By Your Leave - 1934 - Broadway Articles Page 4

The 20th anniversary revival of the Odyssey production of Clifford Odets' classic AWAKE AND SING! receives a raw and reverential mounting. As directed by Elina de Santos, most characters in this two-hour-and-fifteen-minute three-act portray their roles in bold black-and-whites with little shades of grey in between.

Mary Tilford is insane, Karen Wright and Martha Dobie had me feeling some sort of way, and I could sit though this play a dozen more times. Here is my love letter to Tampa Rep's production of 'The Children's Hour.'

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show. Thus, we are happy to present a new feature: The Nashville Theater Calendar, a comprehensive - maybe even exhaustive (lord knows we're exhausted from putting it together, gathering all the info from all over the interwebs!) - listing of theatrical openings for the 2015/16 season. We'll update the calendar every Monday, clearing out the shows that have closed and adding additional information on the shows still to come.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show. Thus, we are happy to present a new feature: The Nashville Theater Calendar, a comprehensive - maybe even exhaustive (lord knows we're exhausted from putting it together, gathering all the info from all over the interwebs!) - listing of theatrical openings for the 2015/16 season. We'll update the calendar every Monday, clearing out the shows that have closed and adding additional information on the shows still to come.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Beloved theatre standards, tap-dancing sailors, chorines in sequins, a farcically silly plot; what more could you want from a Cole Porter musical? After winning three Tony Awards in 2012, including Best Revival of a Musical, the National Tour of ANYTHING GOES ends its delightfully giddy run at Orlando's Dr. Phillips Center for the Performing Arts this week, concluding on Sunday, May 31st. This non-Equity tour boasts Kathleen Marshall's direction and choreography, the latter of which earned her a third Tony. A joyful celebration of old-fashioned musical theatre, the delightful cast will leave you with a smile on your face, but this ANYTHING GOES lacks the sharpness and playfulness to make you fall out of your seat laughing and/or cheering, which most certainly can happen when this classic is at its best.

Sometimes it seems there is so much theater happening around us that it's difficult to keep track of it all. Thus, we are happy to present a new feature: The Nashville Theater Calendar, which is a comprehensive listing of theatrical openings,that will be updated each week, for the 2015/16 season.

Attending a multilingual performance at Cafe Sabarsky in The Neue Galerie (86th Street and Fifth Avenue) is like stepping back in time. The room speaks to an era of higher refinement, not stuffy, but encouraging pedigree and brio. Few artists epitomize this more than celebrated cabaret veteran singer/pianist Steve Ross, whose fascinating and emotionally translucent shows here never fail to enlighten and entertain.

Monday night found me back at Zeb's on the West Side for another of Will Friedwald's iconoclastic 'Clip Joints'--this one in honor of the Billie Holiday Centennial. During a year that is already producing a glut of celebratory events (given that it's also the Frank Sinatra Centennial year), leave it to the intriguing and obsessive writer/journalist/producer to come up with something different. Instead of a roster of vocalists live or on film, performing material we now think of reflexively as belonging to Lady Day, we were offered the singular piano interpretations of Lara Downes, recollections by alto saxophonist Jerry Dodgion (who at age 22 played with Holiday), and eclectic clips from television and film appearances of the artist herself.

After seeing the new INTO THE WOODS movie twice over the holidays, I posted on Twitter about how two of the songs had stuck with me. After a tweet conversation, my BWW colleague Jeff Walker and I decided to put our heads together to try and come up with a list of Sondheim's most hummable tunes. Despite not discussing it beforehand, Jeff ended up picking songs from the 1960s and 70s, and I filled in the gaps with numbers from the 80s and 90s.

It is all about how an author carefully and purposely beckons each word to each page until those words pull together into a magnificent creation having a life of its own. The book I am reviewing,All the Light We Cannot See by Anthony Doerr, is one such masterful creation. Don't wait for the paperback, don't wait for the movie, buy the book, now. Buy it as a gift, buy it for yourself, insist that your book club adds it to the list of must reads. Read it when you have the time to savor each and every word that has been so carefully placed. This book puts to shame many of the other books I have read this year. The characters, the story line, the settings, the time periods, the premise and purpose that stand behind the book are knitted together flawlessly, satisfying the reader completely. Every sentence is fraught with beautiful imagery.

