The Rehearsal - 1996 - Broadway Articles Page 14

WaterTower Theatre Artistic Director, Joanie Schultz, today announced details for the inaugural DETOUR: A Festival of New Work (March 1 - 4, 2018). This year's Festival will consist of four new play readings, three devised works, and two "late nite" performances.  Highlights from this year's Festival include a reading from Oregon Shakespeare Festival's "Play On!" initiative commissioning modern adaptations of 39 of Shakespeare's works, three new works from rising company Dark Circles Contemporary Dance, the next installment of Brigham Mosley's laugh-out-loud creation, Movies That Should Be Musicals, and more.

The FSU/Asolo Conservatory for Actor Training continues its 2017-18 season with Jean Anouilh's The Rehearsal : a comedic satire about class, love, and sex in the French aristocracy. The Rehearsal opens on Wednesday, February 21 and plays through March 11 in the Cook Theatre at the FSU Center for the Performing Arts. A special pay-what-you-can preview performance will be offered to the public on Tuesday, February 20 at 7:30 p.m. with a $3 minimum.

The African & African American Performing Arts Coalition and K*Star*Productions are pleased to announce the program for the Black Choreographers Festival: Here and Now 2018 (BCF), which takes place over three consecutive weekends, February 17 - March 4, in San Francisco and Oakland. Following the opening weekend at Dance Mission Theater in San Francisco, the festival moves to SAFEhouse Arts at 145 Eddy Street for weekend two, with a final program at Laney College Theater in Oakland, March 3 - 4. All performances begin at 7:30 p.m.

In December 2016, Stephen Petronio Company purchased Crow's Nest, a 175-acre property in the Catskill Mountains. This bold act not only secures the Company's legacy but also aims to provide a creative home for dance via the Petronio Residency Center, whose first round of residencies the Company is proud to announce today. The inaugural recipients are Nora Chipaumire, Will Rawls, and Kathy Westwater, whose residencies will take place between July-October, 2018. Each artist has been awarded a one-week residency that includes exclusive use of the 9,000 sq. ft. facilities for up to 9 individuals, a $5,000 stipend, and up to $1,500 for travel assistance. This rare and fully-funded opportunity includes room, board, and meals prepared on-site by a chef from locally-sourced ingredients.

WaterTower Theatre Artistic Director, Joanie Schultz, today announced details for Elliot, A Soldier's Fugue Intersections programming.

The Dr. Phillips Center for the Performing Arts, Florida Theatrical Association and Broadway Across America announce that tickets are now available to the general public for the Orlando engagement of Riverdance - The 20th Anniversary World Tour, which is an add-on in the 2017 - 2018 FAIRWINDS Broadway in Orlando season.

The Dr. Phillips Center for the Performing Arts, Florida Theatrical Associationand Broadway Across America announce the addition of Riverdance - The 20th Anniversary World Tour to the 2017 - 2018 FAIRWINDS Broadway in Orlando season.

Anthony Rapp, star of the original Broadway production of Rent, posted a photo on Twitter that he took of Rent composer Jonathan Larson. Today marks the 22nd anniversary of Larson's death.

Washington National Opera (WNO) presents the sixth season of its acclaimed American Opera Initiative, a comprehensive commissioning program that brings contemporary American stories to the stage while fostering the talents of rising American composers and librettists. All of the program's world premiere operas are presented during the American Opera Initiative Festival weekend,January 19 21, 2018, all in the Kennedy Center Terrace Theater. The festival begins with the world premiere of a new hour-long work by composer Missy Mazzoli and librettist Royce Vavrek, Proving Up, on January 19 and 21, 2018, directed by Alison Moritz and conducted by Christopher Rountree, both in their WNO debuts. Three new pairings of opera composers and librettists Nathan Fletcher and Megan Cohen, Gity Razaz and Sara Cooper, John Glover and Erin Bregman offer new, one-act operas during the festival. Two semi-staged concert performances of each 20-minute opera are presented on January 20, 2018.

Following the phenomenal success of The Agatha Christie Theatre Company, which sold approximately two million tickets over a decade of first class productions, comes a new chapter from Bill Kenwright's Classic Thriller Theatre Company.

Chicago's Grant Park Music Festival Artistic Director and Principal Conductor Carlos Kalmar today announced a rich array of programming for the Festival's 2018 season, including a large-scale world premiere commission for orchestra and chorus by the Latvian composer, ?riks E envalds. Kalmar will lead the Grant Park Orchestra, along with Chorus Director Christopher Bell and the Grant Park Chorus, in a ten-week season, taking place from June 13 August 18 at Millennium Park's Jay Pritzker Pavilion and other venues throughout the city.

