As You Like It - 1937 - Broadway Articles Page 7

Everyone loves a good Romantic Comedy, and when people find a good one, they latch onto it. Such a RomCom was the 1937 play a?oeParfumeriea?? by Miklos Laszlo. Now, if you're not familiar with that one maybe you're more familiar with some of the films that were based on it. There was the 1940 James Stewart-Margaret Sullavan film a?oeThe Shop Around the Cornera??, or how about the 1949 Judy Garland-Van Johnson musical version a?oeIn the Good Old Summertimea??. No? Well I'm sure you remember the 1998 Tom Hanks-Meg Ryan feature a?oeYou've Got Maila??. And beyond those, the play also spawned one of the most underrated and underappreciated shows in American Musical Theatre, a?oeShe Loves Mea?? by Jerry Bock and Sheldon Harnick with a book by Joe Masteroff, currently playing at Village Theatre. a?oeShe Loves Mea?? has been revived on Broadway since it's 1963 beginnings twice, plus a concert version in 1977, but still there are too many people who don't know the glory of this show. Well, Dear Readers, let's try and change that.

Something is fishy in the Magic Kingdom, The Fairy GodMother (Cherry Pitz) has just received a cease and desist notice from all mighty powers that be (AKA Disney) saying that they own the rights to magic and that unless she pays royalties she is no longer legally allowed to grant wishes or magically influence situations. The end result is happy endings are falling apart and there is rumor of the kind of violence that one only sees in the Mandelorian. What will become of the happiest place on earth?

SHE LOVES ME is a rare gem in the 21st century. 

The incomparable life and extraordinary, trailblazing career of jazz titan and influential composer Charlie Parker will be honored throughout 2020 with a worldwide celebration commemorating the 100th anniversary of his birth (August 29, 1920). Lovingly dubbed Bird 100 after the nickname of the preeminent alto saxophonist who was one of the fathers of bebop and progenitors of modern jazz, the centennial will include a host of major initiatives including exciting new music releases, a tribute tour, festivals and events, prestigious exhibitions, special partnerships, a unique graphic novel, exclusive collectible art, and myriad of independent appreciations and concerts.

Bossacucanova first won over fans and critics with their creative and original mix of electronic music and bossa nova, a little more than two decades ago when they exploded onto the scene with their first release Brasilidade (2001). International recognition soon followed with the addition of the Japan and Europe tours and CD release. And in 2002, the band along with collaborator Robert Menescal were nominated for a Latin Grammy. Since then, the trio formed by Alex Moreira, Marcio Menescal and DJ Marcelinho da Lua have released six albums and garnered critical acclaim and fan support worldwide. They are excited to announce their seventh studio album Bossa Got The Blues, due out digitally November 15th from Six Degrees Records and will be available everywhere you stream or download music.

4th Wall Theatre Company's production shows a lot of love for Tennessee Williams, and they have thrown a ton of resources behind it. The result is a strikingly handsome production with surprising interpretations of the characters and plenty of eye candy.

For those too young to remember, from 1957 to 1962 The Everly Brothers sold more than 35 million records and had 35 Billboard top-100 singles, 26 in the top 40, and to this day, carry the record for most Billboard charting hits of any American Duo. Their success at that time was only rivaled by Elvis. The Zmeds are absolutely thrilled to be able to contribute to a cause that supports the recognition and preservation of the intimate origins of America's greatest Rock 'n Roll sibling duo, stating, 'We are not impersonators. Our aim is to honor the aesthetics of the Everly Brothers' iconic sound and their unique place in music history, all while having a little fun telling our own personal story.' And that they certainly did with great style, talent, and humor.

Executive and Artistic Director, Keith Gerth and Associate Artistic Director, Stephen Smith of the Oil Lamp Theater in Glenview announce their next production, the gripping thriller Murder on the Nile by Agatha Christie. This tale of mystery and suspense is directed by Oil Lamp's Executive and Artistic Director Keith Gerth and will be performed from September 26th through November 10th 2019 at 1723 Glenview Road in Glenview. 

Roundabout Theatre Company and Columbia University School of the Arts have announced the winners of Columbia@Roundabout's 2019 New Play Reading Series. As part of the collaborative partnership between Roundabout Theatre Company and Columbia University, the reading series awards three playwrights from the current MFA program and recent alumni with a cash prize as well as a reading in Roundabout's Rehearsal Hall, followed by a post-reading reception. Five finalists have also received cash prizes in recognition of their exceptional work. No other collaborative partnership in the New York area brings together an esteemed Ivy League MFA program with a Tony Award-winning, not-for-profit theatre. The reading series is made possible by a grant from The Tow Foundation.   

