A Tale Told - 1981 - Off-Broadway Articles Page 7

The Meadows School of the Arts at Southern Methodist University has selected two Irish artists - choreographer Michael Keegan-Dolan and playwright and screenwriter Enda Walsh - as the recipients of the third annual Meadows Prize arts residency.

Today, BroadwayWorld is extremely proud to present an extensive conversation with the modern master of the musical theatre himself, Stephen Sondheim, all about the incredibly revealing and thoroughly riveting second volume of his complete collected (and annotated) lyrics (covering 1981-2011) - following last year's superlative FINISHING THE HAT - titled LOOK, I MADE A HAT. With ample insights pertaining to the Pulitzer Prize-winning SUNDAY IN THE PARK WITH GEORGE, INTO THE WOODS, ROAD SHOW, THE FROGS and many more, Sondheim and I also discuss some of his Hollywood endeavors - the proposed film adaptation of INTO THE WOODS, as well as the never-produced SINGING OUT LOUD and his Oscar-winning work for Warren Beatty's DICK TRACY - and his affection for - and process of adapting (in the case of WEST SIDE STORY, the CYMBELINE setting in THE FROGS and his recent scoring of the Public Theatre's production of KING LEAR starring Kevin Kline) - the works of William Shakespeare. Additionally, we discuss the upcoming Encores! revival of MERRILY WE ROLL ALONG starring Lin-Manuel Miranda, the currently-running revival of FOLLIES starring Bernadette Peters (as well as its brand new cast album), the West End transfer of the Michael Ball/Imelda Staunton-led SWEENEY TODD in the UK and much, much more!

Modern-day master of musical theatre Stephen Sondheim is about to release the second book of his complete collected lyrics - covering mostly everything written in the last three decades and in this one so far - titled after a line from what may very well be his ultimate masterpiece, the Pulitzer Prize-winning SUNDAY IN THE PARK WITH GEORGE - LOOK, I MADE A HAT; Collected Lyrics (1981-2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany. So, today, we are going to be taking a look at a litany of the finest moments from Sondheim's post-SWEENEY TODD musicals that are highlighted in LOOK, I MADE A HAT and perhaps discover a few of the many reasons why Sondheim's musicals - whether late-period or early on- are the best of the best Broadway has to offer - now or ever. And, what an absolutely mind-blowing list it is - and what a masterpiece of a book!

The National Alliance for Musical Theatre (NAMT) announced today the eight musicals selected to be part of the 23rd Annual Festival of New Musicals on Thursday, October 27 and Friday, October 28 at New World Stages (340 West 50th Street).

For the last seven years Jamie Morris' twisted version, MOMMIE QUEEREST, has had sold-out audiences across the country rethinking the oft-quoted tale with the simple premise, 'What if Joan had really been a man all those years?' Told by an all male cast of four, MOMMIE QUEEREST entertains the notion that Crawford was actually a man in drag, a fact she hid from her fans, her children, and the world. Even when Christina finds out, takes revenge, and writes 'Daddy Dearest' it's Joan who still has the last laugh.

For the last seven years Jamie Morris' twisted version, MOMMIE QUEEREST, has had sold-out audiences across the country rethinking the oft-quoted tale with the simple premise, 'What if Joan had really been a man all those years?' Told by an all male cast of four, MOMMIE QUEEREST entertains the notion that Crawford was actually a man in drag, a fact she hid from her fans, her children, and the world. Even when Christina finds out, takes revenge, and writes 'Daddy Dearest' it's Joan who still has the last laugh.

For the last seven years Jamie Morris' twisted version, MOMMIE QUEEREST, has had sold-out audiences across the country rethinking the oft-quoted tale with the simple premise, 'What if Joan had really been a man all those years?' Told by an all male cast of four, MOMMIE QUEEREST entertains the notion that Crawford was actually a man in drag, a fact she hid from her fans, her children, and the world. Even when Christina finds out, takes revenge, and writes 'Daddy Dearest' it's Joan who still has the last laugh.

The National Alliance for Musical Theatre (NAMT) announced today the eight musicals selected to be part of the 23rd Annual Festival of New Musicals on Thursday, October 27 and Friday, October 28 at New World Stages (340 West 50th Street).

With his intense poetic style, Jerzy Skolimowksi has been one of the most distinctive voices in international cinema since he emerged as a leading figure in the 1960s Polish New Wave.

The Museum is housed in a building owned by the City of New York and its operations are made possible in part by public funds provided through the New York City Department of Cultural Affairs, the New York City Economic Development Corporation, the New York State Council on the Arts, the National Endowment for the Arts, the National Endowment for the Humanities, the Institute of Museum and Library Services, and the Natural Heritage Trust (administered by the New York State Office of Parks, Recreation, and Historic Preservation). The Museum also receives generous support from numerous corporations, foundations, and individuals. For more information, please visit http://movingimage.us.

The Museum is housed in a building owned by the City of New York and its operations are made possible in part by public funds provided through the New York City Department of Cultural Affairs, the New York City Economic Development Corporation, the New York State Council on the Arts, the National Endowment for the Arts, the National Endowment for the Humanities, the Institute of Museum and Library Services, and the Natural Heritage Trust (administered by the New York State Office of Parks, Recreation, and Historic Preservation). The Museum also receives generous support from numerous corporations, foundations, and individuals. For more information, please visit http://movingimage.us.

