How Do You Do, I Love You - 1967 - Broadway Articles Page 7

HAIR was written more than 50 years ago by Gerome Ragni, James Rado and Galt MacDermot and broke new ground in musical theatre by defining the genre of 'rock musical' as well as using a racially integrated cast and inviting the audience onstage to join in the a?oeBe-Ina?? finale. But at the time it opened off Broadway at the end of 1967, it seemed unlikely that HAIR would be relevant five decades later. A product of the hippie counter-culture, sexual revolution, and Vietnam War protests of the late 1960s, several of its songs became anthems of the anti-war movement, while its profanity, depiction of the use of illegal drugs, treatment of open sexuality, irreverence for the American flag, and full-frontal nude scene caused much comment and controversy at the time. Yet today it seems what was shocking has become so common place that even a few children were in the audience at the performance I attended.

We all love the big hits of our favorite musicals. There's nothing like belting out 'Defying Gravity' or 'So Much Better' when you're driving alone, but there's so many songs that get overshadowed by the popular ones. I made a list of 10 amazing songs that need to be appreciated more!

Sam Moore and Dave Prater – the groundbreaking duo, Sam & Dave, who brought their gospel roots to Soul music, were one of the primary chart stars at the Stax and Atlantic labels in the '60s. Bringing the passion of call and response to their wailing soul side, the duo were honored by The Recording Academy as one of the recipients of the Special Merit Awards, The Lifetime Achievement Award in May in Los Angeles.

IN CIRCLES is a feast for the eyes, even if Gertrude Stein's texts as lyrics seem nonsensical at times. Just go with the flow and let the atmosphere of the avant-garde 1968 theatre scene set your mind free! If only Stein's lover Alice B. Toklas was there to hand out her special recipe brownies to enhance the 80-minute experience!

Lorna Luft... and The Beatles? That's right. Lorna Luft, famous for her Broadway belt and her concerts that pay tribute to The American Songbook and the musical legacy of a legendary Lady with whom she shares a special bond has a brand-new show, and it's an extremely personal one because it's all hers.

Poway OnStage is proud to announce its 2019-2020 Professional Performance Season marking the 29th year of presenting one-night-only performances in the intimate 800-seat theatre known for its high fidelity sound, excellent sightlines and beautiful lobby.

The whole world is getting hip to Bobby Rush.  After decades of tearing up the chitlin' circuit on a nightly basis with his sweaty, no-holds-barred funkfests, Bobby has thoroughly broken through to the mainstream. He won a long-overdue 2017 Grammy Award for his spectacular album Porcupine Meat and consistently tours the globe as a headliner. What's more, Bobby's brand-new album Sitting on Top of the Blues on his own Deep Rush imprint (distributed by Thirty Tigers), due out August 16, 2019, promises to further spread the news that this revered legend, well past 80 years of age even if his stratospheric energy level belies the calendar, is bigger and badder and bolder than ever.

San Diego Repertory Theatre (San Diego REP) announced today the lineup of free Engagement Events surrounding the world premiere of 33 1/3 a?' House of Dreams. The REP's Engagement Event series includes community-focused conversations, actor talk-backs, musical performances and other activities intended to deepen the audience's engagement with the plays onstage.

The whole world is getting hip to Bobby Rush.  After decades of tearing up the chitlin' circuit on a nightly basis with his sweaty, no-holds-barred funkfests, Bobby has thoroughly broken through to the mainstream. He won a long-overdue 2017 Grammy Award for his spectacular album Porcupine Meat and consistently tours the globe as a headliner. What's more, Bobby's brand-new album Sitting on Top of the Blues on his own Deep Rush imprint (distributed by Thirty Tigers), due out August 16, 2019, promises to further spread the news that this revered legend, well past 80 years of age even if his stratospheric energy level belies the calendar, is bigger and badder and bolder than ever.

Mark Morris Dance Group & Music Ensemble returns to Jacob's Pillow's Ted Shawn Theatre, July 17-21, restaging both new and beloved repertory. 'A tour de force of artistic storytelling' (The Los Angeles Times), this audience favorite is renowned for deeply witty and poetic dance and has amassed one of the most extensive Pillow performance records of any artist. Mark Morris Dance Group & Music Ensemble performs Prelude and Prelude-a work that has not been performed anywhere since 1992-the new work Sport, excerpts from Words, and the company classic Grand Duo.

After wowing audiences at the Menier Chocolate Factory, Trevor Nunn's production of Fiddler on the Roof is going from strength to strength in its stint at the West End's Playhouse Theatre; not only has it extended its run until November, but it has now welcomed two new stars to Anatevka. Maria Friedman and Anita Dobson replace Judy Kuhn and Louise Gold as Yente and Golda, respectively, joining a cast led by Andy Nyman as Tevye.

This summer, Sierra Stages brings the legendary musical "Cabaret" to Nevada City with an all-local Nevada County production playing from July 11 through August 3 at the historic Nevada Theatre. With a book by Joe Masteroff, music by John Kander and lyrics by Fred Ebb, this musical masterpiece marks the 11th annual summer musical presented by Sierra Stages. "Cabaret" is based on the play by John Van Druten and stories by Christopher Isherwood.

