Electra Revival 1932

The Obie Award-winning Target Margin Theater and NYU Skirball will present a new production of the groundbreaking musical Show Boat in the Spring of 2025. Directed by Target Margin Theater’s Founding Artistic Director David Herskovits, the revival uses the original 1927 book and score by Jerome Kern and Oscar Hammerstein II.

How do we make a list of the 101 greatest show tunes from the past 100 years? Well, we did the near-impossible task.  Check out our full list here! 

On June 25, The Resident Acting Company (www.racnyc.org), a new troupe drawn from the performing ensemble of The Pearl Theatre Company, will present a staged reading of 'The Big Night' (1928) by humorist Dawn Powell, a harsh, biting comedy about a woman whose husband has been fired from an advertising agency.  The play was the author's masterpiece but failed on Broadway in a production of The Group Theatre. The version to be offered is a restoration by Michael Sexton from the author's original notes and drafts.  It retains some of the Group Theatre's 'improvements' but includes the author's original ending.  The reading will be at 7:00 PM at The Players Club, 16 Gramercy Park South, directed by Bradford Cover, Artistic Director of the troupe.

Christine Goerke sings her first Elektra at the Met in Patrice Chéreau's landmark production, a sensation at its Met premiere last spring, which the Wall Street Journal called “revolutionary … a triumph on all fronts.” Yannick Nézet-Séguin conducts Strauss's shattering score, a tour de force for the singers and the orchestra alike.

Christine Goerke sings her first Elektra at the Met in Patrice Chéreau's landmark production, a sensation at its Met premiere last spring, which the Wall Street Journal called “revolutionary … a triumph on all fronts.” Yannick Nézet-Séguin conducts Strauss's shattering score, a tour de force for the singers and the orchestra alike.

Christine Goerke sings her first Elektra at the Met in Patrice Chéreau's landmark production, a sensation at its Met premiere last spring, which the Wall Street Journal called “revolutionary … a triumph on all fronts.” Yannick Nézet-Séguin conducts Strauss's shattering score, a tour de force for the singers and the orchestra alike.

The nationally regarded Maine State Music Theatre celebrates music legend and cross-over sensation Patsy Cline, June 7 - 24. The touching true story, Always… Patsy Cline combines humor, heartache and 27 of Patsy's most unforgettable hits, such as "Crazy," "Walkin' After Midnight," "Sweet Dreams," and more.

Elektra, Richard Strauss's blazing tragedy about an ancient Greek princess hell-bent on revenge, comes to THIRTEEN'S Great Performances at the Met.

The Pulitzer Prize For Drama was first awarded in 1918, because they didn't consider any play to be worthy in 1917.

Studio 54 was known for two things before Roundabout purchased this historic theatre: being a famous club and being a cursed theatre, with shows sometimes opening and closing in the same night. However, Roundabout turned Studio 54's luck around with successful productions likeSunday in the Park with George, The Mystery of Edwin Drood, and, of course, Cabaret.

Long Wharf Theatre presents the world premiere of The Shadow of the Hummingbird, written by and starring Athol Fugard, with an introductory scene by Paula Fourie, and directed by Artistic Director Gordon Edelstein.

Long Wharf Theatre presents the world premiere of The Shadow of the Hummingbird, written by and starring Athol Fugard, with an introductory scene by Paula Fourie, and directed by Artistic Director Gordon Edelstein.

On April 28, the Boris Lurie Art Foundation will present a free concert at New York's historic Temple Emanu-El.

On April 28, the Boris Lurie Art Foundation will present a free concert at New York's historic Temple Emanu-El.

Northrop Dance at the University of Minnesota brings the 50th anniversary production of Clytemnestra from the Martha Graham Dance Company. Demonstrating Graham's pioneering approach to time and space on stage, the psychodrama is deemed a masterpiece of 20th Century American modernism.

Northrop Dance at the University of Minnesota brings the 50th anniversary production of Clytemnestra from the Martha Graham Dance Company. Demonstrating Graham's pioneering approach to time and space on stage, the psychodrama is deemed a masterpiece of 20th Century American modernism.

It was believed by many back in 1932, as it still is today, that the only reason Eugene O'Neill was not awarded that year's Pulitzer Prize for his Mourning Becomes Electra, an epic retelling of Aeschylus' Oresteia trilogy that declares Sigmund Freud as the true victor of the American Civil War, was that after granting him top honors for Beyond The Horizon (1920), Anna Christie (1922) and Strange Interlude (1928) the gang at Columbia figured enough was enough. So history was made that year when the Gershwin, Gershwin, Kaufman & Ryskin lark Of Thee I Sing became the first musical so honored, leaving O'Neill waiting until after his death to nab another, for Long Day's Journey Into Night.

Northrop Dance at the University of Minnesota brings the 50th anniversary production of Clytemnestra from the Martha Graham Dance Company. Demonstrating Graham's pioneering approach to time and space on stage, the psychodrama is deemed a masterpiece of 20th Century American modernism.

Northrop Dance at the University of Minnesota brings the 50th anniversary production of Clytemnestra from the Martha Graham Dance Company. Demonstrating Graham's pioneering approach to time and space on stage, the psychodrama is deemed a masterpiece of 20th Century American modernism.

Too True To Be Good by Bernard Shaw, perhaps one of the first absurd comedies in English, and one of Shaw's least performed works, opens for a four week limited season on 1 September 2009 (Press Night: Thursday, 3 September) at London's Finborough Theatre.

Today's Broadway Blogs on BroadwayWorld.com from Friday, February 20, 2009.