As You Like It - 1923 - Broadway Articles Page 12

On January 13, 1910, the first American public radio broadcast aired, featuring Enrico Caruso live from the stage of The Metropolitan Opera. On April 15, 1923 came the first commercial screening of a motion picture with sound-on-film. Although it was not the original intent of either, these events made the concept of "popular music" possible.

In August, 2009 I was greeted by incredibly enthusiastic students on 65th Street between Broadway and Amsterdam. The Juilliard School: this was my new home and although my mom and sisters were overwhelmed by the welcoming committee, they knew I'd fit right in. Orientation lasted one week in which I met students from all over the world, set up my dorm room, and got use to downsizing from my two-bedroom apartment in Las Vegas. The school held several seminars to orient us, and organized outings to help us get our bearings in the city while having some fun before the Juilliard schedule took over our lives!

Philadelphia Orchestra Music Director Yannick Nezet-Seguin and President and CEO Allison Vulgamore today announce the 2013-14 season of The Philadelphia Orchestra.

Russia's profound and far-reaching impact on 20th-century culture will be explored at the 2013 annual Bard SummerScape festival, which once again offers an extraordinary summer of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 24th annual Bard Music Festival, Stravinsky and His World. Presented in the striking Richard B. Fisher Center for the Performing Arts and other venues on Bard College's bucolic Hudson River campus, the seven-week festival opens on July 6 with the first of two performances of A Rite (2013) by the Bill T. Jones/Arnie Zane Dance Company and SITI Company, and closes on August 18 with a party in Bard's beloved Spiegeltent, which returns for the full seven weeks. Complementing the Bard Music Festival's exploration of “Stravinsky and His World,” some of the great Russian-born composer's most captivating compatriots provide key SummerScape highlights. These include the first fully-staged American production of Sergey Taneyev's opera Oresteia; the world premiere of an original stage adaptation of Mikhail Bulgakov's seminal novel The Master and Margarita; and a film festival titled “Between Traditions: Stravinsky's Legacy and Russian Emigré Cinema.” Together, SummerScape's offerings will continue Bard's yearlong tenth-anniversary celebrations for the Frank Gehry-designed Fisher Center, which commence with a month of special performances in April.

The Film Society of Lincoln Center announced today the lineup for the upcoming 13th edition of FILM COMMENT SELECTS (February 18-28), Film Comment magazine's essential and eclectic film festival.

As 2012 comes to a close, many Austin theater companies are putting together their 2013-2014 season. Given the incredible talent in this town and the large number of daring, courageous theater groups in the Austin area, here are my picks for 13 plays that I'd love to see produced in the 2013-2014 season.

Eclipse Theatre has announced the recipient of their Fourth Annual Corona Award: Steve Scott, Associate Producer of The Goodman Theatre. Eclipse's Corona Award honors an individual who has played an important role in supporting and nurturing the Chicago Theatre community as well as Eclipse Theatre.

Artistic Director Les Waters and Managing Director Jennifer Bielstein have announced the commission of Sleep Rock Thy Brain, a suite of three one-act plays by Rinne Groff, Lucas Hnath and Anne Washburn that will utilize aerial performance to explore the brain science of sleep.

The Old Globe's 2012-13 Season will feature the World Premieres of two new musicals: Allegiance - A New American Musical by Jay Kuo and Lorenzo Thione and A Gentleman's Guide to Love and Murder by Robert L. Freedman and Steven Lutvak. The season also includes George Bernard Shaw's Pygmalion in celebration of the classic play's 100th anniversary and the World Premiere of a new adaptation of Henrik Ibsen's A Doll's House by Anne-Charlotte Hanes Harvey and Kirsten Brandt. Two recent Broadway hits will make their San Diego debuts at the Globe: David Lindsay-Abaire's Good People and Jon Robin Baitz's Other Desert Cities. Rounding out the season are the West Coast Premiere of Bekah Brunstetter's Be a Good Little Widow and the Southern California Premiere of Tarell Alvin McCraney's The Brothers Size.

Roundabout Theatre Company in association with Damian Arnold, has announced casting for the Broadway premiere of Marc Camoletti's classic farce Don't Dress For Dinner, starring Ben Daniels as "Robert," Melora Hardin as "Jacqueline," Adam James as "Bernard" and Jennifer Tilly as "Suzanne" with Spencer Kayden as "Suzette." Don't Dress For Dinner is adapted by Robin Hawdon and directed by John Tillinger.

Roundabout Theatre Company (Todd Haimes, Artistic Director), in association with Damian Arnold, is pleased to announce the Broadway premiere of Marc Camoletti's classic farce Don't Dress For Dinner, adapted by Robin Hawdon, directed by John Tillinger. The cast will be announced soon. Don't Dress For Dinner will begin previews on March 30 and open officially on April 26, 2012 at the American Airlines Theatre on Broadway (227 West 42nd Street). This will be a limited engagement through June 17, 2012.