Today we are honoring the 50th anniversary of Cole Porter's death with a tribute to the stage and screen composer extraordinaire.

Following last season's award-winning production of THE NORMAL HEART, Zeitgeist Stage Company sets the bar high with the compelling drama BENT, featuring outstanding performances from Victor L. Shopov and Brooks Reeves. Directed with distinction by David J. Miller, the play challenges its audience to bear witness to atrocities, but illustrates the strength of the human spirit.

The Gexa Energy Broadway at the Hobby Center 2014 – 2015 season, announced today, features six shows and a stunning array of classic music, spectacular dancing, and award-winning entertainment.

Let's face it, a show can contain humor, but the side-splitting comedy is all in the timing and that's exactly what these talented actors demonstrated in this hilarious production of Young Frankenstein.

Talented actor, singer-songwriter and musician Josh Franklin took the time to speak with BWW about his character in 'Anything Goes', just releasing his debut pop album of all original songs, and what it's like being in shows on Broadway and on tour.

BroadwayWorld.com, the largest theatre site on the Internet, is excited to announce a new feature to its comprehensive regional coverage - the Featured Regional Theater of the Week! Each week, BWW will introduce its readers to a regional theater located in one of our (over 130!) coverage cities. By exploring these different venues, their history and showcasing the production seasons, BWW continues its commitment to expand our presence in communities and cities across the United States. This Week's Featured Regional Theater: Centre Stage in Greenville, SC

Playhouse on Park, Hartford county's most affordable and intimate professional theatre, is ready to announce its 5th Anniversary Season. In 2013-2014 the Playhouse will feature 6 productions that will entertain, challenge, and engage audiences.

Terry Martin, WaterTower Theatre Producing Artistic Director, announced this evening the Company's 2013-2014 Main Stage season at a special VIP Sneak Preview held at the Addison Theatre Centre.

Russia's profound and far-reaching impact on 20th-century culture will be explored at the 2013 annual Bard SummerScape festival, which once again offers an extraordinary summer of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 24th annual Bard Music Festival, Stravinsky and His World. Presented in the striking Richard B. Fisher Center for the Performing Arts and other venues on Bard College's bucolic Hudson River campus, the seven-week festival opens on July 6 with the first of two performances of A Rite (2013) by the Bill T. Jones/Arnie Zane Dance Company and SITI Company, and closes on August 18 with a party in Bard's beloved Spiegeltent, which returns for the full seven weeks. Complementing the Bard Music Festival's exploration of “Stravinsky and His World,” some of the great Russian-born composer's most captivating compatriots provide key SummerScape highlights. These include the first fully-staged American production of Sergey Taneyev's opera Oresteia; the world premiere of an original stage adaptation of Mikhail Bulgakov's seminal novel The Master and Margarita; and a film festival titled “Between Traditions: Stravinsky's Legacy and Russian Emigré Cinema.” Together, SummerScape's offerings will continue Bard's yearlong tenth-anniversary celebrations for the Frank Gehry-designed Fisher Center, which commence with a month of special performances in April.

Two-time Tony Award-winning actress Christine Ebersole made her Celebrity Series of Boston debut at Sanders Theatre with an intimate cabaret performance that brought much-needed warmth to a cold January night. The former "Not Ready for Prime Time" player on SATURDAY NIGHT LIVE is now the toast of Broadway and Harvard Square.

If I were to die very soon, there's no doubt that I would go to heaven, because Rachel York and the all-singing/all-dancing company of Anything Goes took me and a couple of thousand other people up to the heavenly gates with their spectacular opening night performance of "Blow, Gabriel, Blow."

Albuquerque Theatre Guild announces their December 2011 performance calendar.

The story at the heart of Death Takes a Holiday has taken many forms over the years. It first came to life (so to speak) as La Morte in Vacanza, written in 1924 by the Italian writer Alberto Casella. Originally billed as a 'supernatural comedy,' it was to be Casella's only major success outside of his home country, but what a success it was. Coming to Broadway in 1929, the play was seen in a popular English-language version by Walter Ferris and was first given the title Death Takes a Holiday. After that production's success, the play was also made into a beloved 1934 film starring Fredric March and would continue to appear in many forms over the following decades.

Artistic Director Sean Holmes today announced the Autumn/Winter 2011/2012 Season at the Lyric Hammersmith; including a celebration of the work of one of Europe's most renowned living dramatists Edward Bond.