The New Bohemia - 2005 - New York Articles Page 2

New shows on sale this Friday: Charlie Zaa, Saturday, Aug. 19, 2017 at 8 p.m.; Blondie, presented by WFUV, Saturday, Oct. 14, 2017, 8 p.m.; Rufus Wainwright, presented by WFUV, Sunday, Jan. 21, 2018, 8 p.m.; David Sedaris, Friday, April 6, 2018, 8 p.m. Tickets available June 23 at 11 a.m.at www.ticketmaster.com or by calling bergenPAC's Box Office at (201) 227-1030.

Green Space will offer a diverse roster of new/emerging artists in January.

Green Space will offer a diverse roster of new/emerging artists in January.

Based on Ben Hecht's books A Guide For the Bedevilled and A Child Of the Century, in which Hecht confronts his own identity as an American Jew in the wake of the Nazi Holocaust, THE BEN HECHT SHOW begins today, June 10 and continues through July 17, 2016 at Piven Theatre at Noyes Cultural Center, 927 Noyes St. in Evanston. Tickets are currently available at grippostagecompany.com. The press opening is Tuesday, June 14 at 8 pm.

The workshop of award-winning composer/lyricist/playwright/performer Max Vernon's new musical THE VIEW UPSTAIRS, directed by Scott Ebersold and with choreography by Spencer Liff and music direction by Matt Aument, will hold their industry presentations this week, starting today, March 31st, and continuing tomorrow, Friday, April 1st, in New York City.

Known for both her contemporary and Shakespearean work, Taichman will go straight from one off-Bway show to another this year.

The fascinating life of Chicago newspaperman turned legendary playwright, screenwriter and novelist Ben Hecht takes center stage in Grippo Stage Company's world premiere of THE BEN HECHT SHOW, written and performed by James Sherman and directed by Dennis Za?ek.

'The New World Symphony: Dvorak in America' is a puppet and object theater work examining the influence of African-American and Native American music upon the great 19th-century Czech composer Antonin Dvorak (1841-1904). The piece is written and directed by Vit Horejš and performed by Czechoslovak American Marionette Theatre. It traces how Dvorak helped America accept its beautiful multicultural musical traditions by his enthusiasm for African-American and Native American music during his short but influential time in the USA. La MaMa Theatre will present the play's world premiere run March 10 to 27, 2016 in its Ellen Stewart Theatre, 66 East 4th Street (East Village). Composer and Musical Director is saxophonist James Brandon Lewis.

The fascinating life of Chicago newspaperman turned legendary playwright, screenwriter and novelist Ben Hecht takes center stage in Grippo Stage Company's world premiere of THE BEN HECHT SHOW, written and performed by James Sherman and directed by Dennis Za?ek.

Czechoslovak-American Marionette Theatre (CAMT) has created 'The New World Symphony: Dvorak in America,' a play chronicling the American years (1892-1895) of Czech composer Antonin Dvorak, during which he produced a flurry of 'American' works. This puppet theater work is rich in classical and original music (played live!) and dramatizes one of the most significant cultural exchanges in American history. GOH Productions and Dvorak-American Heritage Association (DAHA) will present the piece as a work in progress January 30 and 31, 2016 at Bohemian National Hall, 321 East 73rd Street (Upper East Side). This production is preparatory to the play's upcoming world premiere run, which will be presented by La Mama Experimental Theatre, 66 East 4th Street (East Village), six weeks later: from March 10 to 27, 2016 (see more info below). The play is conceived and directed by Vit Horejs. Composer and Musical Director is saxophonist James Brandon Lewis.

Czechoslovak-American Marionette Theatre (CAMT) has created 'The New World Symphony: Dvorak in America,' a play chronicling the American years (1892-1895) of Czech composer Antonin Dvorak, during which he produced a flurry of 'American' works. GOH Productions and Dvorak-American Heritage Association (DAHA) will present the piece as a work in progress January 30 and 31, 2016 at Bohemian National Hall, 321 East 73rd Street (Upper East Side). This production is preparatory to the play's upcoming world premiere run, which will be presented by La Mama Experimental Theatre, 66 East 4th Street (East Village), six weeks later: from March 10 to 27, 2016 (see more info below). The play is conceived and directed by Vit Horejs. Composer and Musical Director is saxophonist James Brandon Lewis. Scroll down for a sneak peek at some of the puppets!

