Mother - 1910 - Broadway Articles Page 10

On June 9, Deborah Voigt, America's top dramatic soprano, marked another milestone in her career when she returned to San Francisco Opera and made her title role debut as the pistol-packing, poker-playing barmaid in Puccini's Gold Rush extravaganza, La fanciulla del West (The Girl of the Golden West). Running through July 2, the new San Francisco production is the first North American staging to celebrate the opera's centenary.

On June 9, Deborah Voigt, America's top dramatic soprano, marked another milestone in her career when she returned to San Francisco Opera and made her title role debut as the pistol-packing, poker-playing barmaid in Puccini's Gold Rush extravaganza, La fanciulla del West (The Girl of the Golden West). Running through July 2, the new San Francisco production is the first North American staging to celebrate the opera's centenary.

Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.

Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.

TACT/The Actors Company Theatre (Scott Alan Evans, Cynthia Harris and Simon Jones, Co-Artistic Directors), the critically-acclaimed company "dedicated to presenting neglected or rarely produced plays of literary merit," will conclude its 2009/10 season with The Cocktail Party, by T. S. Eliot.

Described a 'a sweet and endearing look at the American dream for all types during any era in our nation's history,' I Remember Mama features Paula Higgins as the headstrong Mama, while Annaliese Higgins plays her daughter Katrin. Recently transplanted to Tennessee, the two actresses have been looking for an opportunity to share the limelight and, at the same time, that would allow them to become more involved with the Brentwood community.

Described a 'a sweet and endearing look at the American dream for all types during any era in our nation's history,' I Remember Mama features Paula Higgins as the headstrong Mama, while Annaliese Higgins plays her daughter Katrin. Recently transplanted to Tennessee, the two actresses have been looking for an opportunity to share the limelight and, at the same time, that would allow them to become more involved with the Brentwood community.

Japan Society's spring Globus Film Series Mad, Bad... & Dangerous to Know: Three Untamed Beauties of Japanese Cinema celebrates some of the most radical portrayals of Japanese women in film history by three iconic actresses. From March 31 through April 18, the 13-film series unfolds in three parts over three weeks: Ayako Wakao: Passion Made Flesh, Meiko Kaji: A Mad, Bad Unholy Easter Weekend; and Mariko Okada: The Discreet Charm of the Adulteress. General admission to each screening is $11/$7 Japan Society members, students & seniors. Tickets to the March 31 opening screening, Tattoo (Irezumi) are $15/$10 Japan Society members, students & seniors, and include entry to the DRESSED TO KILL! after party.

Japan Society's spring Globus Film Series Mad, Bad... & Dangerous to Know: Three Untamed Beauties of Japanese Cinema celebrates some of the most radical portrayals of Japanese women in film history by three iconic actresses. From March 31 through April 18, the 13-film series unfolds in three parts over three weeks: Ayako Wakao: Passion Made Flesh, Meiko Kaji: A Mad, Bad Unholy Easter Weekend; and Mariko Okada: The Discreet Charm of the Adulteress. General admission to each screening is $11/$7 Japan Society members, students & seniors. Tickets to the March 31 opening screening, Tattoo (Irezumi) are $15/$10 Japan Society members, students & seniors, and include entry to the DRESSED TO KILL! after party.

In his second week with the New York Philharmonic this season, David Robertson will lead the Orchestra in Ravel's Mother Goose Suite, Barber's Violin Concerto, with Gil Shaham as soloist, and Bartók's The Wooden Prince (complete, with surtitles to indicate story line). The concerts will take place Thursday, February 25, 2010, at 7:30 p.m., Friday, February 26, at 11:00 a.m., and Saturday, February 27 at 8:00 p.m.

In his second week with the New York Philharmonic this season, David Robertson will lead the Orchestra in Ravel's Mother Goose Suite, Barber's Violin Concerto, with Gil Shaham as soloist, and Bartók's The Wooden Prince (complete, with surtitles to indicate story line). The concerts will take place Thursday, February 25, 2010, at 7:30 p.m., Friday, February 26, at 11:00 a.m., and Saturday, February 27 at 8:00 p.m.

