Getting Even - 1929 - Broadway Articles Page 3

When Mark Nadler last performed a solo show at 54 Below, it was a very personal musical exploration of Germany's Weimar Republic of the 1920s, a place and an atmosphere that was dark, dangerous and decadent. I'm a Stranger Here Myself was such a compelling tour de force that it was expanded into a highly praised off-Broadway piece that Nadler staged at the York Theatre last Spring. Nadler's new 54 Below effort, Runnin' Wild: Songs & Scandals of the Roaring Twenties, (which opened last Sunday, ran last night, and will also play on May 7 at 9:30pm and May 14 at 7pm) is like a playful and debauched sequel to Stranger, only in this show—which would be more aptly titled “Reckless Abandon”--Nadler is clearly a gleeful member of the club. To this passionate piano man, America's big cities in the pre-Depression era 1920s were happy, hungry, and hedonistic. There was always a party filled with sex, drugs and booze looking for a place to happen. And goodness knows, Mark Nadler wishes he'd been invited to every one of them. But since he was born too late, all he can do is serve as congenial host in re-creating the speakeasy ambiance and in this show he manages to accomplish that--only without the sex and drugs. Damn!

Before his mother became the model for Blanche DuBois of 'A Streetcar Named Desire' and his sister the inspiration for Laura Wingfield of 'The Glass Menagerie,' Tennessee Williams drew upon a college girlfriend — if only in name — to tell a story of desire, drunkenness and regret.

Wicked has been wowing audiences all over the world. The show sells out wherever it goes and people can't seem to get enough of it. Many have fulfilled the role of the Wizard and made their marks. Walker Jones is one of the lucky ones to be in the dream role and is currently touring throughout North America.

Howard Hawks, the quintessential Hollywood director known for his mastery of many genres, will be the subject of a complete retrospective at Museum of the Moving Image from today, September 7 through November 10, 2013. The Museum will present 39 features. All of the films will be shown in 35mm-many in stunning restorations-except for Red Line 7000, which will be shown in 16mm.

Howard Hawks, the quintessential Hollywood director known for his mastery of many genres, will be the subject of a complete retrospective at Museum of the Moving Image from September 7 through November 10, 2013. The Museum will present 39 features. All of the films will be shown in 35mm-many in stunning restorations-except for Red Line 7000, which will be shown in 16mm.

Today we are talking to a five-time Tony Award-winning director/choreographer celebrated for her stupendous work on CRAZY FOR YOU, THE PRODUCERS, CONTACT, THE FROGS, THOU SHALT NOT, YOUNG FRANKENSTEIN, THE SCOTTSBORO BOYS and many more - the master musicals director Susan Stroman. In discussing a vast array of topics, Stroman and I touch upon many of her past projects as well as look ahead to her current and future endeavors - that is: the forthcoming Broadway bow of the new musical BIG FISH, starring Norbert Leo Butz, as well as the world premiere of Ahrens & Flaherty's LITTLE DANCER next year. Most importantly, Stroman shines a light on her enduring artistic partnership with Mel Brooks in bringing to life the screen-to-stage musical adaptations of both THE PRODUCERS and YOUNG FRANKENSTEIN, with BLAZING SADDLES on the way - their rich collaboration also being highlighted in this week's AMERICAN MASTERS tribute to Mel Brooks on PBS. Additionally, Stroman reflects on some of her lesser-known entities and casts a light on some of her foremost influences as well as candidly discusses her specialty work for a bevy of major stars - such as at SONDHEIM: A CELEBRATION AT CARNEGIE HALL in 1992 - and the finer points of working with Stephen Sondheim and Nathan Lane on Sondheim's most recent original Broadway musical, THE FROGS. Plus, Stroman shares first details of her upcoming collaboration with comedy master Woody Allen on the musical stage adaptation of Allen's Academy Award-winning BULLETS OVER BROADWAY and also offers the 411 on the upcoming Los Angeles and West End productions of Kander & Ebb's THE SCOTTSBORO BOYS - including the real-life role the musical has played in the pardoning of the originally accused nine just last month. Stroman also comments on her work with Hal Prince on the career revue PRINCE OF BROADWAY, opening in Japan in 2015, and also touches upon her ongoing desire to pursue a film adaptation of her multi-Tony Award-winning and genre-redefining 2000 Best Musical, CONTACT. All of that and much, much awaits in this wide-ranging conversation!

If you have heard of Blue Man Group or experienced one of their previous productions or tours, you know how unique and exciting their world famous productions can be. Filled with experiences that defy categorization, Blue Man Group is best known for multi-media performances that feature three bald and blue characters who take the audience on a journey that is funny, intelligent and visually stunning. When the tour returns to the Fabulous Fox Theatre January 15 - 20 after a highly successful visit in 2011, Atlanta audiences will have another chance to experience the Blue phenomenon. Featuring classic moments and brand new content, Blue Man Group is sure to please. The "Blue Men" are usually men of few (or more accurately, no) words, but I got one of them, Russell Rinker, a veteran Blue Man, to speak long enough to tell me a little about himself, this exciting new production and why audiences of all ages are in for a real treat.

Today, we continue our series of Special Interviews with the recipients of the 2010 Tony Honors for Excellence in Theatre with arts advocate Ginny Louloudes and the National Alliance of Resident Theatres/New York (ART/NY)

Music Director Alan Gilbert - in his first subscription concerts since opening the New York Philharmonic's 168th season and leading the Orchestra on a major tour to Asia - will conduct the Philharmonic in two contrasting works by Webern; Mozart's Piano Concerto No. 23, featuring the Norwegian pianist Leif Ove Andsnes; and Schumann's Symphony No. 2, Tuesday, December 29, at 7:30 p.m., Wednesday, December 30, 2009, at 7:30 p.m., and Saturday, January 2, 2010, at 8:00 p.m.

Music Director Alan Gilbert - in his first subscription concerts since opening the New York Philharmonic's 168th season and leading the Orchestra on a major tour to Asia - will conduct the Philharmonic in two contrasting works by Webern; Mozart's Piano Concerto No. 23, featuring the Norwegian pianist Leif Ove Andsnes; and Schumann's Symphony No. 2, Tuesday, December 29, at 7:30 p.m., Wednesday, December 30, 2009, at 7:30 p.m., and Saturday, January 2, 2010, at 8:00 p.m.

Music Director Alan Gilbert - in his first subscription concerts since opening the New York Philharmonic's 168th season and leading the Orchestra on a major tour to Asia - will conduct the Philharmonic in two contrasting works by Webern; Mozart's Piano Concerto No. 23, featuring the Norwegian pianist Leif Ove Andsnes; and Schumann's Symphony No. 2, Tuesday, December 29, at 7:30 p.m., Wednesday, December 30, 2009, at 7:30 p.m., and Saturday, January 2, 2010, at 8:00 p.m.

Music Director Alan Gilbert - in his first subscription concerts since opening the New York Philharmonic's 168th season and leading the Orchestra on a major tour to Asia - will conduct the Philharmonic in two contrasting works by Webern; Mozart's Piano Concerto No. 23, featuring the Norwegian pianist Leif Ove Andsnes; and Schumann's Symphony No. 2, Tuesday, December 29, at 7:30 p.m., Wednesday, December 30, 2009, at 7:30 p.m., and Saturday, January 2, 2010, at 8:00 p.m.

The Off-Broadway League, the official trade organization for Off-Broadway theatres, producers and productions, is proud to highlight its member shows for the upcoming Fall 2009 season in the vibrant diverse landscape of Off-Broadway theatre.