The Day Before - 1906 - Broadway Articles Page 2

Named for an Australian violinist of a century ago.

LA Opera's newest digital short film, Death, unites the striking visuals of celebrated filmmaker Nadia Hallgren, the Emmy-nominated director of the Michelle Obama documentary Becoming, with the intriguing harmonies of composer Tyshawn Sorey, a recipient of the MacArthur “Genius Grant” Fellowship.

Josephine: A Burlesque Cabaret Dream Play, a one-woman musical biographical play about the iconic Josephine Baker,will be performed on the Morris Museum's Back Deck, Thursday, September 17th and Friday, September 18th at 7:00 pm, continuing our season of socially distant performance. 

Fifteen years after its first production of the musical, Musical Theatre West revisits the Tony Award-winning musical RAGTIME for only its second time---smartly reviving the musical in a similarly lavish production that beautifully converges the show's classic staging and vibe with wonderfully integrated 21st Century tech upgrades that help elevate the material rather than hinder its storytelling. Under the enlightened direction of Paul David Bryant (who also provides the production's high-energy choreography), this brand new, spectacularly engrossing production bellows with an emotional fervor and is one of my favorite iterations of this musical I have seen in recent years. This local revival---which continues performances at the Carpenter Center for the Performing Arts in Long Beach through February 23, 2020---is a feast for the senses.

San Francisco International Arts Festival has shared the full schedule for the 2020 Festival that will run at the Fort Mason Center for Arts & Culture from May 19 - 31.

10 Productions. 50 Performances. Musicals, live-action neon animations, solo performances, comedies, and political satire at the Chain Theatre Oct. 1st - Nov. 3rd.

The persistent legend, mystique and fascination of what may have happened to Anastasia during Russia's revolution finds a new home in the musical ANASTASIA

A sweeping, grandiose, and emotionally-searing stage musical adaptation of E.L. Doctorow's expansive 1975 novel, RAGTIME is a gripping, multi-character, and multi-story theatrical experience that uses era-authentic specificity to depict America's past during a time when its increasingly diverse population has been forced to adjust to the ramifications of new technological, social, political, and economic changes that are spreading throughout the nation. Of course, one can't help but observe that, eerily, many of these very same issues are somehow still top-of-mind today, particularly in recent years with the surge in anti-immigrant policies and sentiments, the increasing gap between the rich and the poor, and, of course, the horrific rise of racist sentiments and, worse, racist acts against people of color. Perhaps this overarching motif---that many of these era-specific issues that RAGTIME's characters struggled with in 1906 are still alarmingly present in 2019---is the true motivator behind director Casey Stangl's impressive, 'intimate' theater reimagining of RAGTIME for Chance Theater, which continues performances in Anaheim through August 11, 2019.

Paula Vogel's INDECENT has already begun its previews at the Ahmanson Theatre. Vogel and director Rebecca Taichman continue their collaboration, from the workshops and the Broadway run (for which Rebecca won her Tony Award directing INDECENT), to this co-production between the Center Theatre Group and the Huntington Theatre Company. I had the opportunity to delve into the inner creative workings of the man portraying Sholem Asch - Joby Earle.

As part of BroadwayWorld's expansive coverage of the 73rd Annual Tony Awards, we're bringing you the full text of all of the acceptance speeches; from the emotional to the bizarre, and everything in between. Keep up with all of the winners' speeches on our continuously updated list below.

May 18th, May 19th, May 21st & May 26th, The Vagrancy Announces Blossoming: A New Play Reading Series. The Vagrancy annually selects six playwrights with diverse perspectives to join their playwright's group. Beginning each fall, the writers meet regularly as they craft their plays. The Vagrancy hosts two development workshops wherein the plays are explored with the playwright, actors and a director in a rehearsal setting. BLOSSOMING is the first public reaching of the six original plays. Come be inspired, have a glass of wine, and help the play's development along with post-reading audience talk-backs.

We got the chance to chat with Tony-nominated director and choreographer Marcia Milgrom Dodge about RAGTIME -- its relevance to the current U.S. political climate and what makes it one of the best musicals of the 20th (and 21st century).

In 2017, the Broadway musical version of Anastasia (which opened at Hartford Stage nice months earlier), based on the 1997 film, featuring music by Stephen Flaherty, lyrics by Lynn Ahrens and a book by Terrence McNally debuted to much fanfare, and now Nashville audiences are in the thrall of the cast and crew of the national touring company, onstage at Tennessee Performing Arts Center's Andrew Jackson Hall through Sunday, March 24.