In his second week with the New York Philharmonic this season, David Robertson will lead the Orchestra in Ravel's Mother Goose Suite, Barber's Violin Concerto, with Gil Shaham as soloist, and Bartók's The Wooden Prince (complete, with surtitles to indicate story line). The concerts will take place Thursday, February 25, 2010, at 7:30 p.m., Friday, February 26, at 11:00 a.m., and Saturday, February 27 at 8:00 p.m.

TACT/The Actors Company Theatre (Scott Alan Evans, Cynthia Harris and Simon Jones, Co-Artistic Directors), the critically-acclaimed company "dedicated to presenting neglected or rarely produced plays of literary merit," will conclude its 2009/10 season with The Cocktail Party, by T. S. Eliot.

In his second week with the New York Philharmonic this season, David Robertson will lead the Orchestra in Ravel's Mother Goose Suite, Barber's Violin Concerto, with Gil Shaham as soloist, and Bartók's The Wooden Prince (complete, with surtitles to indicate story line). The concerts will take place Thursday, February 25, 2010, at 7:30 p.m., Friday, February 26, at 11:00 a.m., and Saturday, February 27 at 8:00 p.m.

New York Festival of Song (NYFOS, www.nyfos.org), who 'redefined the song recital with daring and dramatic programming' (The New Yorker), presents its fifth annual program with the Department of Vocal Arts at The Juilliard School on Wednesday January 13, 2010 at 8 PM, Killer B's-American Song From Amy Beach to the Beach Boys.

New York Festival of Song (NYFOS, www.nyfos.org), who 'redefined the song recital with daring and dramatic programming' (The New Yorker), presents its fifth annual program with the Department of Vocal Arts at The Juilliard School on Wednesday January 13, 2010 at 8 PM, Killer B's-American Song From Amy Beach to the Beach Boys.

New York Festival of Song (NYFOS, www.nyfos.org), who 'redefined the song recital with daring and dramatic programming' (The New Yorker), presents its fifth annual program with the Department of Vocal Arts at The Juilliard School on Wednesday January 13, 2010 at 8 PM, Killer B's-American Song From Amy Beach to the Beach Boys.

The Joyce Theater, New York's home for dance, will welcome 21 renowned companies over 38 weeks this spring and summer.

THE ORPHANS' HOME CYCLE, PART 1: THE STORY OF A CHILDHOOD, the first part of the world premiere three part theatrical event by the Pulitzer Prize and Academy Award-winning playwright Horton Foote, opened last night at Signature Theatre Company at the Peter Norton Space, 555 West 42nd Street, between 10th and 11th Avenues - and the critics are cheering!

While The Mint Theater Company built its well-earned reputation as New York's leading archivists of plays they proudly proclaim as 'worthy but neglected,' their latest ventures suggest they may want to consider adopting the new slogan, 'I betcha didn't know (insert name of literary giant here) wrote a play.'

Early in the second act of My Vaudeville Man!, the captivating new musical at The York Theatre, Shonn Wiley, portraying eccentric dancer Jack Donahue, challenges four fellow vaudevillians to what's known as a tap drunk. Eventually, Buchanan will be a star on Broadway and a popular favorite at the Palace, but now he's a struggling 19-year-old kid who has taken to the bottle and is in need of quick cash. Each man throws five dollars into the pot, starts taking swigs from a bottle of rye and, most importantly, keeps dancing until only one is left standing. Wiley is the only one on stage, but he vividly paints the contest before our eyes, as Jack battles the endurance of his colleagues and his own inebriation until the competition turns violent. The piece is an extraordinary bit of dance drama, mixing humor, danger, grit and desperation, with Wiley's performance containing some of the best acting through dance we're apt to see this season.

Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical Animal Crackers, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby

THE WIZARD OF OZ 70th Anniversary Ultimate Collector's Edition will be released September 29, 2009 in Blu-Ray and DVD formats.

Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical Animal Crackers, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby

Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical Animal Crackers, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby