The American Beauty - 1900 - West End Articles Page 3

CuriosityStream, one of the world's leading independent factual media companies, today announced that production is underway on 4th and Forever: Alcoa, the third season of the acclaimed original documentary series.

With a line-up that features world-class artists in music, dance, comedy, top-touring Broadway hits and more, the Kravis Center for the Performing Arts continues its tradition of offering a diverse season with something for everyone.

Park International Center for Music announced today that their 2020-2021 Season would once again kick off their season in September at the Kauffman Center for the Performing Arts with Stanislav & Friends.

WaterTower Music has announced today's digital release of the soundtrack to Self Made: Inspired by the Life of Madam C.J. Walker (Soundtrack from a Netflix Limited Series). Based on a true story, this popular Netflix series stars Octavia Spencer, Tiffany Haddish, and Carmen Ejogo.

The Muny announced today the directors, choreographers and music directors for its 2020 season, which opens June 15 with Kander and Ebb's internationally-acclaimed Chicago. Among the talented list are a mix of Muny favorites and newcomers. In addition to casting, a comprehensive list of design teams for each production will be released later this spring. Telsey + Company is the official casting partner for Muny.

The Duluth Playhouse rings in the holiday season with the beloved family adventure musical that is also celebrating the 80th anniversary of its feature film, The Wizard of Oz. It plays in the NorShor Theatre from December 5-22, 2019, and is directed by guest artist, Joe Chvala (who also directed last year's Beauty and the Beast).

On October 19, I had the pleasure of seeing yet another talented cast at the Connecticut Cabaret Theatre in Berlin, CT, in a show called RESPECT.  The directing of Kris McMurray and choreography of James J. Moran help bring out the singing and dancing talents in the four woman cast of Maria Soaft, Emily Gray, Erin Liddell, and Erica Whitfield, who are accompanied by the live band of TJ Thompson on keyboard, Jamie Sherwood on guitar, and Tim Urso on percussion.  The voices and harmonies are strong and reflect excellent effort from this cast.  The stage chemistry is tight and it is clear that the actresses are enjoying their roles.   

Arizona Theatre Company (Sean Daniels, Artistic Director; Billy Russo, Managing Director) announces that Silent Sky, written by the nation's most-produced playwright two of the last three years, Lauren Gunderson,is coming to stages in Tucson and Phoenix.

See the full lineup next week at Tanglewood!

The Pittsburgh Symphony Orchestra is pleased to announce the appointment Shantanique Moore, flutist, as the next recipient of the symphony's two-year fellowship designed to enable one young African American musician the ability to dedicate him or herself to the pursuit of an orchestral career. Ms. Moore will be the eighth recipient of a fellowship from the symphony's EQT Orchestra Training Program for African American Musicians (OTPAAM).

BroadwayWorld has learned that The Muny announced today 25 principal cast members for the first season of its second century. Complete company casting will be announced throughout April and May. The 101st season opens on a brand new, state-of-the-art stage with Muny favorite Guys and Dolls followed by the U.S. regional premiere of Kinky Boots. The season continues with 1776, Rodgers + Hammerstein's Cinderella, Footloose and a newly-reimagined Lerner and Loewe's Paint Your Wagon. Season 101 closes with the highly-anticipated Muny debut of Roald Dahl's Matilda.

Lauren Gunderson's play, Silent Sky, is based on the true story of astronomer Henrietta Leavitt. Nearly 20 years before American women could vote, Henrietta Leavitt graduated from Radcliff College, took a job in Harvard's Observatory and, working from slides because women weren't allowed to touch the telescopes, she discovered the amount by which the star's brightness is dimmed by distance allows the star's distance from the earth to be calculated. Leavitt turned a two-dimensional picture of the sky into a three-dimensional one.

Hadestown begins preview performances tonight, March 22, at the Walter Kerr Theatre, ahead of a Wednesday, April 17 official opening night. Get to know the cast below as they begin Broadway performances!

Performance Space New York in collaboration with Arika and the Whitney Museum of American Art presents I wanna be with you everywhere, a gathering of, by, and for disabled artists and writers and anyone who wants to join in a series of programs that refuse policies of individuation and inclusion in favor of (and in the flavor of) whatever disability aesthetics has in bodymind. Organized by Arika, Amalle Dublon, Jerron Herman, Carolyn Lazard, Park McArthur, Alice Sheppard, and Constantina Zavitsanos, the festival features performances and readings by Eli Clare, John Lee Clark, Kayla Hamilton, Johanna Hedva, Jerron Herman, Cyr e Jarelle Johnson, Camisha L. Jones, Leah Lakshmi Piepzna-Samarasinha, Jordan Lord, NEVE, Akemi Nishida and Alice Sheppard.

