A Night in Paris - 1926 - Broadway Articles Page 5

Charged with momentum from the launch of BCMF Spring, the festival's first spring series of two concerts, the 32nd season of Long Island's longest-running classical music festival presents 11 concerts July 29 - August 23, 2015.

BRIC is pleased to announce the lineup for its 37th annual Celebrate Brooklyn! Performing Arts Festival, which will comprise 29 performances, June 3 - August 12. The programming, reflective of Brooklyn's eclecticism and diversity, will feature a wide array of free, world-class performances in the singular environs of the Prospect Park Bandshell.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

DALLAS, FEBRUARY 20, 2015 – The Dallas Opera is preparing to whisk audiences away to the Latin Quarter of Paris for the blockbuster opera of the season: Giacomo Puccini's 1896 masterpiece, LA BOHÈME, based on Henri Murger's newspaper serial-turned-novel, Scènes de la vie de bohème.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

DALLAS, FEBRUARY 20, 2015 – The Dallas Opera is preparing to whisk audiences away to the Latin Quarter of Paris for the blockbuster opera of the season: Giacomo Puccini's 1896 masterpiece, LA BOHÈME, based on Henri Murger's newspaper serial-turned-novel, Scènes de la vie de bohème.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske andEthan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

The windy city blew into the Kauffman Center for the Performing Arts with gale force on Tuesday night as the Theater League presented the opening of Chicago the Musical. Barry and Fran Weissler present the Tony Award winning musical with book by Fred Ebb and Bob Fosse, music by John Kander, and lyrics by Fred Ebb. David Bushman recreates the original choreography and David Hyslop recreates the original production direction of the musical originally choreographed and directed by Fosse.

This November and December 54 BELOW presents an exciting lineup of the brightest talent from Broadway and beyond. Located just below the legendary Studio 54 at 254 West 54thStreet. For a detailed schedule of upcoming performances at 54 Below and to purchase tickets, visit www.54Below.com.

Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for Dracula, the Original Vampire Play, the second production in the 'Alley Theatre @ UH' season. Featuring iconic costume and set designs by Edward Gorey, the Alley's production is based on the original 1927 adaptation of the classic thriller that marvelously balances the menace of the horror tale with sophisticated satire.

Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for Dracula, the Original Vampire Play, the second production in the 'Alley Theatre @ UH' season. Featuring iconic costume and set designs by Edward Gorey, the Alley's production is based on the original 1927 adaptation of the classic thriller that marvelously balances the menace of the horror tale with sophisticated satire.

The University of Cincinnati College-Conservatory of Music (CCM) has announced initial details on its 2014-15 Concert Series. Encompassing over 50 different concerts, this series begins with a performance by the internationally acclaimed Ariel Quartet with legendary guest artist Menahem Pressler on Sept. 9, 2014, and concludes with a number of performances by CCM's Preparatory Department running May 1 - 9, 2015.

Following the opening night performance of Cabaret, actor Alan Cumming (Emcee) surprised and awed the guests of the opening night bash. Inspired by German artist Otto Dix, Cumming emerged from his dressing room as the subject of one of Dix's most famous paintings, Portrait of the Journalist Sylvia von Harden (1926). Brandishing a red-checkered jumpsuit, a monocle fixed over his right eye, a cigarette holder and slicked-back hair, the Cabaret star looked almost identical to the 1926 painting. In an interview with NPR, Alan explained, ' I decided that I would do my own thing and have a modern interpretation of an image that is very much an inspiration for the production. We have those images of Otto Dix all over the walls, and [George] Grosz and all those painters. ... I'm going to go as that painting.' The portrait, a mixed media work on wood, is currently housed at the Musee National d'Art Moderne in Paris. At the time of its creation, Dix had just been discharged from service in World War I and was working in Dresden during the Weimar Republicof Germany.

This year, the Garden State Film Festival (GSFF) celebrates its Twelfth Anniversary with a historic move to Atlantic City from Asbury Park. The festival, founded in 2003, runs now through April 6, 2014 in various locales in Atlantic City with financial, marketing and logistical support from the Casino Reinvestment Development Authority.

