Romeo and Juliet - 1968 - Off-Broadway Articles Page 16

Sunday January 24, 5-7pm Iguana Lounge: upstairs at 240 W. 54th St. (between Broadway and Eighth)

59E59 Theaters (Elysabeth Kleinhans, Artistic Director; Peter Tear, Executive Producer) welcomes Luna Stage (Montclair, NJ) to 59E59 Theaters with the New York City premiere of THE MAN IN ROOM 306, written by and starring Craig Alan Edwards and directed by Cheryl Katz.

59E59 Theaters (Elysabeth Kleinhans, Artistic Director; Peter Tear, Executive Producer) welcomes Luna Stage (Montclair, NJ) to 59E59 Theaters with the New York City premiere of THE MAN IN ROOM 306, written by and starring Craig Alan Edwards and directed by Cheryl Katz.

Intrepid Shakespeare Company announces its first full season of four plays in traditional repertory with local San Diego actors. Intrepid has also launched their education department, Shakespeare For A New Generation, which brings hour long versions of Shakespeare's plays and workshops to schools all over San Diego.

59E59 Theaters (Elysabeth Kleinhans, Artistic Director; Peter Tear, Executive Producer) welcomes Luna Stage (Montclair, NJ) to 59E59 Theaters with the New York City premiere of THE MAN IN ROOM 306, written by and starring Craig Alan Edwards and directed by Cheryl Katz.

59E59 Theaters (Elysabeth Kleinhans, Artistic Director; Peter Tear, Executive Producer) welcomes Luna Stage (Montclair, NJ) to 59E59 Theaters with the New York City premiere of THE MAN IN ROOM 306, written by and starring Craig Alan Edwards and directed by Cheryl Katz.

59E59 Theaters (Elysabeth Kleinhans, Artistic Director; Peter Tear, Executive Producer) welcomes Luna Stage (Montclair, NJ) to 59E59 Theaters with the New York City premiere of THE MAN IN ROOM 306, written by and starring Craig Alan Edwards and directed by Cheryl Katz.

According to a report from IMBD News, Actress Dame Judi Dench has a thing or two to say to the young acting community for bypassing careers in theatre in favor of instant fame as television or movie stars.

To coincide with their Autumn tour of Kes, The Touring Consortium is pleased to announce that Matthew Kelly will join Annabel Arden, Bryony Lavery, Paul Miller and Don Warrington, the Consortium's Artistic Panel, who with Producer Jenny King, are dedicated to satisfying a venue driven need for quality drama tailored to large theatre venues.

To coincide with their Autumn tour of Kes, The Touring Consortium is pleased to announce that Matthew Kelly will join Annabel Arden, Bryony Lavery, Paul Miller and Don Warrington, the Consortium's Artistic Panel, who with Producer Jenny King, are dedicated to satisfying a venue driven need for quality drama tailored to large theatre venues.

The South Wales Evening Post is reporting that actor Michael Sheen is set to return to the West End stage next year. Sheen will be starring in 'Inadmissible Evidence' for what is described as a four-month run.

Upright Cabaret, L.A.'s premier theatrical showcase featuring an eclectic mix of artists from stage, screen and recording, announces the complete cast for its third and final of its wildly successful 'WICKED' Summer Night at the Ford, featuring the man who has given the world such musical theatre treasures as Wicked, Pippin, Godspell, The Baker's Wife and many more, STEPHEN SCHWARTZ: MAKING GOOD, featuring the West Coast premiere of songs from his new opera Séance on a Wet Afternoon, with musical direction by Chris Bratten, directed by Upright Cabaret Artistic Director Billy Porter and performing ONE NIGHT ONLY, Sunday, August 23 at 7:30pm at the Ford Amphitheatre, 2580 Cahuenga Blvd. East in Hollywood.

This summer, celebrate your love of classic film as the 12th annual Cinema at the Square series returns to PlayhouseSquare August 6-23, 2009. This years series showcases fifteen classic films from the Golden Age of Hollywood to the special-effects laced blockbusters of the 1980's; all for a very 'retro' price of just $5 per film.

Upright Cabaret, L.A.'s premier theatrical showcase featuring an eclectic mix of artists from stage, screen and recording, announces the complete cast for its third and final of its wildly successful 'WICKED' Summer Night at the Ford, featuring the man who has given the world such musical theatre treasures as Wicked, Pippin, Godspell, The Baker's Wife and many more, STEPHEN SCHWARTZ: MAKING GOOD, featuring the West Coast premiere of songs from his new opera Séance on a Wet Afternoon, with musical direction by Chris Bratten, directed by Upright Cabaret Artistic Director Billy Porter and performing ONE NIGHT ONLY, Sunday, August 23 at 7:30pm at the Ford Amphitheatre, 2580 Cahuenga Blvd. East in Hollywood.

