRANSITION, two plays by the prolific Zeno Obi Constance, Trinidadian author of Banana Boat and NPTC's acclaimed production of The Ritual. This new co-production runs October 26 to November 6, 2011 at New Perspectives Studio, 458 West 37th Street, with performances Wednesday through Saturday at 8:00pm and Sundays at 3:00pm.

San Francisco's cutting-edge Cutting Ball Theater opens its 12th season with French symbolist Maurice Maeterlinck's PELLEAS & MELISANDE, in a new translation by Cutting Ball Artistic Director Rob Melrose. Directed by Melrose, with a musical score by composer Cliff Caruthers, video installation by Wesley Cabral, and choreography by Laura Arrington, PELLEAS & MELISANDE features Joshua Schell, Catilyn Louchard, Derek Fischer, Paul Gerrior, and Gwyneth Richards, along with Bennett Fisher, Jessica Rudholm, Carla Pauli, and Brittany Kilcoyne McGregor. PELLEAS & MELISANDE plays October 21-November 27 (Press opening: October 27) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets ($10-50) and more information, the public may visit cuttingball.com or call 800-838-3006.

Today we continue our special series consisting of five entries total, each of which highlight a different facet of the rich and wonderful world of William Shakespeare and all with a particular emphasis on the controversial new feature film that explores the time, place, politics and goings-on of the Elizabethan era and focuses on the possibility that the true author of the esteemed plays we now know may very well have been someone else entirely - Edward de Vere - and how the question of the canon's true creation then comes into play - ANONYMOUS. "All the world's a stage," after all, so it should come as no surprise that acts of lust, bloodshed and betrayal would exist in the actual life - or even the supposed one - of the man who created the most bloody and thought-provoking tragedies in the history of literature - whoever he may have actually been. Perhaps some brief analysis of the finest leading players, most memorable lines and moments, as well as an exploration of other notable acts of grand betrayal in Shakespeare's plays will aid us on the journey to understanding the thesis of ANONYMOUS and bring us into a closer relationship with the individual who penned the greatest plays in the English language. Picking up where we left off, now, with the second entry in the five days of Top 5s, here is a look at the best leading ladies to have done Shakespeare onstage and onscreen this century and last - featuring Judi Dench, Meryl Streep, Jessica Lange, Helen Mirren, and, an ANONYMOUS star herself, Vanessa Redgrave!

Banana Boat Productions and New Perspectives Theatre Company (NPTC) will present WOMEN IN TRANSITION, two plays by the prolific Zeno Obi Constance, Trinidadian author of Banana Boat and NPTC's acclaimed production of The Ritual. This new co-production runs October 26 to November 6, 2011 at New Perspectives Studio, 458 West 37th Street, with performances Wednesday through Saturday at 8:00pm and Sundays at 3:00pm.

Jonathan Coy, Janie Dee, Robert Glenister, Jamie Glover, Celia Imrie, Karl Johnson, Aisling Loftus, Amy Nuttall and Paul Ready have been cast in Michael Frayn's irresistible, multi-award-winning backstage comedy Noises Off, directed by Linsday Posner, which previews from 3 December, with a press night on 13 December 2011.

According to Baz Bamigoye for Daily Mial, Trevor Nunn will direct a production of KISS ME KATE at Chichester Festival Theatre next year, which will likely make a West End transfer soon after. To read the full article, click here.

SARA WEBB and IAN CASADY will appear as guest artists in the Shreveport Metropolitan Ballet's performances of The Nutcracker on December 3 and 4, 2011 at the Riverview Theatre in Shreveport, Louisiana.

San Francisco's cutting-edge Cutting Ball Theater opens its 12th season with French symbolist Maurice Maeterlinck's PELLEAS & MELISANDE, in a new translation by Cutting Ball Artistic Director Rob Melrose. Directed by Melrose, with a musical score by composer Cliff Caruthers, video installation by Wesley Cabral, and choreography by Laura Arrington, PELLEAS & MELISANDE features Joshua Schell, Catilyn Louchard, Derek Fischer, Paul Gerrior, and Gwyneth Richards, along with Bennett Fisher, Jessica Rudholm, Carla Pauli, and Brittany Kilcoyne McGregor. PELLEAS & MELISANDE plays October 21-November 27 (Press opening: October 27) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets ($10-50) and more information, the public may visit cuttingball.com or call 800-838-3006.

Noises Off , Michael Frayn's multi award-winning 1982 comedy, previews at The Old Vic from 3 December, with a press night on 13 December.

Noises Off, Michael Frayn's brilliantly inventive and multi award-winning 1982 comedy, previews at The Old Vic from 3 December, with a press night on 13 December. Lindsay Posner directs.

6th Street Playhouse presents 'Kiss Me, Kate', featuring music & lyrics by Cole Porter and a book by Bella and Samuel Spewack