As Pulitzer and 9-time Grammy Award®-winner Wynton Marsalis eases into his 50th birthday on October 18, 2011, he casts his memory back a dozen years to 1998-99.

Four long acts long, with casting challenges, bedeviled by attitudes modern audiences likely will not share, and, it must be said, self-indulgent as regards some of O'Neill's great weaknesses, Moon for the Misbegotten requires more than most companies and audiences can summon to put it across successfully. I say "successfully" but perhaps "successfully as possible" might be the more accurate phrase. Washington's Heritage-O'Neill Theatre Company's current production partly but not fully meets these challenges.

As Pulitzer and 9-time Grammy Award®-winner Wynton Marsalis eases into his 50th birthday on October 18, 2011, he casts his memory back a dozen years to 1998-99.

Jack Viertel, Artistic Director of New York City Center's Encores! series, today announced the final two directors for the 2012 Encores! season.

Jack Viertel, Artistic Director of New York City Center's Encores! series, today announced the final two directors for the 2012 Encores! season. As previously announced, James Lapine will direct the first Encores! show of the season, Stephen Sondheim's Merrily We Roll Along, opening on February 8, 2012. Marc Bruni will direct Rodgers and Hammerstein's rarely seen Pipe Dream, opening on March 28¸ and John Rando will direct Jule Styne and Leo Robin's Gentlemen Prefer Blondes opening on May 9. Music Director Rob Berman will conduct all three musicals. This year, the number of performances has been expanded: Pipe Dream and Gentlemen Prefer Blondes will play for seven performances each, and Merrily We Roll Along, extended for a two-week run, will play for 15 performances.

New York City Center's 19th Encores! season will open in City Center's newly restored and renovated theater on February 8, 2012 with Stephen Sondheim's Merrily We Roll Along, and will continue with Rodgers and Hammerstein's rarely seen Pipe Dream on March 28¸ followed by Jule Styne and Leo Robin's Gentlemen Prefer Blondes on May 9. For the first time, each musical will play for seven performances.

Executive Producer Lou Spisto today announced that The Old Globe will produce the World Premieres of four new plays and musicals in its 2011-12 Winter Season. The season will feature the World Premiere musicals Some Lovers by music legend Burt Bacharach and Tony Award winner Steven Sater and Nobody Loves You by Gaby Alter and Itamar Moses, as well as the West Coast Premiere of John Kander and Fred Ebb's The Scottsboro Boys, recently nominated for 12 Tony Awards including Best Musical, directed and choreographed by five-time Tony Award winner Susan Stroman. The two plays receiving World Premiere productions are Somewhere by Globe Playwright-in-Residence Matthew Lopez and The Recommendation by Jonathan Caren. The new season also includes revivals of Richard O'Brien's The Rocky Horror Show and the Eugene O'Neill classic Anna Christie directed by Pulitzer Prize and Tony Award winner David Auburn. Special events include the World Premiere of Odyssey by Todd Almond, a music theater event conceived and directed by Lear deBessonet celebrating the Globe's 75th Anniversary, The Old Globe/University of San Diego Graduate Theatre Program production of Twelfth Night and Dr. Seuss' How the Grinch Stole Christmas!, which returns for its 14th consecutive year.

A Red Orchid Theatre closes its 2010-2011 Season with Machiavelli's The Mandrake, translated by Peter Constantine and directed by Steve Scott.

A Red Orchid Theatre closes its 2010-2011 Season with Machiavelli's The Mandrake, translated by Peter Constantine and directed by Steve Scott.

A Red Orchid Theatre closes its 2010-2011 Season with Machiavelli's The Mandrake, translated by Peter Constantine and directed by Steve Scott.

A Red Orchid Theatre closes its 2010-2011 Season with Machiavelli's The Mandrake, translated by Peter Constantine and directed by Steve Scott.

In the world of rock there are recordings that truly resonate in historical importance and continue to cast an enduring shadow of influence. Layla and Other Assorted Love Songs is one of the most steadfastly revered musical treasures of its era. Its famous title track is still hailed as an essential rock guitar anthem, a signature tune of rock's leading guitar hero, Eric Clapton.

Boxing champ Jack Dempsey is in a pickle; he wants a fight, but crooked promoters, conniving reporters, and shady dames keep him from the fight he wants. He ends up fighting for his championship and pride in a tiny cowtown in Montana in the world premier of the new hard punching comedy by D.W. Gregory, 'Molumby's Million.' The Centre Theater brings this true story to life with all the force of a knockout blow.