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How Much How Much? 1970 Off-Broadway — Photo Coverage Page 2

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Review: SAFEHOUSE '77 Recruits Participants Into a 1970's Spy Versus Spy Immersive Pa

Review: SAFEHOUSE '77 Recruits Participants Into a 1970's Spy Versus Spy Immersive Party Game

by Shari Barrett • Nov 18, 2018

SAFEHOUSE '77 is a site-specific interactive show with a mixture of historical and pop-cultural influences in the exciting world of spy movies. The evening begins after parking in a Bank of America lot a few blocks away from the party house where Connie (Ashley Jones, decked out in high-waisted bell bottom jeans), the sister of our party host, Sharon (Katie Rediger), meets us and goes over a few rules for the evening before escorting us to the party. Just prior to entering, each guest is given an ERA YES badge, every one different in color with an animal sticker in its center. Of course, there is a purpose which soon becomes apparent once the party begins.

Review: Backstage Antics and Humorous Situations in PLAY ON! Will Seem Familiar to An

Review: Backstage Antics and Humorous Situations in PLAY ON! Will Seem Familiar to Anyone Involved in Amateur Theater Productions

by Shari Barrett • Apr 10, 2018

Anyone who has ever been involved in a volunteer theatrical production will certainly understand the craziness associated with amateurs attempting to put on a play due to both their lack of acting experience, taking direction, or the maddening interference from its meddling playwright who drops in at every rehearsal with newly revised and/or added scenes which contradict what they have already been rehearsing. Such is the case in Rick Abbot's comedy PLAY ON! which is currently being presented at Theatre Palisades as the second show of its 2018 season, directed by Sherry Coon and produced for the community theater group by Martha Hunter and Sue Hardie.

BWW Review: What is THE PRICE You Are Willing to Pay No Matter the Personal Cost to Y

BWW Review: What is THE PRICE You Are Willing to Pay No Matter the Personal Cost to Your Own Life?

by Shari Barrett • Feb 2, 2018

THE PRICE by Arthur Miller premiered on Broadway in 1968 and was nominated for two Tony Awards, for Best Play and Best Scenic Design. It is a timeless piece regarding the choices we make and the consequences we eventually face. It is about family dynamics, the price of furniture and the price of one's decisions, taking place in a soon to be demolished family house where two brothers, estranged for decades, meet together to dispose of their late parents' property. The resulting confrontation leads them to examine the events and qualities of their very different lives and the price each of them has had to pay to have the lives they now lead.

BWW Review: SE MEU APARTAMENTO FALASSE... (Promises, Promises) Brings Bacharach-David

BWW Review: SE MEU APARTAMENTO FALASSE... (Promises, Promises) Brings Bacharach-David's Smart Pop Music and the Wry Humor of Neil Simon to Sao Paulo.

by Claudio Erlichman • Jan 24, 2018

Burt Bacharach and Hal David, whose pop songs pretty much defined the mid-to-late 1960s and early 1970s, only wrote one Broadway show, Promises, Promises. There may have been many reasons for the success of the show. With stellar turns by Marcelo Medici as the big-corporation employee whose idea on how to get ahead in business consists of lending his bachelor apartment to his married bosses, and by Malu Rodrigues as the cafeteria waitress with whom he falls in love even though she is having an affair with the personnel director, and with Alonso Barros in charge of choreography and Claudio Botelho & Charles M eller directing, the musical proves that it is still as fresh and vibrant as it was when it was first created, opening in Brazil now, 50 years after his debut on Broadway.

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