High-minded ideals are put to the test in Guess Who's Coming to Dinner, a play with a refreshing yet familiar take on race and interracial relationships.

It all stems straight from the heart. Nashville-based songstress Lucie Silvas unapologetically personifies a spirit of freedom. Like a well-traveled rolling stone, her music threads together an Americana patchwork of retro-fitted pop and countrified rock, echoing sweet Motown soul, dripping dirty Delta blues, and reflecting Laurel Canyon bliss. However, her independence behind-the-scenes makes such sonic fearlessness possible in the first place.

Celebrating its 37th anniversary, Outfest - the Los Angeles-based nonprofit organization promoting equality by creating, sharing, and protecting LGBTQ stories on the screen - today announced the complete programming lineup for the 2019 Outfest Los Angeles LGBTQ Film Festival, presented by HBO. The nation's leading LGBTQ festival will be held July 18-28, 2019.

Lily Tomlin, upon accepting her award, remarked 'My partner Jane and I are honored and want to thank you for this award. It is amazing to see this whole outpouring for the LGBT community. Jane, couldnt be here tonight, but asked that I share her remarks 'We love the thought of being called Trail-Blazers. It makes us feel current and something out of Marvel Comics.'  Neither of us has a good sense of direction, so we thought being called trail-blazers implies that we somehow new where we were going. So thank you for thinking of us as trail-blazers, rather than as museum pieces.  Of course, there were times, Im afraid, we got lost on that trail and were more bewildered than blazing.  We are still blazing, but we have had to cool down a bit. After all, we need to take care not to add to global warming.'

Producer Kevin McCollum announced today that the new musical, Mrs. Doubtfire, will premiere at Seattle's 5th Avenue Theatre this fall on route to Broadway.  The musical features a book Karey Kirkpatrick and John O'Farrell and music and lyrics by Wayne Kirkpatrick and Karey Kirkpatrick, the Tony Award nominated team behind Something Rotten!  Four-time Tony Award winner Jerry Zaks (Hello, Dolly!) will direct and Lorin Latarro (Waitress) will choreograph.  Ethan Popp (Tina) will serve as Music Supervisor.

I must applaud Everyman Theatre's Artistic Director Vince Lancisi for having the brilliant idea of ending its season with two plays by Caleen Sinnette Jennings in repertory: QUEENS GIRL IN THE WORLD and QUEENS GIRL IN AFRICA. What a genius!

In the latest North American touring production of what continues to be one of Broadway's laudable theatrical staples, FIDDLER ON THE ROOF's amiable patriarch Tevye is now being played by Israeli-born actor Yehezkel Lazarov, who gives the iconic role a fresh, less geriatric delivery that still shines with old-world charm, nuanced depth, and a down-to-earth, relatable persona. Lazarov--who leads this touring non-Equity iteration of the Bartlett Sher-directed 2015 Broadway revival--provides just one of the many reasons to reacquaint yourself with this enduring stage classic, now finishing up its limited engagement at Segerstrom Center for the Arts through May 19, 2019. Sill lively and emotionally poignant--and quite relevant and timely to see through the lens of the uneasy times we live in--the stage musical offers a safe, if slightly sanitized view into the lives of poor Jewish families in turn-of-the-century Russia where the looming assault of pogroms are about to threaten their very lives and existence.

1969 marked a year that was full of both trepidation and excitement for Stax Records. Just one year before, the Memphis soul outlet ended its relationship with musical giant Atlantic Records, effectively leaving the label as an independent entity, without a music catalog (which had previously included a formidable collection of hits by Otis Redding, Carla Thomas and Sam & Dave, among others). Under the guidance of co-owner Al Bell, the label proceeded to rebuild and release an impressive collection of 27 albums and 30 singles in just a handful of months—a period known as “Soul Explosion.” The gamble paid off, and at the 1969 Stax sales summit—themed “Getting It All Together”—the label reaffirmed its place as a soul powerhouse. Craft Recordings celebrates the 50th anniversary of this prolific, make-or-break moment for Stax—and its enduring legacy—with a wide selection of physical and digital reissues. Additionally, Craft will pay tribute to the label throughout the year with a series of playlists, original content, contests and more.

tars of the show and co-conceivers of this new production, Lauren Molina (who plays Lucy) and Nick Cearley (who plays Linus) took the time to answer a few questions about the show.

Was the pairing of Iain Bell and Mark Campbell--respectively, composer and librettist of New York City Opera's (NYCO) world premiere STONEWALL--'love at first sight”? I asked them. We were at the workshop in New York earlier this month that allowed them and director Leonard Foglia to cross the t's and dot the i's (and hear their new work performed).

'Ain't Too Proud - The Life and Times of The Temptations' opened March 21, at Broadway's legendary Imperial Theatre. However, many fans of the Temptations music may not know the group's long and complicated history.