This summer, celebrate your love of classic film as the 12th annual Cinema at the Square series returns to PlayhouseSquare August 6-23, 2009. This years series showcases fifteen classic films from the Golden Age of Hollywood to the special-effects laced blockbusters of the 1980's; all for a very 'retro' price of just $5 per film.

This summer, celebrate your love of classic film as the 12th annual Cinema at the Square series returns to PlayhouseSquare August 6-23, 2009. This years series showcases fifteen classic films from the Golden Age of Hollywood to the special-effects laced blockbusters of the 1980's; all for a very 'retro' price of just $5 per film.

This summer, celebrate your love of classic film as the 12th annual Cinema at the Square series returns to PlayhouseSquare August 6-23, 2009. This years series showcases fifteen classic films from the Golden Age of Hollywood to the special-effects laced blockbusters of the 1980's; all for a very 'retro' price of just $5 per film.

In the second year of the concert series, The Blue Ribbon Presents Global Pop at the Music Center continues to celebrate the performances of popular artists from around the globe. Presented at the iconic Walt Disney Concert Hall, Global Pop at the Music Center features some of the most celebrated international pop music stars performing today. Three concerts are planned for this summer, beginning with Korean Pop/R&B singing sensations Wheesung & Lena Park on June 19, 2009 at 8:00pm.

Marin Theatre Company presents the final show of its highly successful 2008-09 season with a seminal work of modern comedy, Joe Orton's uproarious farce What the Butler Saw in MTC's Boyer Theatre beginning June 4.

In the second year of the concert series, The Blue Ribbon Presents Global Pop at the Music Center continues to celebrate the performances of popular artists from around the globe. Presented at the iconic Walt Disney Concert Hall, Global Pop at the Music Center features some of the most celebrated international pop music stars performing today. Three concerts are planned for this summer, beginning with Korean Pop/R&B singing sensations Wheesung & Lena Park on June 19, 2009 at 8:00pm.

Virginia Stage Company will present William Shakespeare's Romeo and Juliet at Theater at Lime Kiln, Thursday and Friday, April 23 and 24, at 7:30pm.

Marin Theatre Company presents the final show of its highly successful 2008-09 season with a seminal work of modern comedy, Joe Orton's uproarious farce What the Butler Saw in MTC's Boyer Theatre beginning June 4.

Tony Estrella, artistic director of The Sandra Feinstein-Gamm Theatre (The Gamm), today announced the theater?s 25th Anniversary Season (2009-2010), featuring 5 plays representative of its quarter-century history of staging a broad spectrum of entertaining, evocative plays of distinction, as well as social and political relevance.

San Francisco's cutting-edge Cutting Ball Theater announces the extension of the company's current production of Mar?a Irene Forn?s's poetic and penetrating MUD. MUD will extend for an additional week of performance, playing now through February 15 at the Cutting Ball Theater in residence at Exit on Taylor, 277 Taylor Street in San Francisco. For tickets ($15-30) and more information, the public may visit cuttingball.com or call 800-838-3006. It is 1973 and Mae has just begun to learn how to read; things finally seem to be taking a turn for the better. As she tries to rise above her humble Midwestern origins, Mae must keep the two men in her life, foster brother and former lover Lloyd, and new boyfriend Henry, from dragging her back down. Little does Mae know that the first strong decision she's ever made about her life may be the last decision she will ever make. 'After spending two weeks at the Dialog Festival in Wroclaw, Poland last year, I came back to San Francisco with a new idea about what really good and interesting theater ought to be,' said MUD director Paige Rogers. 'The sense of humanness I experienced, where the audience breathes along with the performance, is such an elemental aspect of theater and something I feel Cutting Ball can give its audience in its new performance space. I am directing Fornes' MUD with this idea, that less is more, and I believe that each audience member will take away something personal and different that will stay with them for a long time.'

San Francisco's cutting-edge Cutting Ball Theater announces the extension of the company's current production of Mar?a Irene Forn?s's poetic and penetrating MUD. MUD will extend for an additional week of performance, playing now through February 15 at the Cutting Ball Theater in residence at Exit on Taylor, 277 Taylor Street in San Francisco. For tickets ($15-30) and more information, the public may visit cuttingball.com or call 800-838-3006. It is 1973 and Mae has just begun to learn how to read; things finally seem to be taking a turn for the better. As she tries to rise above her humble Midwestern origins, Mae must keep the two men in her life, foster brother and former lover Lloyd, and new boyfriend Henry, from dragging her back down. Little does Mae know that the first strong decision she's ever made about her life may be the last decision she will ever make. 'After spending two weeks at the Dialog Festival in Wroclaw, Poland last year, I came back to San Francisco with a new idea about what really good and interesting theater ought to be,' said MUD director Paige Rogers. 'The sense of humanness I experienced, where the audience breathes along with the performance, is such an elemental aspect of theater and something I feel Cutting Ball can give its audience in its new performance space. I am directing Fornes' MUD with this idea, that less is more, and I believe that each audience member will take away something personal and different that will stay with them for a long time.'