Plays from Africa - 1979 - Off-Broadway Articles Page 4

BRIC, the leading presenter of free cultural programming in Brooklyn, is pleased to announce the lineup and sponsors for the 39th annual BRIC Celebrate Brooklyn! Festival, which returns this year with 31 performances, June 7 - August 12. The programming, reflective of Brooklyn's eclecticism and diversity, will feature a wide array of free, world-class performances at the beautiful Prospect Park Bandshell.

San Francisco Ballet, long recognized for pushing boundaries in dance, has announced its 2017-18 Season program and schedule. This summer, SF Ballet will return to Festival Napa Valley for one performance only on Friday, July 21, 2017, accompanied by members of the SF Ballet Orchestra. In addition, this October, the Company will once again participate in World Ballet Day LIVE, a day-long streaming event (details to be announced).

LEAR'S FOOL, a theatre piece written for a single fool and based on the William Shakespeare's KING LEAR, will make its way to the Alexander Bar's Upstairs Theatre in April. Adapted by George Isherwood, the play will be directed by Wynne Bredenkamp and performed by Jeroen Kranenburg.

The following acts are performing at City Winery Chicago, 1200 W. Randolph Street, throughout the month of April.

Sexual politics, liberation and the cost it weighs on those seeking it (and from whom they are seeking it from), and the fluidity of expression (both in gender and in sexuality) are all on display at Hartford Stage in its latest production of Caryl Churchill's CLOUD 9.

The Provincetown Tennessee Williams Theater Festival is pleased to announce Felicia Hardison Londre, professor of theater at the University of Missouri-Kansas City, as the special guest scholar at the sixth annual Tennessee Williams Institute (TWI), an immersive University-level symposium offered during the Festival from Sept. 20-24, 2017.

The Martin E. Segal Theatre Center, located at The Graduate Center, CUNY, announces its Spring 2017 season of free public programs. The season features free public programs, welcoming and celebrating contemporary theatre and performing artists from around the world.

The Old Globe presents a revival of Steve Martin's clever and crowd-pleasing comedy hit Picasso at the Lapin Agile.

The Old Globe today announced the complete cast and creative team for its revival of Steve Martin's clever and crowd-pleasing comedy hit Picasso at the Lapin Agile.

Will Snider's How to Use a Knife is a world premiere play bursting with energy, secrets and suspense. It isn't easy running a busy restaurant kitchen in New York City, but it may be the last chance Chef George gets to turn his life around.

It was no unlucky Friday the 13th for South Africa's theatre community when BroadwayWorld's Regional Managing Editor Christina Mancuso released the names of the of the winners of the 2016 BroadwayWorld South Africa Awards.

The Old Globe today announced the complete cast and creative team for its revival of Steve Martin's clever and crowd-pleasing comedy hit Picasso at the Lapin Agile.

M.F.A. Candidate Sarah Lucas takes a controversial script in a strong direction to present a great show.

If Studio Theatre has a go-to playwright, it's been Caryl Churchill, the award-winning British innovator and provocateur, whose season-opening 'Cloud 9' at the theater is as brash and challenging as anything on area stages, and yet was first written over 30 years ago.

Six leaders in the business, medical, education, and philanthropic communities have been elected as new members of the Board of Directors of the New York Philharmonic, and five global leaders have joined the New York Philharmonic International Advisory Board (IAB), established in the fall of 2014 to support the Philharmonic's activities abroad, including the New York Philharmonic Global Academy.

Six leaders in the business, medical, education, and philanthropic communities have been elected as new members of the Board of Directors of the New York Philharmonic, and five global leaders have joined the New York Philharmonic International Advisory Board (IAB), established in the fall of 2014 to support the Philharmonic's activities abroad, including the New York Philharmonic Global Academy.

Banana Boat Productions in association with New Perspectives Theatre Company (NPTC) is pleased to announce Crossing Boundaries, two short plays from Trinidadian writers as part of OFF THE BOAT, a summer Caribbean Theatre Festival. Dueling Voices, by the prolific Zeno Obi Constance, is paired with Nice by Mustapha Matura (Playboy of the West Indies.) The production runs August 18 through 27th at New Perspectives Studio, 458 West 37th Street, with performances Wednesday - Saturday at 7:30pm and Sundays at 4:00pm.

Writers Theatre, under the leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, announces a one-week extension to Company, featuring music and lyrics by Stephen Sondheim and book by George Furth. The production is directed by William Brown. Company features original orchestrations by Jonathan Tunick, Orchestral Reductions by Ian Weinberger, music direction by Tom Vendafreddo and choreography by Brock Clawson. The show, originally slated to run through July 31, 2016, will add an additional week, through August 7, in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe.

2016 marks the centenary of the year Eugene O'Neill began writing ground-breaking plays in Provincetown, considered the birthplace of modern American theater. This year, the 11th Provincetown Tennessee Williams Theater (TW Fest) will offer new approaches to staging O'Neill from the perspective of Tennessee Williams' genre-busting dramas.

Sundance Institute today announced the acting company, dramaturgs and creative advisors participating in its pilot Theatre Lab in the MENA region, including Sandra Oh, Hoon Lee, Deanna Dunagan, Hala Omran and Raeda Taha. The Lab, held in Morocco next month, is part of the Institute's international cultural exchange programs for independent artists and will kick off a new, multi-year commitment to support artists from the Middle East and North Africa (MENA). For the Lab, the Institute will provide promising, fresh voices from the U.S. and MENA region with a rigorous artistic retreat and new opportunities for cross-cultural discovery, artistic reflection and creative experimentation.

Symphony Space is pleased to announce the first installment of The Source Project, a weeklong celebration tracing the influence of Africa on New World cultures. This inaugural year focuses on Afro-Cuban culture, with an enticing mix of music, documentaries, cocktails, and a talk on the island's undersea marvels.

Caryl Churchill's 1982 Obie Award-winning CLOUD 9 receives a hilarious, yet heartstring-tugging revitalization from the always reliable Antaeus Theatre Company. Casey Stangl expertly directs her very talented cast as they skillfully navigate the complexities of each undertaking dual roles. What an incredible showcase for these actors to display their diverse acting ranges.

Sundance Institute today announced the eight new projects selected for its pilot Theatre Lab in the MENA region, held in Morocco, May 2016. The Lab is part of the Institute's international cultural exchange programs for independent artists, which include a new, multi-year commitment to support artists from the Middle East and North Africa (MENA), broadening the work of its East African Theatre Exchange over the past 15 years. For the Lab, the Institute will provide promising, fresh voices from the U.S. and MENA region with a rigorous artistic retreat and new opportunities for cross-cultural discovery, artistic reflection and creative experimentation.

Sex and gender. Race and power. Politics and family. Plus Queen Victoria! Antaeus Theatre Company presents Caryl Churchill's outrageous, hilarious and bitingly satirical Cloud 9 in a fully partner-cast production. Casey Stangl directs for a March 10 opening at the Antaeus Theater in NoHo, with low-priced previews beginning March 3.

Tom Stoppard's first new play since Rock 'n' Roll introduces us to Hilary, a 22-year-old psychology student applying for a coveted position with the Krohl Institute for Brain Science. As Hilary prays for strength to move beyond personal regrets, she passionately explores the blurred lines between science and psychology with her colleagues and her sometimes-lover Spike. Ethics are called into question as they delve into the 'hard problem' of consciousness versus gray matter, and debate whether altruism even exists. Following a sold-out run at the National Theatre in London, the Wilma-'America's foremost interpreter of the playwright's work' (Philadelphia Magazine)-is proud to be among the first to bring The Hard Problem to U.S. audiences.