Taking a Chance on Love - 2000 - Off-Broadway Articles Page 12

Rodgers & Hammerstein's PIPE DREAM will be recorded live at New York City Center's Encores! series this week, and released this Summer on Ghostlight Records. Produced by Rodgers & Hammerstein: AnImagem Company, this preservation of Rodgers & Hammerstein's 1955 Broadway musical rarity marks the first time an Encores! musical has been recorded live.

In honor of the encore screening of Andrew Lloyd Webber's LOVE NEVER DIES at Fathom-equipped movie theaters across the US today, following the rapturously received first showing late last month, this week we are highlighting the show's central stars, Anna O'Byrne and Ben Lewis, and speaking to them all about the spectacular Coney Island-set PHANTOM OF THE OPERA musical sequel. Following the previous interviews in this series with composer Andrew Lloyd Webber and lyricist Glenn Slater, this LOVE NEVER DIES series shines a special spotlight on the risky and ambitious new theatrical venture, which originally began in London's West End and has now been thrillingly filmed in its completely reconceived and rewritten Australian iteration directed by visionary innovator Simon Phillips. In an unprecedented move, Fathom will be presenting the elegantly designed film of the stage show in over 500 movie theaters nationwide, making LOVE NEVER DIES an absolute must-see for Broadway babies curious to see where the story of the Phantom, Christine and the rest ends up ten years later - and, also, a real treat for just plain entertainment enthusiasts in general out there. To paraphrase from the musical drama itself, the special screenings of LOVE NEVER DIES prove that love does, indeed, live on. Today, in this LOVE NEVER DIES focused portion of the upcoming complete InDepth InterView, LOVE NEVER DIES star Ben Lewis and I discuss his insights into playing the Phantom, working with the phenomenally talented cast featuring Anna O'Byrne as Christine, as well as what his impressions are of the final finished film version of the show now that he has seen it on the big screen - all of that and much, much more!

As the final of three mainstage productions during the two-month Eugene O'Neill Festival spearheaded by Arena Stage at the Mead Center for American Theater, Long Day's Journey into Night rounds out this celebration of O'Neill's life and work. The English-born and Canadian-based director and former Stratford Festival Artistic Director Robin Phillips makes his Arena Stage debut to direct his fourth production of this Pulitzer Prize-winning play in a theatrical career spanning more than 50 years.

The April 2012 at the B. B. King Blues Club and Grill, NYC, has been announced, featuring Melanie and Oleta Adams.

The entire entertainment world is reeling. We have lost one of our most iconic pop, R&B and soundtrack performers this evening - as well as a formidable movie star in her own right - Whitney Houston was just reported dead at the age of 48. Having had one of the most successful and most multimedia of careers of any multi-hyphenate star in recent memory, Houston scored multiple Grammys and racked up countless nominations over the course of her multi-decade recording career, yet her most notable contributions to the world of music reside in her outstanding soundtrack work - most of all, the songs for the film in which she made the transition into feature film leading lady, 1992's THE BODYGUARD. The biggest hit from THE BODYGUARD's blockbuster soundtrack was undoubtedly Houston's rendition of a Dolly Parton song originally recorded in 1974 and later made famous by Parton in the feature film version of the Broadway hit THE BEST LITTLE WHOREHOUSE IN TEXAS, "I Will Always Love You". In addition to Houston's sensational work on that mega-selling soundtrack - one of the Top 5 best-selling soundtracks of all time - she also provided her dramatic and vocal skills to the multi-platinum soundtracks to THE PREACHER'S WIFE and WAITING TO EXHALE, both films which she also starred in to much box office success. An Oscar-winning duet with Mariah Carey, "When You Believe" by WICKED's Stephen Schwartz from THE PRINCE OF EGYPT is yet another diadem in Houston's triple crown of accomplishments in the realms of music, film and television - having dominated all. Theatre fans may know Houston best for her incomparable portrayal of the Fairy Godmother in the incredibly successful 1997 ABC TV adaptation of Rodgers & Hammerstein's CINDERELLA starring Brandy and produced by Craig Zadan and Neil Meron. In addition to Houston's contributions to THE BODYGUARD, THE PREACHER'S WIFE, WAITING TO EXHALE, THE PRINCE OF EGYPT and CINDERELLA, Houston also rose to fame early in her career for her rendition of "Home" from THE WIZ on THE Merv Griffin SHOW, as well as made a mark with a Cissy Houston duet on the CHESS international smash, "I Know Him So Well" on her second hit album. The last project Houston was working on prior to her death on Saturday night was the feature film musical SPARKLE, co-starring AMERICAN IDOL winner and Broadway standout Jordin Sparks. SPARKLE reportedly completed production of principal photography and soundtrack sessions, though it is not clear when the musical remake will now be released in light of Houston's unexpected death. No matter the circumstances of her life and death, Whitney Houston most surely left a legacy that will never be forgotten by those that adored her for her vast multitude of talents and many notable accomplishments in all areas of entertainment.

