Sun-Up - 1923 - Broadway Articles Page 17

Nadim Naaman is best known for playing Raoul in The Phantom of the Opera in the West End, though he has also appeared in shows like Sweeney Todd, Titanic and Chess. He has released a solo album, Sides, and has just co-written his first musical with Qatari composer Dana Al Farden. Broken Wings is based on a poetic novel by Khalil Gibran about forbidden love, gender equality and religion in 1912 Lebanon.

Back by popular demand, Sally Sherwood and Lin Snider return to the Guild Hall stage (1 East 29th Street, NYC 10016) on Thursday, June 14 at 7pm with their unique blend of wacky comedy and musical standards in (Still) Just Between Friends. Joining these lovable ladies of the night - and day - is their talented musical director Blake Rowe. See and hear what they're 'cooking up' for your after-dinner entertainment.

"Don't Dress for Dinner"-a mile-a-minute comedy by Marc Camoletti adapted from the original French by Robin Hawdon-will be the fourth and final play of the Hampton Theatre Company's 2017-2018 season, opening on May 24 at the Quogue Community Hall and running through June 10.

Nakkiah Lui latest offering BLACKIE BLACKIE BROWN: THE TRADITIONAL OWNER OF DEATH is a hilarious superhero story all of Australia needs to see.

On Wednesday, May 16, Patchogue Theatre for the Performing Arts (PTPA) unveiled its brand new Watchfire LED marquee, installed by Going Sign & Servicing Company Inc. of Plainview, N.Y., with a special lighting ceremony that was a part of the nonprofit performing arts organization's  20th anniversary celebration.

"Don't Dress for Dinner"-a mile-a-minute comedy by Marc Camoletti adapted from the original French by Robin Hawdon-will be the fourth and final play of the Hampton Theatre Company's 2017-2018 season, opening on May 24 at the Quogue Community Hall and running through June 10.

Lantern Theater Company concludes its record-smashing 2017/18 season with the regional premiere of Don't Dress for Dinner by French playwright Marc Camoletti. Lantern Resident Director Kathryn MacMillan will direct a cast that includes some of Philadelphia's finest comedic actors: Chris Anthony, Jessica Bedford, Marc LeVasseur, Lee Minora, Karen Peakes, and William Zielinski. Theater critics and members of the press are invited to request tickets for opening night on Wednesday, May 30 at 7 p.m. by contacting Anne Shuff at ashuff@lanterntheater.org. Performances run Thursday, May 24 through Sunday, June 24, 2018; a full schedule is included in the fact sheet below.

New York City Center is sure to be a singular sensation this fall!

Goodman Theatre revives Having Our Say: The Delany Sisters' First 100 Years, Emily Mann's 'warming theatrical event' (Variety)that celebrates the lives of 'two strong, vibrant women dispensing joy and wisdom' (Chicago Tribune). Goodman Theatre Resident Director Chuck Smith's production features Ella Joyce and Marie Thomas as the Delany centenarians, Bessie (1891 - 1995) and Sadie (1889 -1999), respectively, as they trace their lives in a heartfelt reflection of their family history and triumphs over prejudices in times of social unrest.

"Don't Dress for Dinner"-a mile-a-minute comedy by Marc Camoletti adapted from the original French by Robin Hawdon-will be the fourth and final play of the Hampton Theatre Company's 2017-2018 season, opening on May 24 at the Quogue Community Hall and running through June 10.

Good morning BroadwayWorld! Today's top stories: The Boys in the Band begins previews, Lin-Manuel Miranda is honored with the Eugene O'Neill Center's Monte Cristo Award, and more!

BBC AMERICA announced today that it will air the Royal wedding of HRH Prince Henry of Wales and Ms. Meghan Markle, as a live and direct simulcast of BBC ONE's coverage. The historic event airs with limited commercial breaks as the centerpiece of a week of celebratory programming that includes the wedding of Prince Charles and Lady Diana and the US television premiere of Harry and Meghan: A Very Modern Romance.

The title character of George Bernard Shaw's Saint Joan was burned at the stake nearly 500 years before the play premiered at Broadway's Garrick Theatre in December of 1923, but for many viewers there may have been a sense of topicality to the proceedings.

