The Show is On - 1937 - Broadway Articles Page 13

Paradise today revealed the first installment of its programming calendar, running from its highly anticipated reopening on December 5 to the end of January 2020. Entertainment lovers around the city can go to paradiseonbloor.com to see the full schedule and purchase tickets to select films, theatrical events, comedy shows, musical experiences and more.

New Mexico Actors Lab founder Robert Benedetti announced today that co-Artistic Director Nicholas Ballas has been named the group's sole Artistic Director, and that Benedetti will now serve as Managing Director in concert with Mr. Ballas.

The Centenary Stage Company continues their tradition of nurturing young artists and presents the Young Performers Workshop Winter Festival of Shows. The 2019/2020 winter productions include: Anything Goes, George M, and How to Succeed in Business Without Really Trying.

Wagner College Theatre continues its 2019-20 Mainstage Season with the charming, romantic musical She Loves Me, with performances November 14-24 in the Main Hall Theatre.

4th Wall Theatre Company's production shows a lot of love for Tennessee Williams, and they have thrown a ton of resources behind it. The result is a strikingly handsome production with surprising interpretations of the characters and plenty of eye candy.

For those too young to remember, from 1957 to 1962 The Everly Brothers sold more than 35 million records and had 35 Billboard top-100 singles, 26 in the top 40, and to this day, carry the record for most Billboard charting hits of any American Duo. Their success at that time was only rivaled by Elvis. The Zmeds are absolutely thrilled to be able to contribute to a cause that supports the recognition and preservation of the intimate origins of America's greatest Rock 'n Roll sibling duo, stating, 'We are not impersonators. Our aim is to honor the aesthetics of the Everly Brothers' iconic sound and their unique place in music history, all while having a little fun telling our own personal story.' And that they certainly did with great style, talent, and humor.

Producer Suzi Dietz announced today that on the heels of its successful run in Los Angeles, Miss America's Ugly Daughter written and performed by Bess Myerson's only child, Barra Grant, will open in New York this winter. Miss America's Ugly Daughter is a darkly comedic, poignant two character solo show about the seismic mother-daughter relationship of Bess Myerson and Barra Grant and will be directed by Eve Brandstein.

The name Agatha Christie is synonymous with mystery and Town & Country Players is 'thrilled' to present the classic production of Agatha Christie's Murder on the Nile to the community during the month of October. The show opens on October 4th and runs weekends through October 19th.

Neil Simon's Brighton Beach Memoirs began performances September 18, and audiences are thoroughly enjoying it! The play follows the Jerome/Morton family living in Brighton Beach in 1937. Our narrator is Eugene Jerome (Evan Gray), who addresses the audience to fill us in on gaps we may not know. We follow multiple stories within this family that are captivating and filled with humor and emotion.

For a quarter century, The Foundry Theatre has raised provocative and timely questions with innovative theatrical productions, public dialogues, and community organizing that have inspired a generation of artists, activists, and organizations.

Friends, colleagues, and students of the highly regarded and much loved actor, teacher, writer, and director E. Katherine Kerr will gather on Monday, September 30, 2019, at 6:00 P.M. at Playwrights Horizons Peter Jay Sharp Theater to celebrate her life.

Berkshire Theatre Group (BTG) presents George Gershwin Alone, featuring acclaimed actor, playwright and accomplished pianist Hershey Felder (Hershey Felder as Irving Berlin, Maestro: Leonard Bernstein) in a limited run at The Colonial Theatre (111 South St), beginning August 24 and running through August 31. The show is directed by Tony Award-nominee Joel Zwick.

Okada Masaki gets possessed in #BrackenMoor by his BFF who died at 12-years-old, in Alexi Kaye Campbell's chilling play about loss, grief, denial, rejection, acceptance, friendship, and mental health. Playing at Toho's Theatre Creation in Tokyo, Japan until August 27th, 2019!

Memory is very precious. It connects us to our past and helps guide us to our future. In Tennessee Williams' magnum opus THE GLASS MENAGERIE, memory is a force of gravity and as the season opener for The Tennessee Williams Theatre Company's fifth season, a grounded production is one rarely seen but feels so uncompromisingly right.

Neil Simon's Broadway Bound will open the Anchorage Community Theatre's 66th season as it runs from Aug. 23 through Sept. 8.