Tanglewood, one of the world's most beloved music festivals and the famed summer home of the Boston Symphony Orchestra located in the beautiful Berkshire Hills of western Massachusetts, celebrates its 75th anniversary season, June 22-September 2, with a spectacular lineup of musical guests and programs that spotlight Tanglewood's rich tradition of presenting summertime concerts at their best since 1937.

Today, in an extension of the FLASH FRIDAY column, we are sharpening our focus on the six upcoming revivals of musicals that are soon to hit the boards in the next few months (post-FOLLIES) and battle it out for the Best Revival as the Broadway season heats up just when the weather begins to cool: the classic Jule Styne/Bob Merrill musical that originally starred that star-of-stars, Barbra Streisand - FUNNY GIRL; the groundbreaking rock opera that rewrote the theatrical rulebook thanks to young creators Andrew Lloyd Webber and Tim Rice - JESUS CHRIST SUPERSTAR; the hippie, flower child take on the Christ story covering some similar Biblical ground to that of SUPERSTAR, with this one being the composing debut of WICKED songwriter Stephen Schwartz - GODSPELL; another Andrew Lloyd Webber/Tim Rice collaboration that won seven Tony Awards and acted as the vehicle for Patti LuPone's blazing Broadway debut in a starring role - EVITA; the significantly reworked, revised and rewritten new version of the beautifully scored time-travel musical by Burton Lane and Alan Jay Lerner, this time starring a male movie star crooner - ON A CLEAR DAY YOU CAN SEE FOREVER; and, the landmark American opera composed by the Gershwins with DuBose Haywerd - PORGY & BESS. While each and every one of these entities has a huge hit song or two that nearly everyone on the planet knows by heart - "Don't Rain On My Parade", "I Don't Know How To Love Him", "Day By Day", "Don't Cry For Me Argentina", "On A Clear Day…" and 'Summertime' included - each of these revivals also comes after a film version (or two) that, in more than a few of these cases, will be relatively difficult to top as far as expectations of many audience members undoubtedly will go. So, by taking a listen to the smash hit crossover songs from these musicals as well as looking at their respective film version's trailers - as well as a couple of surprises, too - perhaps we can glean some insight into what makes these generally pretty terrific properties so well worth reviving on Broadway, here, now, today, in 2011. Furthermore, all of this crystal ball commentary is not even taking into account the starry assortment of performers that have already been announced for these productions so far - especially with FUNNY GIRL's Lauren Ambrose and Bobby Cannavale, GODSPELL's Hunter Parrish, SUPERSTAR's lauded Josh Young, EVITA's Ricky Martin and Michael Cerveris, PORGY's Norm Lewis and Audra McDonald, as well as the leading man in what was once a leading lady's role (that of Barbara Harris) in ON A CLEAR DAY YOU CAN SEE FOREVER, Harry Connick, Jr.! What a tight race it is turning out to be for these new productions, particularly come Tony time in June! With rock to rhumba and borscht belt comedy to messianic hosannas and even full-out opera, seemingly every conceivable customer base is more than covered by this packed, potentially, well, awesome, season of shows - and many Broadway babies around BroadwayWorld are undoubtedly looking most forward to these six forthcoming revivals - with particularly good reason given the relative dearth of new musicals announced so far. So, let these revivals revive your flagging spirits as we leap into the 2011-2012 season with this comprehensive prospective and retrospective all about what makes them work so well in the first place and so worthy of another look!

If you know the name Constantine Maroulis, it is likely due to his stint on American Idol, but many of our readers may be surprised to know that this AI rocker is actually a classically trained and Tony Award nominated actor, with a number of successful shows on his resume. One of his most successful, Rock of Ages, makes its way to Atlanta at the Fabulous Fox Theatre July 5 - 10. Audiences who come out for this show presented by Theater of the Stars will have the chance to rock out to some of their favorite 80's hits from Styx, Journey, REO Speedwagon and more. I had the chance to talk with Constantine about the show, his theatrical career and what he learned on Idol that still helps him today.

