You Said It 1931 - Articles Page 3.4

Usually when people hear the word Frankenstein one image comes to mind: the inarticulate groaning hulk. Opening this weekend and running through Halloween on Stagecrafters' 2nd Stage is A. S. Peterson's version of Frankenstein, where The Monster is unlike the popular film adaptions that comes to everyone's mind. The play doesn't feature a terrifying and unthinking creature, instead The Monster feels emotions and asks questions that all humans ask themselves a?" according to Peterson, a?oehis Frankenstein is not your mama's Frankenstein.a?? BroadwayWorld Detroit was able to have an in-depth interview with the play's director, Andrew Clements, and the man behind The Monster in the show, Michael Meike, to find out what makes this new version so unique and thrilling, yet still be inspired by the classic Frankenstein story by Mary Shelley that audiences have come to know and love.

Ted Sperling, Artistic Director of MasterVoices, announced details of the acclaimed ensemble's 78th season, celebrating the joy of choral singing and the power of the human voice to unite, inspire and connect since 1941. Highlights include three major musical presentations at top venues, including a New York premiere, and the World Premiere of a new work, commissioned by the Company. Throughout the season there will be collaborations with leading singers, artists, ensembles and organizations, some who are familiar with and others who are new to the Company.

This October forget about your troubles and the uncomfortable political reality right outside your door and join Cowardly Scarecrow Theatre Company for a drink or 12 at the Kit Kat Klub.

Nutmeg Conservatory Founding Director Sharon Dante and Artistic Director Victoria Mazzarelli invite you to experience the joy of dance at The Nutmeg's Dance Jubilee, May 16-18, 2019 on the Warner's Main Stage.

In June and September 2019, the Philharmonia Orchestra and Esa-Pekka Salonen present Weimar Berlin: Bittersweet Metropolis at Southbank Centre, where it is Resident Orchestra. This new series is an ambitious journey through the music, science and culture of a period of intense political turbulence and explosive creativity in Germany and beyond.

Sam & Dave's 1967 hit single “Soul Man'; the classic radio western “Gunsmoke”; Ritchie Valens' groundbreaking 1958 sensation “La Bamba”; the revolutionary 1968 Broadway musical “Hair”; and Neil Diamond's 1969 “Sweet Caroline,” which became a popular sports anthem, are the newest recordings inducted into the National Recording Registry of the Library of Congress. Librarian of Congress Carla Hayden today named these and 20 other recordings as aural treasures worthy of preservation because of their cultural, historic and aesthetic importance to the nation's recorded sound heritage.

In the early 1930's, The Lambs created 2-reel comedy short films with Columbia Pictures. These shorts were created as a means to raise fund for the Club during the Great Depression. Most of these films have never been seen in almost a century. The films offer a rare historical look at The Lambs, its famous members and activities. The presentation included: Shave it with Music (1932), The Curse of the Broken Heart (1933), Poor Fish (1933) and Hear'em and Weep (1931).

Manhattan School of Music, one of the world's foremost independent music conservatories and one of just two such institutions in the U.S. offering a Musical Theatre degree, this month presents a mainstage production of the Kander & Ebb classic, Cabaret.

Boston Lyric Opera's (BLO) season of rebels and dissenters continues into Spring 2019 with tales of strong women helmed by women directors. BLO's productions of THE RAPE OF LUCRETIA and THE HANDMAID'S TALE tell startlingly relevant stories -- both with extraordinary music, and both produced in distinctive, non-traditional spaces. Artistic and General Director Esther Nelson says the spring season highlights stories from which female characters emerge as moral and societal touchstones.

American violist Matthew Lipman, recipient of a 2015 Avery Fischer Career Grant, makes his Cedille label debut with 'Ascent,' an album featuring, in the artist's words, 'music enraptured by flights of fantasy,' including world-premiere recordings of Dmitri Shostakovich's recently discovered Impromptu for Viola and Piano, Op. 33, and Clarice Assad's 'Metamorfose,' which Lipman commissioned.

POTTED POTTER, a Harry Potter parody play by Daniel Clarkson and Jefferson Turner, returns to Houston, this time starring Brendan Murphy and Scott Hoatson.

For Catherine Birdsong, the animated film version of The Little Mermaid - the 1989 Disney musical fantasy based on the story of the same name by Hans Christian Andersen - was the first movie she remembers ever seeing in a darkened cinema and it continues to elicit memories, to reverberate in her heart, particularly now that she finds herself in rehearsal for the debut of the stage musical at Nashville Children's Theatre.

The Warner Theatre will present its 7th Annual International Playwrights Festival held in the Warner's Nancy Marine Studio Theatre on October 12 and 13, 2018. The mission of the International Playwrights Festival is to recognize the work of emerging and established playwrights and to build a link between the playwrights, the theatre community and our audiences.