Multiple Grammy and Oscar winning artist, musician and producer T Bone Burnett gave a thought provoking keynote speech at SXSW today, warning of the current dangers of the dominance of digital monopolies like Google and Facebook, while championing the value of the independence of artists. See below for the full text of the speech.

This winter, the French Institute Alliance Française (FIAF) presents a retrospective of the films of Jacques Becker (1906–1960), whose richly detailed worlds, indelible characters, and a humanist outlook elevated genre filmmaking to an art form. The series brings together Becker's most celebrated films, lesser known gems, and newly restored versions. The series will run from January 8 to February 26 in FIAF's Florence Gould Hall.

Blackfriars Repertory Theatre and the Storm Theatre presents a new production of Eugene O'Neill's Ah, Wilderness!, directed by Peter Dobbins (The Rainmaker), it was announced today. Performances begin on January 25 for a run through February 17 in the Black Box Theater at The Sheen Center for Thought & Culture (18 Bleecker Street). Opening night is set for January 26 at 7:30pm.

The Oregon Shakespeare Festival opened Rodgers and Hammerstein's Oklahoma!, directed by OSF Artistic Director Bill Rauch, on April 22 in the Angus Bowmer Theatre. Preview performances were April 18, 20 and 21, and the musical runs through Oct. 27.

Before the opening night performance a representative of Actors' Equity presented the theatre with a proclamation in honor of their 50thanniversary which included praise for not only Porthouse and Kent State University, but for Terri Kent, who has been leading the endeavor for 18 successful years. The words praised the venue for not only setting high professional theatrical goals, but for being a place where support, encouragement and respect is stressed.

The Alabama Shakespeare Festival is sponsoring a 10-day speaking and listening tour of the southeastern United States, July 7-17, 2018. The tour, titled the State of the South, has been developed to invigorate ASF's prestigious Southern Writers' Project, a program founded in 1991 at the Alabama Shakespeare Festival to commission and develop new plays by Southern playwrights.

Trinity Repertory Company (TRC) punctuates the conclusion of its 2017-18 performance calendar with a definite exclamation mark. RAGTIME, now playing at TRC's upstairs Chace Theatre, is a season's best production both for the company and for the arts community statewide.

Dance We Must: Treasures from Jacob's Pillow, 1906-1940 explores the contributions of Jacob's Pillow founder Ted Shawn and the iconic Ruth St. Denis to American modern dance. Gathering over 350 materials, including more than 30 costumes and accessories, over 200 photographs, five original antique costume trunks, and a dozen original artworks from both the Jacob's Pillow Archives and Williams College Special Collections, the exhibition contextualizes the pioneering work of Shawn and St. Denis within the scope of American art history through artifacts that have never been seen before. Dance We Must will be on view at Williams College Museum of Art (WCMA) from June 29 through November 11, 2018. The opening celebration will take place on July 2, featuring performances by Adam H. Weinert and Williams College Artist-in-Residence in Dance Erica Dankmeyer.

The Oregon Shakespeare Festival will open Rodgers and Hammerstein's Oklahoma!, directed by OSF Artistic Director Bill Rauch, on April 22 in the Angus Bowmer Theatre. Preview performances are April 18, 20 and 21, and the musical runs through Oct. 27.

For its 35th season Undermain celebrates its past, its future, and its present with two world premieres, a rarely seen world classic, and a celebratory reboot of a recent gem from the Undermain repertoire. The two world premieres bridge new American work from an eminent playwright to an important, emerging playwright, the classic presents a Dallas premiere by 'the father of realism,' the Undermain in rep series contemplates the Undermain's recent achievements, and our second Whither Goest Thou America: A Festival of New American Play Readings looks to the future.

Semyon Bychkov will return to the New York Philharmonic to conduct two weeks of programs, including the 50th anniversary of a Philharmonic commission, artist debuts, and symphonic cornerstones. In the first week, Mr. Bychkov will conduct Mendelssohn's Piano Concerto No. 1, with soloist Bertrand Chamayou in his Philharmonic debut; Shostakovich's Symphony No. 5; and Brahms's Tragic Overture, Thursday, May 17, 2018, at 7:30 p.m.; Friday, May 18 at 8:00 p.m.; Saturday, May 19 at 8:00 p.m.; and Tuesday, May 22 at 7:30 p.m.