Marry Me a Little - 1981 - Off-Broadway Articles Page 4

Porchlight Music Theatre is proud to announce the first production in the fifth season of Chicago's lost musicals in staged concert series, Porchlight Revisits Woman of the Year, starring Meghan Murphy and Brandon Dahlquist, music by John Kander, lyrics byFred Ebb and book by Peter Stone, with direction by Porchlight's Artistic Director Michael Weber, choreography by Florence Walker Harris and musical direction by David Fiorello.

The Old Globe today announced the complete cast and creative team for the Globe's 20th annual production of Dr. Seuss's How the Grinch Stole Christmas!* The holiday musical will run November 4 - December 24 on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Globe's Conrad Prebys Theatre Center.

Amas Musical Theatre and The Amas Musical Theatre Lab will present staged readings of Play It by Heart, a new musical, with music by David Spangler, Jerry Taylor and Marty Dodson, lyrics by David Spangler, Jerry Taylor, R.T. Robinson, and Marty Dodson, and book by Willy Holtzman.

Porchlight Music Theatre has announced the first production in the fifth season of Chicago's lost musicals in staged concert series, Porchlight Revisits Woman of the Year, starring Meghan Murphy and Brandon Dahlquist, music by John Kander, lyrics by Fred Ebb and book by Peter Stone, with direction by Porchlight's Artistic Director Michael Weber, choreography by Florence Walker Harris and musical direction by David Fiorello.

Due to a professional scheduling conflict, Matthew Morrison has withdrawn from the previously announced performance of Sondheim on Sondheim on Sunday, July 23, at 7.30 pm at the Hollywood Bowl.

The Hollywood Bowl has announced that Sarah Uriarte Berry, Philip Boykin, and Jonathan Groff will complete the cast for a benefit performance of SONDHEIM ON SONDHEIM, with music and lyrics by Stephen Sondheim, conceived and directed on Broadway by James Lapine.

The Hollywood Bowl has announced the cast and creative team for a benefit performance of SONDHEIM ON SONDHEIM, with music and lyrics by Stephen Sondheim, conceived and directed on Broadway by James Lapine.

Porchlight Music Theatre and Artistic Director Michael Weber are proud to announce the final mainstage production it its 2016 - 2017 season Marry Me a Little starring Austin Cook and Bethany Thomas, music and lyrics by Stephen Sondheim and originally conceived by Craig Lucas and Norman Rene, with direction by Jess McLeod and music direction by Porchlight Artistic Associate Cook. Previews are Friday, April 14 at 8 p.m., Saturday, April 15 at 8 p.m., Sunday, April 16 at 2 p.m. and Monday, April 17 at 7:30 p.m. Opening night is Tuesday, April 18 at 7:30 p.m. The performance schedule is Thursdays at 7:30 p.m., Fridays at 8 p.m., Saturdays at 4 and 8 p.m. and Sundays at 2 p.m. with an added matinee performance Thursday, May 11 at 1:30 p.m. NOTE There are no 7:30 p.m. performances Thursday, April 20 and  May 11 and no 4 p.m. performance  Saturday, April 22. Tickets to Marry Me a Little are available at PorchlightMusicTheatre.org or by calling the Stage 773 box office, 773.327.5252. 

Porchlight Music Theatre presents the final mainstage production in its 2016 - 2017 season, Marry Me a Little, starring Austin Cook and Bethany Thomas, music and lyrics by Stephen Sondheimand originally conceived by Craig Lucas and Norman Rene, with direction by Jess McLeod and music direction by Porchlight Artistic Associate Cook. BroadwayWorld has a first look at the duo onstage in honor of tonight's opening!

It was just announced by Pulitzer Prize administrator Mike Pride that Lynn Nottage's SWEAT has officially won the 2017 Pulitzer Prize for Drama. 

The Douglas Morrisson Theatre 2016-2017 37th Season concludes with a musical revue featuring songs of the incomparable Stephen Sondheim: SIDE BY SIDE BY SONDHEIM: A Musical Entertainment, with music and lyrics by Stephen Sondheim, and music by Leonard Bernstein, Mary Rodgers, Richard Rodgers and Jule Styne.