Theatre Arlington closes out the 2018-2019 Season with the first work in Neil Simon's semi-autobiographical trilogy, Brighton Beach Memoirs. This coming-of-age story, opening August 9th, is an affectionate and humorous portrait of a Jewish-American family in 1937 Brooklyn as seen through the eyes of 15-year old Eugene Morris Jerome. Sharing his home with six other family members doesn't give him much privacy to dream about girls, particularly his beautiful cousin Nora, or playing baseball for the Yankees.

Family dynamics never really change, and Brighton Beach Memoirs is a wonderfully classic example of this. The play, written by Neil Simon, is the first of a semi-autobiographical trilogy written about Eugene Morris Jerome and his family. In this particular story, Eugene is almost 15 years old and has just reached puberty...

The drama works because of the intriguing way the characters' ideas about how to act in response to Marian Anderson's two provocative exclusions (first from Nassau Inn and then from Constitution Hall) shift repeatedly in response to new information, so that consensus is almost impossible to achieve, at least until the play's very end. Anderson seeks progress through song, unimpeachable behavior and an avoidance of politics; Albert Einstein wants an end to both racism and antisemitism, and by the end is very worried about the Bomb; Mary Church Terrell embraces confrontation because all else seems to fail; and Abraham Flexner tries hard to protect the Institute as a means of keeping the Holocaust from consuming absolutely all Jews, even though he can save only a few.

National New Play Network, the country's alliance of nonprofit theaters that collaborate in innovative ways to develop, produce, and extend the life of new plays, announces its 90th Rolling World Premiere (RWP): My Lord, What a Night by Deborah Brevoort.

Dr. Barbara Ann Teer's National Black Theatre (NBT) closes out its golden anniversary season with the world premiere of 125th & FREEdom, a five-hour public performance dance project by Ebony Noelle Golden this June. Written, choreographed and directed by Golden, the piece will make Harlem's iconic 125th Street its stage as it explores the question: “If Harriet Tubman were alive today, how would she free Black people?” The event is a part of the institution's new programmatic initiative, NBT Beyond Walls, which sees the esteemed Harlem institution presenting performances throughout the city, country and internationally.

Ephrata Performing Arts Center's EPAC on the Edge staged reading series returns this month. Back for its third season, EPAC on the Edge celebrates the LGBTQIA+ communities with readings of three different full-length plays that showcase the growing representation of these communities in the American theater.

Peninsula Players Theatre, America's Oldest Professional Resident Summer Theatre and Door County's theatrical icon, is thrilled to announce the artistic company for its 84th season, running June 18 through October 20, 2019.  Nestled along Door County, Wisconsin's scenic shore, the award-winning acting company of Peninsula Players has been enthralling generations of audiences in its 600-plus seat, all-weather pavilion, since 1935, presenting hundreds of pre-Broadway tryouts, world premieres, classic dramas, comedies and musicals.

Tennessee Williams's first success The Glass Menagerie lands at Arcola Theatre in an exciting and tremendously thought-provoking production directed by Femi Elufowoju jr. It's 1937 in St Louis. Amanda Wingfield's (Lesley Ewen) hopes that her two children will lead a more stable life than hers grapple with their own sense of individuality. While their mother lives in a past made of suitors and debutantes worrying about the future of her unmarried daughter Laura (Naima Swaleh) - a shy and scarred young woman who spends her days polishing her glass trinkets - Tom (Michael Abubakar) desperately wants to break free from his dead-end job at a shoe warehouse.

Dr. Barbara Ann Teer's National Black Theatre (NBT) closes out its golden anniversary season with the world premiere of 125th & FREEdom, a five-hour public performance dance project by Ebony Noelle Golden this June. Written, choreographed and directed by Golden, the piece will make Harlem's iconic 125th Street its stage as it explores the question: "If Harriet Tubman were alive today, how would she free Black people?" The event is a part of the institution's new programmatic initiative, NBT Beyond Walls, which sees the esteemed Harlem institution presenting performances throughout the city, country and internationally.

Now onstage through Mother's Day (Sunday, May 12) in a much anticipated and gleefully subversive production from Nashville Opera, The Cradle Will Rock remains hard to define: It could be described as a work of art whose meaning, its very raison d'etre, can be bent to suit any conceivable justification. Variously, Blitzstein described his 1937 work as a 'play in music' or an 'opera for actors' and its history clearly paints it as either or even as both.