Dawn - 1924 - Broadway Articles Page 2

CSO Music Director Rossen Milanov will lead the Columbus Symphony in a performance of two of the world's most iconic symphonic landscapes-Respighi's The Pines of Rome and Strauss' An Alpine Symphony.

GOOD MORNING, THEATERATI! It's Wednesday, June 7, 2017! Kathie Lee and Hoda are in town today to show their Today show audience what's happening in Nashville, which prompts the musical question: What's sights are on your list of places to go when newbies turn to you for advice? Let us know and we'll feature you in an upcoming story!

Written in 1941, Bertolt Brecht's compelling parable The Resistible Rise of Arturo Ui is a savage satire of social and political corruption.

Geva Theatre Center presents Private Lives, Noel Coward's hilarious comedy of manners.Private Lives is directed by Mark Cuddy and will be performed in the Wilson Stage from March 21 to April 16.

Trap Door Theatre will present The Resistible Rise of Arturo Ui, written by Bertolt Brecht and translated by George Tabori and Alistair Beaton. Directed by Victor Quezada-Perez, the production will run March 16 - April 22, 2017.

Riverside Theatre, led by Producing Artistic Director/CEO Allen D. Cornell and Managing Director/COO Jon R. Moses, present Noel Coward's uproarious comedy, Private Lives, which performs on the Stark Stage from January 31 - February 19, 2017. Private Lives is sponsored by Bobbie Olsen and Riverside Theatre's Patron Producers Group.

The Greenwich Theatre announces its Autumn 2016 season! Beginning with the How Small How Far Production of Garden, the company will present and produce two dozen productions in the coming autumn months. Details for each production are below. For more information, visit http://www.greenwichtheatre.org.uk.

-This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera, theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights.

This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera,theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights. These include a rare, fully staged production of Iris, a forerunner of Madama Butterfly by Puccini's close contemporary Pietro Mascagni; the world premiere of Demolishing Everything with Amazing Speed, four newly unearthed puppet plays from leading Italian Futurist Fortunato Depero, as reimagined by Dan Hurlin;the world premiere of Fantasque, a new ballet set to the music of Respighi and Rossini by John Heginbotham and Amy Trompetter; a film series on "Puccini and the Operatic Impulse in Cinema"; and the return of Bard's authentic and sensationally popularSpiegeltent,hosted by the inimitable Mx. Justin Vivian Bond. Taking place between July 1 and August 14 in the Frank Gehry-designed Richard B. Fisher Center for the Performing Arts and other venues on Bard College's stunning Hudson River campus, SummerScape's 2016 offerings provide new opportunities to discover that, as Time Out New York puts it, "the experience of entering the Fisher Center and encountering something totally new is unforgettable and enriching." Tickets go on sale on Monday, February 15; click here for more information.

AMERICAN EXPERIENCE returns in January 2016 with a new lineup of films that explore more of the fascinating characters and epic stories that have shaped our nation's past and present.

Over the course of 30 years, Harlem Stage has become one of the nation's leading arts organizations, achieving this distinction by commissioning, developing, producing and presenting innovative works by visionary artists of color. Their Fall 2015 season offers a variety of events, including free neighborhood concerts and ticketed headlining events, as well as lectures and roundtable discussions that advance deeper engagement with Harlem Stage's audience. All will take place in the state-of-the art flexible performance space, the Harlem Stage Gatehouse.

The second program of the Royal Ballet of England's return to New York City after an 11-year hiatus – and the first appearance of the company at the Koch Theatre in Lincoln Center – was an ambitious but not entirely successful presentation of works by British choreographers. The greatest failing was not onstage but in the Playbill. No notes at all were included to help the audience appreciate the ballets and the music in a historical context. While I applaud the company as well as the presenting Joyce Theater Foundation for eschewing the standard story ballets in favor of repertory fare, I am at a loss to figure out why the dancegoers were not given any information other than titles, credits, and casting. On the afternoon of June 27th when I was there, I overheard many people during pauses and intermissions commenting that a little assistance in comprehending the inspiration and intent of the choreographers would have been appreciated.