Memory is very precious. It connects us to our past and helps guide us to our future. In Tennessee Williams' magnum opus THE GLASS MENAGERIE, memory is a force of gravity and as the season opener for The Tennessee Williams Theatre Company's fifth season, a grounded production is one rarely seen but feels so uncompromisingly right.

Family dynamics never really change, and Brighton Beach Memoirs is a wonderfully classic example of this. The play, written by Neil Simon, is the first of a semi-autobiographical trilogy written about Eugene Morris Jerome and his family. In this particular story, Eugene is almost 15 years old and has just reached puberty...

The drama works because of the intriguing way the characters' ideas about how to act in response to Marian Anderson's two provocative exclusions (first from Nassau Inn and then from Constitution Hall) shift repeatedly in response to new information, so that consensus is almost impossible to achieve, at least until the play's very end. Anderson seeks progress through song, unimpeachable behavior and an avoidance of politics; Albert Einstein wants an end to both racism and antisemitism, and by the end is very worried about the Bomb; Mary Church Terrell embraces confrontation because all else seems to fail; and Abraham Flexner tries hard to protect the Institute as a means of keeping the Holocaust from consuming absolutely all Jews, even though he can save only a few.

Now onstage through Mother's Day (Sunday, May 12) in a much anticipated and gleefully subversive production from Nashville Opera, The Cradle Will Rock remains hard to define: It could be described as a work of art whose meaning, its very raison d'etre, can be bent to suit any conceivable justification. Variously, Blitzstein described his 1937 work as a 'play in music' or an 'opera for actors' and its history clearly paints it as either or even as both.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!

It's another busy weekend in Nashville - but when is Music City not packed with events, festivals, affairs? - and we're back with our Critic's Choice recommendations to have you cut through the theatrical flotsam and jetsam and find a cultural opening that's a good fit for your harried lifestyle. Nashville Opera opens its staging of Marc Blitzstein's The Cradle Will Rock at Noah Liff Opera Center, Way Off Broadway Productions unveils its version of Les Liaisons Dangereuses at Music Valley Event Center, Street Theatre Company invites you to the see their staging of Lynn Nottage's Sweat at their new venue on Elm Hill Pike and Nashville Rep continues its celebration of 10 years of The Ingram New Works Festival at Nashville Children's Theatre.

If you’re looking for audition songs suitable for an alto range, we’ve compiled a list of classic and contemporary options for you. These 20 audition songs offer a variety of stories and styles, so you can choose the right ones for your voice and type. 

The first revival of Pulitzer Prize Winner Lanford Wilson's Burn This starring Academy Award Nominee and three-time Emmy Award Nominee Adam Driver (Pale), Golden Globe Award Winner and Emmy Award Nominee Keri Russell (Anna), Tony Award Nominee David Furr (Burton) and Tony Award Nominee Brandon Uranowitz (Larry), opens on Broadway tonight!

It was just announced by Pulitzer Prize Administrator Dana Canedy that Jackie Sibblies Drury's Fairview has officially won the 2019 Pulitzer Prize for Drama.

Feinstein is superb in concert at the Gordon Center for Performing Arts in Owings Mills, MD.

You might think a play written 140 years ago in Norway about a wife's subservience would no longer be relevant in 2019 America. But the director of "A Doll's House," opening April 19 at the Players' Ring in Portsmouth contends Henrik Ibsen's classic play about women's empowerment is as relevant today as it ever was.

Bay Street Theater & Sag Harbor Center for the Arts is pleased to announce Title Wave at Bay Street: The 6th Annual New Works Festival, May 3 - 5. All readings are free, but tickets are required, as these events typically sell out. Tickets are available now at baystreet.org or by calling the Bay Street Theater Box Office at 631-725-9500, open Tuesday through Saturday 11 am to 5 pm, or until show time.

Classic Stage Company presents Marc Blitzstein's allegorical play in music The Cradle Will Rock, directed by John Doyle, March 21 - May 19, 2019.

Good morning, BroadwayWorld! Get over the hump today by catching up on the latest Broadway news!

Berkeley Repertory Theatre today announced the full cast for the world premiere of Kiss My Aztec! John Leguizamo teams up with Artistic Director Tony Taccone for this musical comedy, following their collaboration on the hit one-man show Latin History for Morons, which received its world premiere at Berkeley Rep before heading to Broadway. Leguizamo will serve as co-writer and co-lyricist only for Kiss My Aztec! - 11 other talented actors will perform in this production. Taccone will also direct.

Pasadena Playhouse, the State Theater of California, announces the Los Angeles premiere of Roberto Aguirre-Sacasa's Good Boys, directed by Carolyn Cantor. The production is Aguirre-Sacasa's fresh and revisited look at his previous work, Good Boys and True (world premiere, Steppenwolf Theatre Company), and will play from Wednesday, May 29 through Sunday June 23; the press opening is June 2 at 5:00pm.