In what has become an annual ritual, a total of 36 established and emerging composers, lyricists, and librettists will converge on the Goodspeed campus from mid-January through mid-February 2016 to participate in the Johnny Mercer Foundation Writers Colony at Goodspeed Musicals. The writing teams, representing 19 new musicals, will populate the campus, creating a truly exciting environment for discovery and inspiration. BroadwayWorld is excited to report that Goodspeed has announced its 2016 participants. Scroll down for details!

The Italian Academy hosts the inaugural concert of *The Stefan Wolpe Fund featuring world premieres and works by Charles Wuorinen, Jonathan Dawe, Matthew Greenbaum and William Anderson tonight, October 30th at 8pm. Also on the program, a New York premiere for string sextet by Charles Wuorinen. Featured artists: JACK Quartet, pianist Steven Beck, Vox n Plux, violist Miranda Cuckson and cellist Jay Campbell. This concert was produced by Zaidee Parkinson and Alanna Maharajh Stone with generous support from *The Roger Shapiro Fund for New Music.

The Italian Academy hosts the inaugural concert of *The Stefan Wolpe Fund featuring world premieres and works by Charles Wuorinen, Jonathan Dawe, Matthew Greenbaum and William Anderson on Thursday, October 30th at 8pm. Also on the program, a New York premiere for string sextet by Charles Wuorinen. Featured artists: JACK Quartet, pianist Steven Beck, Vox n Plux, violist Miranda Cuckson and cellist Jay Campbell. This concert was produced by Zaidee Parkinson and Alanna Maharajh Stone with generous support from *The Roger Shapiro Fund for New Music.

Huntington Theatre Company announces its 2014-2016 cohort of Huntington Playwriting Fellows: Mia Chung, John J King, Sam Marks, and Nina Louise Morrison. This artistically diverse group of writers begin their two-year residency in September. Past Huntington Playwriting Fellows include Ronan Noone (The Atheist, Brendan, and the upcoming The Second Girl), Lydia R. Diamond (Smart People, Stick Fly), Melinda Lopez (Becoming Cuba, Sonia Flew), Kirsten Greenidge (Luck of the Irish), Ryan Landry (Ryan Landry's "M"), and Rosanna Yamagiwa Alfaro (Before I Leave You) to name a few.

Gleaming with glamour and virtuosity, Sarah Chang, one of the world's foremost violinists, returns to Pacific Symphony to perform Jean Sibelius' Violin Concerto, which takes full advantage of the violin's expressive range, from the rippling high chords to the growling alto notes. With an international career that spans more than two decades, Chang enthralls once again-this time alongside guest conductor Tito Muñoz, who recently served as music director of two esteemed organizations in Lorraine, France. Muñoz leads the orchestra in Dvo?ak's Symphony No. 8, optimistic and bright, filled with folk music and Bohemian dances. Opening the concert and having its West Coast premiere is a sensuous work by Adam Schoenberg, 'Finding Rothko' (2006). Inspired by four bold paintings by American Abstract Impressionist painter Mark Rothko, the work is a musical depiction of the emotions Schoenberg felt embodied in each of the paintings.

Gleaming with glamour and virtuosity, Sarah Chang, one of the world's foremost violinists, returns to Pacific Symphony to perform Jean Sibelius' Violin Concerto, which takes full advantage of the violin's expressive range, from the rippling high chords to the growling alto notes. With an international career that spans more than two decades, Chang, the “thrill seeker” who made Mendelssohn “sizzle” (Orange County Register) when she opened the Symphony's 2011-12 season enthralls once again—this time alongside guest conductor Tito Muñoz, who recently served as music director of two esteemed organizations in Lorraine, France. Muñoz leads the orchestra in Dvo?ák's Symphony No. 8, optimistic and bright, filled with folk music and Bohemian dances. Opening the concert and having its West Coast premiere is a sensuous work by Adam Schoenberg, “Finding Rothko” (2006). Inspired by four bold paintings by American Abstract Impressionist painter Mark Rothko, the work is a musical depiction of the emotions Schoenberg felt embodied in each of the paintings.