From the 16th of March to the 9th of April 2019, the Nederlandse Reisopera (Dutch National Touring Opera) will be taking a new production of the Stephen Sondheim musical A Little Night Music around the country. This is an English-language version produced by an American artistic team. In this staging, Director Zack Winokur looks back to the film that the musical was originally based on, Ingmar Bergman's Smile of a Summer Night: 'What I found lacking in the musical, at least in the productions that I saw, was the bodily, sensual and erotic comedy which is at the heart of the film. Why are people continually trying to seduce each other and why are they continually failing? This work is about feelings that everyone deals with in daily life, which is comforting, alienating and disquieting at the same time.'

Eighty years after the Broadway premiere of Lillian Hellman's THE LITTLE FOXES, the Lyric Stage Company production, under the direction of Scott Edmiston, demonstrates that the classic American drama has lost none of its punch. A titanic team of actors portrays the dynamic within the rapacious Hubbard family and the collateral damage they impose on all who have the misfortune of being in their path. Without exception, the characters are three-dimensional, fully realized, and thoroughly alive, compelling the audience to engage with them on an intensely emotional level.

The Canton Museum of Art (CMA), one of Northeast Ohio's premier American art museums, is offering a family event night titled Cleveland to Canton, today, February 16 from 5:00PM - 7:00PM with doors opening at 4:30PM.  Admission to the event is free, but pre-registration is required. Registration is available on the CMA website at https://www.cantonart.org/classes/cleveland-canton-free-family-night-cma-0

The Canton Museum of Art (CMA), one of Northeast Ohio's premier American art museums, is offering a family event night titled Cleveland to Canton, on Saturday, February 16 from 5:00PM - 7:00PM with doors opening at 4:30PM.  Admission to the event is free, but pre-registration is required. Registration is available on the CMA website at https://www.cantonart.org/classes/cleveland-canton-free-family-night-cma-0

The Muny announced today the directors, choreographers and music directors for its 2019 season, which opens on June 10 with Guys and Dolls.

The Muny announced today the directors, choreographers and music directors for its 2019 season, which opens on June 10 with Guys and Dolls.

The Wizard of Oz has been delighting audiences since it first appeared as a 1939 movie starring Judy Garland as Dorothy. The story, first created by L. Frank Baum in 1900, has inspired a number of adaptations, and the most popular stage version frequently finds its way to the stage at high schools and community theatres. Even though many of you have probably seen The Wizard of Oz, you've likely never seen a production of it like the one that will open at The Eichelberger Performing Arts Center on November 16th. Why is this production so unique? Because it is being performed by actors from The Penguin Project of Gettysburg Community Theatre. This program gives youth with special needs an opportunity to perform with other youth, both with and without special needs, giving them a chance to focus on their abilities rather than their challenges. BroadwayWorld had an opportunity to hear from Gettysburg Community Theatre's Executive Director, Chad-Alan Carr, as well as from five of the actors who will be performing-Natalie Hurwitch and Maddie Greco, two of the peer mentors; Ella Scott, the actor playing Dorothy; Leah Watson, who portrays Glinda the Good Witch of the North; and TJ Williams, who plays the Wizard of Oz-about their experiences with this production of The Wizard of Oz.

American Ballet Theatre's 2019 Spring season at the Metropolitan Opera House, May 13 - July 6, will feature a World Premiere work by ABT Artist in Residence Alexei Ratmansky in programs dedicated entirely to his works in honor of the choreographer's 10th year with the Company.

SILENT SKY at East Lynne Theater Company is brilliant look at the big picture fueled by one woman's impassioned curiosity. It is the story of Henrietta Leavitt who helped determine the vastness and depth of the universe in an age when women at Harvard College Observatory, where she worked, were not even allowed to look through the telescope.

An Evening with Tony Award Nominee Andrea McArdle is set for Upstairs at Vitello's in Studio City on Thursday, October 11, at 7:30, The Purple Room in Palm Springs on Friday, October 12, at 8pm, and for Martinis Above Fourth in San Diego on Saturday, October 13, at 7pm, it was announced today by Chris Isaacson Presents.

The opulent, newly restored Emerson Colonial, the historic crown jewel among Boston's glittering theatrical houses, is the perfect setting for the equally opulent but imperfect stage adaptation of Baz Luhrmann's anachronistic 2001 movie musical MOULIN ROUGE. Originally opened in 1900, the ornately adorned gilt and red velvet theater is now celebrating its grand re-opening with a glitzy, gaudy pre-Broadway tryout of a mash-up of 1900 Bohemian Paris and a contemporary jukebox of pop rock, techno, disco and punk music. The result is a whirling dervish of sights and sounds designed more for effect than affect. The audience, obviously familiar with and adoring of the original movie, rapturously cheers on cue. But for those seeking a more nostalgic emotional connection to the material, this MOULIN ROUGE may seem more rock concert than musical theater.