Today we lost one of the greats: the gentle giant of directors, Sidney Lumet. What a resume! Just to pick seven of perhaps the best known of the bunch, the bunch in question being over 100 titles strong: 12 ANGRY MEN, LONG DAY'S JOURNEY INTO NIGHT, SERPICO, DOG DAY AFTERNOON, NETWORK and BEFORE THE DEVIL KNOWS YOU'RE DEAD - the films spanning fifty years from MEN in 1957 and DEVIL in 2007 - it is clear to see why Lumet was one of the most cherished and celebrated directors in Hollywood, especially known for his tough, gritty New York stories and his pristine stage-to-screen transfers. For an excellent example of the latter (in addition to LONG DAY'S JOURNEY and the others) check out DEATHTRAP - based on Ira Levin's play, the longest-running thriller in Broadway history - featuring Michael Caine in one of his best roles and Christopher Reeve and Dyan Cannon in their finest performances on film. For an example of the former genre, look no further than NETWORK, containing one of the strongest screenplays ever penned, from the fiery and ferocious pen of Paddy Cheyefsky, and Faye Dunaway in her Oscar-winning performance for all the ages. As far as theatrical screenplays on screen, Lumet would be hard-pressed to even come close to the power, prescience and transformative brilliance at the core of the conceit of that film - yet he did just that; with his final, 2007 film no less. I am speaking, of course, of the underrated and riveting BEFORE THE DEVIL KNOWS YOU'RE DEAD starring Philip Seymour Hoffman, Ethan Hawke, Marisa Tomei, with Albert Finney and Rosemary Harris. Taking an original screenplay that could just as well have been written for the stage - shades of 12 ANGRY MEN, DOG DAY AFTERNOON, NETWORK and SERPICO, certainly - Lumet made a bristling, biting brilliant work of staggering craft and ingenuity - all with verve, energy and drive of a man a quarter of his age at the time (80). His films were classics in his own time and, now, in his passing, they are just as timeless - if not more so. With each passing year, new layers of truth, beauty, sadness and soulfulness can be found in the countless frames in the innumerable unforgettable scenes in his many masterpieces.

PURE Theatre in a Co-production with Nomad Theatre of NYC is proud to announce the World Premier of The Fool's Lear by Randy Neale.

PURE Theatre in a Co-production with Nomad Theatre of NYC is proud to announce the World Premier of The Fool's Lear by Randy Neale.

People's Light & Theatre presents Kidnapped!, an adaptation of the Robert Louis Stevenson novel, by Ernie Joselovitz, which closes February 6, 2011. Resident Director Samantha Bellomo directs. People's Light & Theatre is located at 39 Conestoga Road, Malvern, PA 19355. For tickets call 610.644.3500 or visit PeoplesLight.org. This production is part of the TARGET Family Discovery Series.

People's Light & Theatre presents Kidnapped!, an adaptation of the Robert Louis Stevenson novel, by Ernie Joselovitz, which runs on the Steinbright Stage January 13 - February 6, 2011.

People's Light & Theatre presents Kidnapped!, an adaptation of the Robert Louis Stevenson novel, by Ernie Joselovitz, which runs on the Steinbright Stage January 13 - February 6, 2011.

Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) are pleased to announce full casting for Manhattan Theatre Club's upcoming world premiere of Pulitzer Prize winner David Lindsay-Abaire's GOOD PEOPLE directed by Tony Award winner Daniel Sullivan.

Morris Park Players Community Theatre proudly opens its 10-11 season with the Broadway musical monster-hit Annie, November 5, 6, 12, 19, 20 at 7:30 pm and November 13 and 14 at 2:00 pm at their new home of Thomas Edison High School Auditorium.

Morris Park Players Community Theatre proudly opens its 10-11 season with the Broadway musical monster-hit Annie, November 5, 6, 12, 19, 20 at 7:30 pm and November 13 and 14 at 2:00 pm at their new home of Thomas Edison High School Auditorium.

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. Jeff Award winners, 'Traces,' 'Finishing The Hat,' 'The Rocky Horror Show,' 'The Sound Of Music,' 'It Gets Better,' more....

Italy's Dario D'Ambrosi, a radical innovator of the theater and founder of the movement called Teatro Patologico (Pathological Theater), will direct his newest play, 'Bong Bong Bong against the Walls, Ting Ting Ting in our Heads,' as the opening production of 'La MaMa Puppet Series IV--Built to Perform.'

Italy's Dario D'Ambrosi, a radical innovator of the theater and founder of the movement called Teatro Patologico (Pathological Theater), will direct his newest play, 'Bong Bong Bong against the Walls, Ting Ting Ting in our Heads,' as the opening production of 'La MaMa Puppet Series IV--Built to Perform.'

Lincoln Center Festival 2010 is sponsored by American Express. Lincoln Center Festival 2010 is also made possible by Nancy A. Marks, LuEsther T. Mertz Charitable Trust, Isilon Systems, The Skirball Foundation, The Harold & Mimi Steinberg Charitable Trust, The Katzenberger Foundation, Inc.

American Repertory Theater (A.R.T.) presents the world premiere of the musical Johnny Baseball by Richard Dresser, Robert Reale, and Willy Reale, directed by Diane Paulus. The production begins performances on May 16 and runs through June 27, 2010 at the Loeb Drama Center, 64 Brattle Street, Harvard Square, Cambridge.