The OBIE Award-winning Theater:Village festival, which is presented by Axis Theatre, Cherry Lane Theatre, New Ohio Theatre, and Rattlestick Playwrights Theater, returns for its second year, today, September 4 - October 5.

The OBIE Award-winning Theater:Village festival, which is presented by Axis Theatre, Cherry Lane Theatre, New Ohio Theatre, and Rattlestick Playwrights Theater, returns for its second year, September 4 - October 5. Following last year's The Hill Town Plays, which presented five works by the playwright Lucy Thurber, this year's festival, titled E Pluribus, will feature four new plays celebrating the diversity of America.

The Film Society of Lincoln Center announced Edgar G. Ulmer: Back From The Margins, a spotlight on the near-forgotten émigré filmmaker, taking place January 10, 11, 17 and 18.

For the sixth consecutive year, the Philharmonic and its Global Sponsor, Credit Suisse - whose partnership began at the start of the 2007 season - will offer a Free Dress Rehearsal of the Opening Night concert Wednesday, September 19, 2012, at 9:45 a.m.

Pittsburgh CLO will present Fiddler on the Roof, July 13-22 at the Benedum Center. This classic tale is filled with 'memorable music, rousing dances and a touch of human wisdom.'

Nigel Redden, Director of Lincoln Center Festival, announced the Festival's line-up, which runs from tonight, July 5 through August 5, 2012. Theater offerings include Mikhail Baryshnikov in Dmitry Krymov's staging of a new play, In Paris, as well as Sydney Theatre Company's acclaimed production of Uncle Vanya directed by Tamas Ascher and adapted by Andrew Upton. The stellar cast includes John Bell, Cate Blanchett, Hayley McElhinney, Richard Roxburgh, and Hugo Weaving.

Grab a seat under the pines for "The Pines of Rome," the North Carolina Symphony's musical toast to the natural world. The concert takes place at Cary's Booth Amphitheatre tonight, June 9, at 7:30 p.m. Children 12 and under are free on the lawn.

Grab a seat under the pines for "The Pines of Rome," the North Carolina Symphony's musical toast to the natural world. The concert takes place at Cary's Booth Amphitheatre on Saturday, June 9, at 7:30 p.m. Children 12 and under are free on the lawn.

The Endangered Species Project's May reading will be Juno and the Paycock by Sean O'Casey. The play was last performed professionally in Seattle at the Bathhouse Theatre in 1985, and through the kind auspices of the Seattle Public Theatre, Juno returns to the Bathhouse there via ESP's May 21 reading, tonight.

The Endangered Species Project's May reading will be Juno and the Paycock by Sean O'Casey. The play was last performed professionally in Seattle at the Bathhouse Theatre in 1985, and through the kind auspices of the Seattle Public Theatre, Juno returns to the Bathhouse there via ESP's May 21 reading.

The 39th annual edition of the Chicago area's Bach Week Festival, where Baroque music lovers luxuriate in diverse works of Johann Sebastian Bach, will present a signature blend of solo, concerto, orchestral, and choral performances in concerts tonight April 27, May 4, and May 6 in Evanston.

The 39th annual edition of the Chicago area's Bach Week Festival, where Baroque music lovers luxuriate in diverse works of Johann Sebastian Bach, will present a signature blend of solo, concerto, orchestral, and choral performances in concerts April 27, May 4, and May 6 in Evanston.

Nigel Redden, Director of Lincoln Center Festival, today announced the Festival's line-up, which runs from July 5 through August 5, 2012. Single tickets go on sale on April 2. Theater offerings include Mikhail Baryshnikov in Dmitry Krymov's staging of a new play, In Paris, as well as Sydney Theatre Company's acclaimed production of Uncle Vanya directed by Tamas Ascher and adapted by Andrew Upton. The stellar cast includes John Bell, Cate Blanchett, Hayley McElhinney, Richard Roxburgh, and Hugo Weaving.