Porchlight Music Theatre and Artistic Director Michael Weber are proud to announce the final mainstage production it its 2016 - 2017 season Marry Me a Little starring Austin Cook and Bethany Thomas, music and lyrics by Stephen Sondheim and originally conceived by Craig Lucas and Norman Rene, with direction by Jess McLeod and music direction by Porchlight Artistic Associate Cook. 

Porchlight Music Theatre and Artistic Director Michael Weber have announced the final mainstage production it its 2016 - 2017 season Marry Me a Little, starring Austin Cook and Bethany Thomas, music and lyrics by Stephen Sondheim and originally conceived by Craig Lucas and Norman Rene, with direction by Jess McLeod and music direction by Porchlight Artistic Associate Cook.

Michael Matus & George Rae will play Dionysos and Xanthias in the UK premiere of the latest Broadway version of the rarely performed musical, an hilarious send up of Greek comedy and satire, with a book revised and expanded by Nathan Lane.

The Lyric Stage Company of Boston announces cast & creative team for Edward Albee's Who's Afraid of Virginia Woolf, directed by Scott Edmiston, running January 13 - February 12, 2016.

The Lyric Stage Company of Boston announces cast & creative team for Edward Albee's Who's Afraid of Virginia Woolf, directed by Scott Edmiston, running January 13 - February 12, 2016.

The latest Broadway version of the rarely performed Stephen Sondheim musical The Frogs, an hilarious send up of Greek comedy and satire, with a book revised and expanded by Nathan Lane, is to get its UK premiere in 2017 at Jermyn Street Theatre.

Legendary American composer and lyricist Stephen Sondheim's masterwork Merrily We Roll Along is revisited in a new production under the direction of Tony Award nominee Michael Arden (Spring Awakening) set for the Bram Goldsmith Theater stage at the Wallis Annenberg Center for the Performing Arts from tonight, November 23, through December 18.

Legendary American composer and lyricist Stephen Sondheim's masterwork Merrily We Roll Along is revisited in a new production under the direction of Tony Award nominee Michael Arden (Spring Awakening) set for the Bram Goldsmith Theater stage at the Wallis Annenberg Center for the Performing Arts from November 23 through December 18.

The 2015-16 Janet and Mark L. Goldenson Broadway Musical Concert Series at Rubicon Theatre Company concludes with a concert presentation of Stephen Sondheim and George Furth's MERRILY WE ROLL ALONG.

The 2015-16 Janet and Mark L. Goldenson Broadway Musical Concert Series at Rubicon Theatre Company concludes with a concert presentation of Stephen Sondheim and George Furth's MERRILY WE ROLL ALONG.

The Lyric Stage Company of Boston announces the cast & creative team for COMPANY, with Music and Lyrics by STEPHEN SONDHEIM and Book by GEORGE FURTH. Directed by Spiro Veloudos with music director Catherine Stornetta and choreography & musical staging by Rachel Bertone, COMPANY will run September 2 - October 9, 2016.

The Lyric Stage Company of Boston announces the cast & creative team for COMPANY, with Music and Lyrics by STEPHEN SONDHEIM and Book by GEORGE FURTH. Directed by Spiro Veloudos with music director Catherine Stornetta and choreography & musical staging by Rachel Bertone, COMPANY will run September 2 - October 9, 2016.

Writers Theatre, under the leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, announces a one-week extension to Company, featuring music and lyrics by Stephen Sondheim and book by George Furth. The production is directed by William Brown. Company features original orchestrations by Jonathan Tunick, Orchestral Reductions by Ian Weinberger, music direction by Tom Vendafreddo and choreography by Brock Clawson. The show, originally slated to run through July 31, 2016, will add an additional week, through August 7, in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe.

In THE SECRET LIFE OF THE AMERICAN MUSICAL, Jack Viertel takes about musicals, puts them back together, sings their praises, marvels at their unflagging inventiveness, and occasionally despairs over their more embarrassing shortcomings. In the process, he invites us to fall in love with the art form all over again by showing us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next-by design or by accident, by emulation or by rebellion from OKLAHOMA! to HAMILTON and onward.