This year, the Garden State Film Festival (GSFF) celebrates its Twelfth Anniversary with a historic move to Atlantic City from Asbury Park. The festival, founded in 2003, runs from April 3-6, 2014 in various locales in Atlantic City with financial, marketing and logistical support from the Casino Reinvestment Development Authority.

The 5th Avenue Theatre will present a concert version of Lerner and Loewe's Tony Award-winning musical, GIGI, May 16 through the 18th, 2014. The musical, which has been announced for a Broadway opening in 2015, will be performed in a glamorous concert setting, complete with a revised book.

The Brewing Dept. is proud to present the final production of its inaugural cycle, a new staging of Henrik Ibsen's The Lady from the Sea, running tonight, November 14-17, 2013.

The Brewing Dept. is proud to present the final production of its inaugural cycle, a new staging of Henrik Ibsen's The Lady from the Sea, running November 14-17, 2013.

Thrillpeddlers announces their annual Halloween Extravaganza Shocktoberfest 14: Jack the Ripper - An Evening of Horror, Madness, Spanking and Song Commemorating the 125th Anniversary of the Jack The Ripper Murders in London. Thrillpeddlers presents its 4th and final preview performance of Shocktoberfest 14 on Sept. 30, the very date that police received the letter that coined the name 'Jack the Ripper' and the case's double-murder occurred.

Off-Broadway's award-winning Irish Repertory Theatre launches its 26th season with a revival of Sean O'Casey's JUNO AND THE PAYCOCK, directed by Irish Rep Artistic Director Charlotte Moore. With a cast that features, among others, J. Smith-Cameron as Juno Boyle, Ciaran O'Reilly as 'Captain' Jack Boyle, and John Keating as Joxer Daly, JUNO AND THE PAYCOCK will begin performances on Wednesday, October 9, 2013 at the Irish Repertory Theatre (132 West 22nd Street).

Thrillpeddlers announces their annual Halloween Extravaganza Shocktoberfest 14: Jack the Ripper - An Evening of Horror, Madness, Spanking and Song Commemorating the 125th Anniversary of the Jack The Ripper Murders in London. Thrillpeddlers presents its 4th and final preview performance of Shocktoberfest 14 on Sept. 30, the very date that police received the letter that coined the name 'Jack the Ripper' and the case's double-murder occurred.

'Stravinsky Re-invented: From Paris to Los Angeles,' the second and final weekend of the 24th annual Bard Music Festival in New York'sAnnandale-on-Hudson, follows Igor Stravinsky from Europe to post-war Hollywood, investigating his subsequent shift in style from neoclassicism to serialism. The weekend opens tonight, August 16, with a screening of film clips that document the great Russian innovator, with commentary by Professor Charles M. Joseph, author of Stravinsky Inside Out. This special session is followed by the weekend's first concert, 'Against Interpretation and Expression: The Aesthetics of Mechanization,' a program of postmodernist ensemble classics by Stravinsky, Bartók, Varèse, Hindemith, and Messiaen; soloists include Grammy-nominated pianist Peter Serkin and So Percussion's Eric Beach.

'Stravinsky Re-invented: From Paris to Los Angeles,' the second and final weekend of the 24th annual Bard Music Festival in New York's Annandale-on-Hudson, follows Igor Stravinsky from Europe to post-war Hollywood, investigating his subsequent shift in style from neoclassicism to serialism. The weekend opens on Friday, August 16, with a screening of film clips that document the great Russian innovator, with commentary by Professor Charles M. Joseph, author of Stravinsky Inside Out. This special session is followed by the weekend's first concert, 'Against Interpretation and Expression: The Aesthetics of Mechanization,' a program of postmodernist ensemble classics by Stravinsky, Bartók, Varèse, Hindemith, and Messiaen; soloists include Grammy-nominated pianist Peter Serkin and So Percussion's Eric Beach.

Few plays have stood the test of time in the way that The Importance of Being Earnest has. Written in 1895, this 'Serious Comedy for Trivial People,' as playwright Oscar Wilde termed it, offers situations and comedy that remain timeless and fresh. The characters are memorable, from the careless and self-centered Jack to the innocent and impressionable Cecily. Wilde skewers Victorian society in a manner that leaves audiences laughing from start to finish.