"Any Dream Will Do" sings the title character, Joseph, in Andrew Lloyd Webber's classic musical, Joseph and the Amazing Technicolor Dreamcoat. But for Anthony Fedorov, the former American Idol contestant and recording artist, who will don the multi-colored coat when that same show arrives at the Fox on June 26, those words aren't just lyrics in a play, but the theme of his own career that has evolved over the past 6 years. I had the chance to catch up with Anthony and talk about the show, his upcoming record and his musical journey so far.

This summer, The Ark, A Cultural Centre for Children, is turning the spotlight onto music.

The Knights who say Ni, Tim the Shrubber, the Holy Hand Granade, and a Killer Rabbit. If these mean anything to you then you are already familiar with the hit cult movie Monty Python and the Holy Grail. But even if you aren't familiar with the movie, but love funny, exciting and colorful musical theatre you will soon have the chance to find out more when Theater of the Stars presents Spamalot at the Fabulous Fox Theatre. On June 3, for just 5 performances only, Atlanta audiences will have the chance to go on their own irreverent quest with King Arthur and his Knights and possibly even find their own grail. I caught up with Caroline Bowman who plays the Lady of the Lake.

Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.

Whether you're a flower child of the 60's or an Internet child of the 90's, it is likely that you have heard about the hit musical Hair, or at very least heard some of the iconic numbers from the show like "Aquarius" or "Let the Sunshine In." But regardless of how much audiences come to the theatre knowing about Hair, they leave having experienced something electric, powerful and unique. And leading the "tribe" is free-spirited and energetic Berger, everyone's best friend and resident "bad boy." When Hair arrives at The Fabulous Fox Theatre on May 17th, wearing Berger's trademark loincloth and "long, beautiful hair" will be Steel Burkhardt, a veteran of five previous versions of the show. We had the chance to chat with Steel about the show, playing Berger, and baring your soul on stage in more ways than one.

Executive Producer Lou Spisto today announced that The Old Globe will produce the World Premieres of four new plays and musicals in its 2011-12 Winter Season. The season will feature the World Premiere musicals Some Lovers by music legend Burt Bacharach and Tony Award winner Steven Sater and Nobody Loves You by Gaby Alter and Itamar Moses, as well as the West Coast Premiere of John Kander and Fred Ebb's The Scottsboro Boys, recently nominated for 12 Tony Awards including Best Musical, directed and choreographed by five-time Tony Award winner Susan Stroman. The two plays receiving World Premiere productions are Somewhere by Globe Playwright-in-Residence Matthew Lopez and The Recommendation by Jonathan Caren. The new season also includes revivals of Richard O'Brien's The Rocky Horror Show and the Eugene O'Neill classic Anna Christie directed by Pulitzer Prize and Tony Award winner David Auburn. Special events include the World Premiere of Odyssey by Todd Almond, a music theater event conceived and directed by Lear deBessonet celebrating the Globe's 75th Anniversary, The Old Globe/University of San Diego Graduate Theatre Program production of Twelfth Night and Dr. Seuss' How the Grinch Stole Christmas!, which returns for its 14th consecutive year.

April at The Metropolitan Room

April at The Metropolitan Room

In the second act the protagonist, Billy, describes dancing as "a burning deep inside, something bursting me wide open, impossible to hide…like electricity." What a wonderful way to also describe the masterpiece that is Billy Elliot: Electric.

YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents William Shakespeare's ROMEO AND JULIET, directed by Shana Cooper, at the University Theatre (222 York Street) March 11-April 2, 2011.

Upcoming MTI Shows - 1/30 for Toronto

Upcoming MTI Shows - 1/09 for Toronto

Upcoming MTI Shows - 12/26 for Toronto

2010 was a year filled with all sorts of exciting BroadwayWorld interviews - here's some of this year's highlights!

Upcoming MTI Shows - 12/19 for Toronto

Here is the second part of our three-part discussion, in which Esparza and I analyze his roles and performances in plays, as well as a thorough discussion of the art of acting - and, additionally, a chat about roles he would like to play in the future, both near and far.

In this exclusive interview with BroadwayWorld, Raul Esparza takes a comprehensive look back at his spectacular rise to fame from this time ten years ago in THE ROCKY HORROR SHOW on Broadway, his first New York stage role, to now, with career-defining reviews for the out-of-town tryout of the new Alan Menken musical LEAP OF FAITH - as well as his sold-out American Songbook concerts early next year in New York. What does the future hold for Raul Esparza onscreen and onstage? Will it be Shakespeare or Sondheim or something completely new? Mamet or MERRILY WE ROLL ALONG? You may very well find your answer here.