Goodman Theatre celebrates the lives of "two strong, vibrant women dispensing joy and wisdom" (Chicago Tribune) in a major revival of Emily Mann's Having Our Say: The Delany Sisters' First 100 Years. Directed by the Goodman's longtime Resident Director Chuck Smith, the production features Ella Joyce and Marie Thomas as the Delany centenarians, Bessie (1891 - 1995) and Sadie (1889 -1999), respectively. The sisters were discovered in 1991 when Amy Hill Hearth interviewed them for The New York Times. Following the article, the trio co-authored the book, Having Our Say: The Delany Sisters' First 100 Years-a New York Times bestseller and heartfelt reflection of their family history and triumphs over prejudices in times of social unrest. Mann adapted it for the stage, first at McCarter Theatre Center in Princeton, New Jersey and then to Broadway, where it ran for 317 performances. Having Our Say: The Delany Sisters' First 100 Years appears May 5 - June 10, 2018 in the Albert Theatre (opening night is Monday, May 14). Tickets ($20 - $75; subject to change) are now on sale at GoodmanTheatre.org/HavingOurSay, by phone at 312.443. 3800 or at the box office (170 North Dearborn). ComEd is the Major Corporate Sponsor, Conagra Brands Foundation is the Major Production Sponsor and ITW and PwC are the Corporate Sponsor Partners. 

Dance We Must: Treasures from Jacob's Pillow, 1906-1940 explores the contributions of Jacob's Pillow founder Ted Shawn and the iconic Ruth St. Denis to American modern dance. Gathering over 350 materials, including more than 30 costumes and accessories, over 200 photographs, five original antique costume trunks, and a dozen original artworks from both the Jacob's Pillow Archives and Williams College Special Collections, the exhibition contextualizes the pioneering work of Shawn and St. Denis within the scope of American art history through artifacts that have never been seen before. Dance We Must will be on view at Williams College Museum of Art (WCMA) from June 29 through November 11, 2018. The opening celebration will take place on July 2, featuring performances by Adam H. Weinert and Williams College Artist-in-Residence in Dance Erica Dankmeyer.

Oregon Shakespeare Festival (OSF) Artistic Director Bill Rauch announced the Festival's 2019 playbill today. The season, which will be Rauch's last at the artistic helm, celebrates Shakespeare, classics and new plays, including two American Revolutions commissions and a pilot Community Visit Project that will take a bilingual Play on! translation into community venues throughout the region.

Arnulfo Maldonado/Set Design Bobbie Clearly by Alex Lubischer is exciting in its structure and unique storytelling -- I was immediately struck by how engaging the interview format can feel within a theatrical context. What is the setting for such a world? In the film/documentary version of this play, these subjects would be interviewed against a static background. But this play spans both various locations and time.

When you buy a new flex pass before tomorrow, March 25th, Victory Gardens is offering  two free drink vouchers to use at the VG bar next season.

Brooklyn Ballet, a unique and interdisciplinary dance company rooted in the classical idiom, presents Revisionist History, a provocative and diverse Spring season of broad range and repertoire. Brooklyn Ballet's programming is ever-expanding, embracing multifaceted dance styles and refashioning historical works. April's offerings include works of legendary dance makers George Balanchine, Merce Cunningham, Isadora Duncan and Michel Fokine, as well as premieres of mixed genre and interdisciplinary works by Artistic Director Lynn Parkerson. The Company presents 5 performances, April 19-22, in The Mark O'Donnell Theater at The Actors

ENGAGING SHAW begins in England in 1897 in a comfortable cottage in Stratford, England, where Shaw hopes to complete his new play. As he engages in conversation with his friends, the happily married cottage owners, Beatrice and Sidney Webb, we learn Shaw is a notorious flirt and heartbreaker who enjoys romancing women, attracting them to him "like a moth to the flame." But it is soon apparent he is not particularly interested in sex, a fact reflected in his real life where he remained a virgin until his 29th birthday. It's the thrill of the hunt that is the main attraction for Shaw, thoroughly enjoying the effect he has on women as he pursues them, not in the keeping of them. In present-day parlance, he'd be considered a sexist cad. Beatrice sees an opportunity to deflect Shaw's interest in her (and hers in him) by inviting their wealthy benefactor Charlotte to visit, knowing when she meets Shaw, the financially challenged but famous Irish playwright and political activist, that sparks will fly.

BRIGHT STAR follows two pairs of star-crossed lovers, two decades apart, all against the backdrop of the Blue Ridge Mountains of North Carolina. And now through March 25, the Tony Award-nominated musical makes its home at the Hobby Center.

Cavalier Galleries is pleased to announce our upcoming exhibition, Gershon Benjamin 'Revisited.' This exhibition features work spanning Benjamin's lifelong career and will be the first time many of these pieces have been exhibited to the public. The exhibition will be on view from March 22st to April 11th at Cavalier Gallery, Ground Floor, 3 West 57th Street, New York, New York. Gallery hours are 10am-6pm Monday through Saturday; 11am-5pm on Sundays.

Actor Ben Cherry provides his deep appreciation for this play with music that's reminiscent of his character Lemml's feelings for the play within the play. Read on and see this show before it closes March 24.