Director of Nuffield Southampton Theatres, Samuel Hodges, today announces the full cast for the company's inaugural production at NST City the world premi re of Howard Brenton's The Shadow Factory, which Hodges directs. Veteran of stage and screen Anita Dobson joins the cast as Lady Cooper/Ma (Wicked, Apollo Victoria Theatre; The Merry Wives of Windsor, RSC; Frozen, National Theatre) along with Shala Nyx who plays Polly. Dobson, known for playing the iconic role of Angie Watts in EastEnders, and Nyx join David Birrell (Fred/Hugh), Catherine Cusack (Lil/Sylvia), Lorna Fitzgerald (Jackie Dimmock), Hilton McRae (Lord Beaverbrook) and Daniel York (Len Gooch) to complete the company. The Shadow Factory opens on 15 February, with previews from 7 February, and runs until 3 March.

In 2015, Stephen Petronio Company culminated its 30th anniversary 2014-15 season with a transformation: the launch of Bloodlines. This five-year autobiographical project not only honors the lineage of American postmodern dance, but also traces the influences and impulses that have shaped choreographer Stephen Petronio, an artist uniquely positioned to preserve this postmodern tradition.

As we say goodbye to 2017, we remember all of those we have lost in this past year. From actors to directors and musicians, these people have shared their gifts with us and they will not be forgotten. Join BroadwayWorld in remembering some of these people below.

BRIC presents Reenactment, a group exhibition examining and agitating the aesthetics and politics of historical reenactment in contemporary art (January 18-February 25). In traditional reenactments, events like the American Revolution and Civil War are embodied by amateur performers using storytelling and props, all too often approaching history as unchangeable and absolute.

Director of Nuffield Southampton Theatres, Samuel Hodges, today announces casting for the theatres inaugural production at NST City the world premi re of Howard Brenton's The Shadow Factory. Hodges directs David Birrell (Fred/Hugh), Catherine Cusack (Lil/Sylvia), Lorna Fitzgerald (Jackie Dimmock), Hilton McRae (Lord Beaverbrook) and Daniel York (Len Gooch). Further casting to be announced. The Shadow Factory opens on 15 February, with previews from 7 February, and runs until 3 March.

Following the phenomenal success of The Agatha Christie Theatre Company, which sold approximately two million tickets over a decade of first class productions, comes a new chapter from Bill Kenwright's Classic Thriller Theatre Company.

Rent was one of the first musicals I truly loved. My affinity for musicals didn't start as early as a lot of theatre people I know. I first picked up Rent in junior high, a 2-disc set from the library. I'd borrow it over and over until I learned all the words. Rent is the reason why angsty rock musicals will forever be my niche.

Good morning, BroadwayWorld! Today's big news: John Leguizamo's LATIN HISTORY FOR MORONS opens on Broadway, and BRIGADOON bows this evening at New York City Center!

Washington National Opera (WNO) presents the sixth season of its acclaimed American Opera Initiative, a comprehensive commissioning program that brings contemporary American stories to the stage while fostering the talents of rising American composers and librettists. All of the program's world premiere operas are presented during the American Opera Initiative Festival weekend,January 19 21, 2018, all in the Kennedy Center Terrace Theater. The festival begins with the world premiere of a new hour-long work by composer Missy Mazzoli and librettist Royce Vavrek, Proving Up, on January 19 and 21, 2018, directed by Alison Moritz and conducted by Christopher Rountree, both in their WNO debuts. Three new pairings of opera composers and librettists Nathan Fletcher and Megan Cohen, Gity Razaz and Sara Cooper, John Glover and Erin Bregman offer new, one-act operas during the festival. Two semi-staged concert performances of each 20-minute opera are presented on January 20, 2018.

Marius and Eponine are finally reunited! Mario Frangoulis and Frances Ruffelle at Lincoln Center November 6th.

In 2015, Stephen Petronio Company culminated its 30th anniversary 2014-15 season with a transformation: the launch of Bloodlines.

For most young actors, it takes many years of pounding the hot New York City pavement to catch their big break after college. And for many, that big break may never come. But just one year into her pursuit of a Bachelors of Fine Arts at Rider University, spunky songstress Lyndie Moe landed the dream of a lifetime: playing the iconic role of Maureen Johnson in the national tour of RENT. I caught up with Lyndie in Milwaukee, Wisconsin after only a few weeks on her journey with RENT, and although the professional credits on her resume may be few (for now), her dreams and dedication are clear!

Continuing a successful UK-wide tour throughout 2017, Chris Ellison and Robert Duncan will join the cast of The Classic Thriller Theatre Company's A Judgement in Stone.

Leading theatrical licensor Music Theatre International has partnered with ProductionPro Technologies Inc. to bring an innovative new iPad app successfully used by creative teams in TV, film and Broadway to theatrical organizations in the U.S. and Canada. The app has been custom-tailored to the specific needs of MTI's customers.