Anna Christie Revival
Closing: February 01, 2026Anna Christie - 2025 Off-Broadway History , Info & More
St. Ann's Warehouse
45 Water St. Brooklyn, NY 11201
Eugene O’Neill’s poetic masterpiece won him his second Pulitzer Prize. ANNA CHRISTIE is a gripping account of the relationship between an old sailor and the daughter he hasn’t seen in almost twenty years. Their new bond becomes strained when she falls in love with a young man whose seafaring life isn’t what her father wants for her. When Anna reveals to both men the shameful secret she has been harboring, they come to understand the harsh reality of her past and show her compassion, love and forgiveness.
Anna Christie - 2025 - Off-Broadway Cast
FEATURED REVIEWS FOR Anna Christie
Review: Anna Christie at St. Ann’s Warehouse
6 / 10
It all comes together well, but doesn’t quite turn into something great. It’s a perfectly respectable production, but I’m not convinced the play has much to offer, despite its Pulitzer-winning bonafides. The central trio (and a marvelous one-scene performance from Mare Winnigham) make it worth seeing, but it’s not really the kind of play to generate excitement beyond that. Still, this is clearly a passion project for Kail and Williams and the results of their work are quite impressive.
Memory Speaks in “Marjorie Prime” and “Anna Christie”
2 / 10
Unfortunately, Sturridge gives a counterintuitive performance, one so at odds with the play’s romance and the performances around him that it sinks the ship. O’Neill describes the coal stoker, in one of his many page-filling stage directions, as a “powerful, broad-chested six-footer . . . in the full power of his heavy-muscled, immense strength.” The trouble isn’t that Sturridge, who has a quicksilver, elven quality, has been cast against type; it’s that he interprets the bewildered, love-stunned lummox as a pallid, twitchy creep, crawling on his haunches like Caliban and wriggling as if he’s got an eel down his trousers. (The night I saw it, Mat wouldn’t stop fumbling with his pants—Anna, I thought, get out.) Kail emphasizes this odd disjunction by stacking the mostly unspeaking ensemble with bruisers, their rolled sleeves straining over yoked shoulders. They, alongside similarly capable-looking stagehands, haul elements of Christine Jones and Brett J. Banakis’s set around, totin’ platforms and heftin’ tables. Maybe Kail is unconcerned with realism and has asked Sturridge to play Mat’s inner self, the frail and contorting one he keeps hidden. But then what’s with all the stevedores from central casting?
Category
Anna Christie History
Other Productions of Anna Christie
| 1921 | Broadway |
Broadway |
| 1952 | Broadway |
Broadway |
| 1977 | Broadway |
Broadway |
| 1993 | Broadway |
Roundabout Revival Broadway |
| 2011 | West End |
Donmar Warehouse Revival West End |
| 2025 | Off-Broadway |
Off-Broadway |
Anna Christie - 2025 Off-Broadway Awards and Nominations
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2026 | Drama Desk Awards | Outstanding Sound Design of a Play | Nevin Steinberg |
| 2026 | Drama League Awards | OUTSTANDING REVIVAL OF A PLAY | Anna Christie |
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