The Actors' Gang Theater will begin previews of The Madwoman of Chaillot today, September 27th and run through Saturday, November 10th with an official press opening on Saturday, October 6th.

United Nations researchers report that between 1931 and 1945, the Japanese military forced an estimated 200,000 to 400,000 women and girls into institutionalized sexual slavery. Euphemistically referred to as “comfort women,” they typically ranged in age from 11 to 33 and were taken from Japanese colonies from Korea to Indonesia. Mobilized through forced recruitment, kidnapping, false employment offers or sale by family members and employers, they served in brothels supervised by the Japanese military. Seventy years after their imprisonment, the surviving “comfort women” still await an official apology from the government of Japan.

CNBC Transcript: Bridgewater Associates Founder, Co-Chair and Co-Chief Investment Officer Ray Dalio

The Actors' Gang Theater will begin previews of The Madwoman of Chaillot on Thursday, September 27th and run through Saturday, November 10th with an official press opening on Saturday, October 6th.

Signature Theatre presents the DC premiere of The Scottsboro Boys directed by Signature Theatre's Director of New Works Joe Calarco and choreographed by Jared Grimes. 

Signature Theatre presents the DC premiere of The Scottsboro Boys directed by Signature Theatre's Director of New Works Joe Calarco and choreographed by Jared Grimes. Get a first look at the production below!

Signature Theatre announces the full cast and creative team for the DC premiere of The Scottsboro Boys directed by Signature Theatre's Director of New Works Joe Calarco (Signature's Jesus Christ Superstar, Gypsy) and choreographed by Jared Grimes (Signature's Jelly's Last Jam). John Kander and Fred Ebb's final musical collaboration premiered on Broadway in 2010 and was heralded as 'an absolute marvel' by The Associated Press. The Scottsboro Boys is centered around nine young African-American teenagers who were ripped off a train in 1931, falsely accused of a crime, hastily tried and sentenced to death in an outrageous disregard of due process. The Scottsboro Boys will run from May 22 - July 1 in Signature Theatre's intimate MAX Theatre.

Continuing the momentum created with the current season launch of its Music Knows No Borders series, Executive Director Thor Steingraber unveils the Younes and Soraya Nazarian Center for the Performing Arts' 2018-19 Season, which features four world premieres, two American premieres, several of the world's greatest orchestras, innovative jazz programs, two tributes to Hollywood legends, Broadway classics plus artists from 18 different nations who will appear on stage at The Soraya next season.  New Subscription Series tickets will go on sale May 1, 2018.

The San Francisco Gay Men's Chorus(SFGMC)-under the leadership of Dr. Tim Seelig, Artistic Director andChristopher Verdugo, Executive Director-concludes Season 40: Unstoppablewith UNBREAKABLE, a groundbreaking world premiere work by Tony Award-nominated composer Andrew Lippa (I Am Harvey Milk, The Addams Family, Big Fish, The Wild Party), on Friday, June 22 (8 p.m.) and Saturday, June 23 (2:30 p.m. & 8 p.m.) at San Francisco's Nourse Theater (275 Hayes Street).

Signature Theatre announces the full cast and creative team for the DC premiere of The Scottsboro Boys directed by Signature Theatre's Director of New Works Joe Calarco (Signature's Jesus Christ Superstar, Gypsy) and choreographed by Jared Grimes (Signature's Jelly's Last Jam). John Kander and Fred Ebb's final musical collaboration premiered on Broadway in 2010 and was heralded as 'an absolute marvel' by The Associated Press. The Scottsboro Boys is centered around nine young African-American teenagers who were ripped off a train in 1931, falsely accused of a crime, hastily tried and sentenced to death in an outrageous disregard of due process. The Scottsboro Boys will run from May 22 - July 1 in Signature Theatre's intimate MAX Theatre.

Love at first dance!  Forbidden passions, dangerous secrets and star-crossed fate combine in this exhilarating classic ballet that reveals the heart of Shakespeare's immortal love story, coming to Chrysler Hall April 20-22, 2018. From the tender balcony scene to the lovers' heart-breaking ends, Romeo and Juliet is dance at its most poignant and beautiful-and the opulent production by Britain's famed Birmingham Royal Ballet is doubly exciting for its dramatic choreography by the great Sir Kenneth MacMillan, lavish sets and costumes, and dancers who embody the young lovers and their noble families. Further distinguishing these Norfolk performances is the presence of the Virginia Symphony Orchestra, who will perform the beautiful Prokofiev score live, making the experience a feast for the ears as well as the eyes.