Gleaming with glamour and virtuosity, Sarah Chang, one of the world's foremost violinists, returns to Pacific Symphony to perform Jean Sibelius' Violin Concerto, which takes full advantage of the violin's expressive range, from the rippling high chords to the growling alto notes. With an international career that spans more than two decades, Chang enthralls once again-this time alongside guest conductor Tito Muñoz, who recently served as music director of two esteemed organizations in Lorraine, France. Muñoz leads the orchestra in Dvo?ak's Symphony No. 8, optimistic and bright, filled with folk music and Bohemian dances. Opening the concert and having its West Coast premiere is a sensuous work by Adam Schoenberg, "Finding Rothko" (2006). Inspired by four bold paintings by American Abstract Impressionist painter Mark Rothko, the work is a musical depiction of the emotions Schoenberg felt embodied in each of the paintings.

Gleaming with glamour and virtuosity, Sarah Chang, one of the world's foremost violinists, returns to Pacific Symphony to perform Jean Sibelius' Violin Concerto, which takes full advantage of the violin's expressive range, from the rippling high chords to the growling alto notes. With an international career that spans more than two decades, Chang, the “thrill seeker” who made Mendelssohn “sizzle” (Orange County Register) when she opened the Symphony's 2011-12 season enthralls once again—this time alongside guest conductor Tito Muñoz, who recently served as music director of two esteemed organizations in Lorraine, France. Muñoz leads the orchestra in Dvo?ák's Symphony No. 8, optimistic and bright, filled with folk music and Bohemian dances. Opening the concert and having its West Coast premiere is a sensuous work by Adam Schoenberg, “Finding Rothko” (2006). Inspired by four bold paintings by American Abstract Impressionist painter Mark Rothko, the work is a musical depiction of the emotions Schoenberg felt embodied in each of the paintings.

The 19th annual Summer Festival continues today, August 4 at 11 am with a performance of Antonin Dvorak's Mass in D, Op. 86 for SATB choir, SATB soloists, and organ.

The 19th annual Summer Festival continues on Sunday, August 4 at 11 am with a performance of Antonin Dvorak's Mass in D, Op. 86 for SATB choir, SATB soloists, and organ.

Following the success of the Mozart Mass in C minor and Requiem releases, the Handel and Haydn Society is has announced its third live recording on the CORO label on September 11. Soloists Teresa Wakim, Paula Murrihy, Thomas Cooley, Sumner Thompson joined Harry and the Society to record Mozart's Coronation Mass live at Boston's Symphony Hall earlier this year.

Presentations of Page 73 Productions' developmental workshop of A THICK DESCRIPTION OF HARRY SMITH (Volume I) by Chicago-based playwright Carlos Murillo (DARK PLAY OR STORIES FOR BOYS) and directed by Kip Fagan (Page 73's JACK'S PRECIOUS MOMENT) will begin Thursday, June 28 at 2pm and continue Friday, June 29 at 2pm; Sunday, July 1 at 7pm and Monday, July 2 at 3pm (please note the altered performance time for the July 2nd performance) at Culture Project (45 Bleecker Street). Tickets are $10 and can be purchased online at page73.org/harrysmith.

Closing Aurora Theatre Company's 19th season is the first professional American production of METAMORPHOSIS. Award-winning Bay Area director, performer, and playwright Mark Jackson returns to Aurora Theatre Company, where he helmed the company's acclaimed productions of Salome and Miss Julie, to put his own unique spin on this landmark work of existential literature.

'Hello, Dolly, well hello, Dolly, it's so nice to have you back where you belong.' And where could Dolly belong better than on the stage where composer, lyricist and UM alum Jerry Herman (A.B., '53) got his start? Hello, Dolly! is an ebullient story of the joy of living, glittering with happy songs, shining with loving scenes, brimming with joyous dancing