This timeless - and timely - tale of redemption welcomes theatergoers of all ages into an immersive experience that's brimming with Christmas spirit. It's "a stunning piece of visual theatre" (Time Out) that features dazzling staging, moving storytelling and 12 of the most cherished Christmas carols, including "Joy to the World," "Silent Night," and "It Came Upon the Midnight Clear."
At the Old Vic in London, where Warchus's production premiered two years ago and has become an annual staple since, the show is staged in the round. Perhaps it is more effective in that form; at the Lyceum, even at what should be the joyous climax of the production-when the audience is corralled into helping assemble a massive Christmas feast-the festivity has a faint sense of effort. And just when our spirits have been suitably raised, Thorne's script tamps them down again with a buzzkill of a coda. This A Christmas Carol has many lovely moments and atmosphere aplenty. What it lacks, just a little, is cheer.
While not always faithful to its source (Young Scrooge, sweetly played by Dan Piering, is given a drunken, abusive father, and old Fezziwig, sympathetically played by Evan Harrington, is an undertaker, among other alterations and additions), Thorne's adaptation pays off in its gambles. If it feels abridged and rushed at first - some secondary characters are melded together, and we're done with the Christmas Present section by intermission - this Carol goes to new places with the inevitability of a clock chime.
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