The Moment When 1999 Off-Broadway — Photo Coverage Page 2

Review: THE LION KING Reigns Supreme at Dr. Phillips Center For The Performing Arts

by Albert Gutierrez • Apr 25, 2025

Life's greatest tragedy is the passage of time. It is a lesson we all must learn eventually. Within the proverbial circle of life, there is only a beginning and an end that occurs in the immediacy of our own lifetime. Yet, the cyclical nature of birth, death, and rebirth ensures that our spirit will carry on in legacy rather than in flesh. If we are loved, then we are remembered. And if we are remembered, then we live forever. Disney’s The Lion King transposes this message from screen to stage through an international collaboration of talent that supercedes the strength of the 1994 animated film from which it came.

Interview: A WICKED CONNECTION: Carol de Giere on Documenting the Legacy of Stephen Schwartz

by Linda Hodges • Aug 25, 2024

BroadwayWorld’s Linda Hodges chats with Carol de Giere, the biographer who reveals the magic of Stephen Schwartz!

Review: DESCRIBE THE NIGHT at Ensemble

by Roy Berko • Nov 4, 2022

What did our critic think of DESCRIBE THE NIGHT at Ensemble?

Richard Jay-Alexander Chats With Theatre Legend Albert Poland About His Book STAGES, Judy Garland, The Biz and More

by Robert Diamond • Jun 26, 2020

Getting on the phone with Albert Poland totally swept me away and into the world we love for a glorious 45 minutes...

Review: SISTERS IN LAW Celebrates Friendship and Conflict Between the Supreme Court's First Two Female Justices

by Shari Barrett • Sep 30, 2019

During the thought-provoking 90-minute play, made even more visually intense via attention-grabbing historical projections of news headlines to forward the progression of time on Rachel Myers exquisitely transformational scenic design, Feldshuh and Faracy fully embody not only the physical presence of Ginsburg and O'Connor but also their dependency on each other to get their voices heard over the gender-biased male members of the Court. Their dedication to justice and the law was solid, although O'Connor felt the need to take it slowly like a tortoise while Ginsburg always felt the need to charge ahead like the hare when it came to issues of sexual harassment towards women.

BWW Review: MAMMA MIA! at HKAPA

by Rachel Wong • Jan 17, 2019

Kicking off the 2019 theatre calendar in Hong Kong is the feel-good classic that is Mamma Mia! Seen by over 60 million people around the world, the musical premiered in London's West End back in 1999, and is now celebrating its 20th anniversary! With no sign of it slowing down, 2018 saw the launch of its International Tour, and after months on the road, it has finally arrived in Hong Kong, opening on January 16th!