From the creative team behind A.R.T.’s 2015 production of Natasha, Pierre & The Great Comet of 1812 comes a new musical adaptation of Moby-Dick. As Ishmael, Captain Ahab, and his crew pursue the elusive great white whale aboard the Pequod, Herman Melville’s nineteenth-century vision of America collides head-on with the present.
American Opera Projects (AOP) announces the return of its popular Composers & the Voice program for its 2019-21 seasons. Created and led by Composers & the Voice Artistic Director Steven Osgood, six composers and up to three librettists will be selected for two-year fellowships to learn the fundamentals of writing for the voice and opera stage. Workshop sessions with professional opera singers, mentors, and instructors are held at AOP's home base in Fort Greene, Brooklyn. Applications and complete information will be available beginning March 18 at www.aopopera.org/composers_voice. The deadline for applications is April 26 with fellowships announced by July 16.
Spring has sprung, andWill Geer's Theatricum Botanicum is thrilled to announce its annual summer line-up of theater, music and performance in its unique and stunning outdoor setting in Topanga. The Summer 2019 Season will include six plays opening in rapid succession and performed in repertory throughout the summer, along with a host of satellite events.
Lookingglass Theatre Company presents the world premiere of Mary Shelley's Frankenstein, written and directed by Ensemble MemberDavid Catlin, from the book by Mary Shelley. Mary Shelley's Frankenstein runs May 8-August 4, 2019 at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson. Tickets are now on sale.
The new Broadway production of Oklahoma! begins previews at Broadway's Circle in the Square Theatre (1633 Broadway) on tonight, March 19, 2019. Get to know the cast below as they begin Broadway performances!
Chicago Opera Theater (COT) caps its 2018/2019 season with the Chicago premiere of "Moby-Dick," an epic adaptation of Herman Melville's 1851 classic "Moby-Dick; or, The Whale" at the Harris Theater for Music and Dance (205 E. Randolph Street) Thursday, April 25 and Sunday, April 28. The production is co-produced by Utah Opera, Pittsburgh Opera, San Jose Opera and Gran Teatre del Liceu.
Steppenwolf Theatre Company announced today the full casting for the world premiere of MS. BLAKK FOR PRESIDENT, co-written by ensemble members Tina Landau (SpongeBob SquarePants: The Broadway Musical) and Tarell Alvin McCraney (Moonlight, Academy Award). Conceived by Tina Landau, she also directs this true and little-known Chicago story that will star Tarell Alvin McCraney as Ms. Joan Jett Blakk. Joining McCraney in the cast are Patrick Andrews, Molly Brennan, Daniel Kyri, Jon Hudson Odom and Sawyer Smith.
Utah Opera Artistic Director Christopher McBeth has announced the programming, initial casting, and creative teams for the company's 2019-20 season, which comprises four opera productions at the newly renovated Janet Quinney Lawson Capitol Theatre. Featuring improved seating and sightlines on the orchestra level, the theatre reopens after a six-month closure for the company's season-opening production of Verdi's La traviata in October 2019. The season continues with composer Kevin Puts and librettist Mark Campbell's Silent Night in January 2020, Rossini's The Barber of Seville in March 2020, and Massenet's Tha s in May 2020. Silent Night is presented as part of Utah Opera's American Opera Initiative, through which the company champions and commissions American contributions to the art form. Both Silent Night and Tha s are Utah Opera premieres.
Chicago Opera Theater (COT) today announced that the company has been awarded both a $30,000 Art Works grant from the National Endowment for the Arts and a $15,000 Civic Practice Grant from OPERA America's Opera Fund for fiscal year 2019. The Art Works grant from the National Endowment for the Arts supports the production and programming of Jake Heggie's "Moby-Dick," which will make its Chicago premiere at the Harris Theater (205 E. Randolph) Thursday, April 25 at 7:30 p.m. and Sunday, April 28 at 3 p.m. Art Works, the Arts Endowment's principal grantmaking program, received 1,605 applications for this round of grantmaking, and awarded 972 grants in this category.
Artistic Director Christopher McBeth today announced the programming, initial casting, and creative teams for Utah Opera's 2019-20 season, sponsored by the George S. and Dolores Dor Eccles Foundation. In its upcoming season, Utah Opera produces four operas at the Janet Quinney Lawson Capitol Theatre: Verdi's La traviata in October 2019, Kevin Puts and Mark Campbell's Silent Night in January 2020, Rossini's The Barber of Seville in March 2020, and Massenet's Tha s in May 2020. Both Silent Night and Tha s are company premieres. Season subscriptions are on sale now by calling (801) 533-6683 or visiting utahopera.org. Single-opera tickets go on sale to the general public on June 14, 2019 through Utah Opera and ArtTix outlets.
Greenwich+Docklands International Festival (GDIF), London's leading festival of outdoor theatre and performing arts, today announces highlights of the 2019 festival, running from 21 June - 6 July in locations across Royal Greenwich, East London and, for the first time, the City of London.
The San Francisco Conservatory of Music (SFCM) today announces the appointment of baritone Matthew Worth to its voice faculty. Worth will lead a full studio at SFCM beginning in Fall 2019, joining the voice department led by chair Cesar Ulloa. Worth's appointment comes just after the announcement of Rhoslyn Jones joining SFCM's faculty.
General Director Ken McConnell and Artistic Director Tobias Picker today announced Tulsa Opera's 72nd season comprising classics such as Bizet's Carmen and Puccini's Madama Butterfly, and a new production of Mr. Picker's 1996 opera Emmeline, to be performed in Oklahoma for the first time, and led by Mr. Picker in his opera-conducting debut.
OPERA America, the national service organization for opera and the nation's leading champion for American opera, is pleased to announce the recipients of its first-ever Civic Practice Grants, supported by OPERA America's Opera Fund endowment.
Lookingglass Theatre Company presents the world premiere of Mary Shelley's Frankenstein, written and directed by Ensemble Member David Catlin, from the book by Mary Shelley. Mary Shelley's Frankenstein runs May 8 August 4, 2019 at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson. Tickets go on sale to the public March 5, 2019. The press performances are Friday, May 18 and Saturday, May 19 at 7:30 p.m.
HERE (Kristin Marting, Artistic Director) continues its 2018 2019 season with the New York premiere of Ashes from Plexus Polaire, who recently presented the New York Times critic's pick production of Chambre Noire at The Public Theater's Under the Radar festival. Under the direction of Yngvild Aspeli, Ashes is inspired by true events as told in the best-selling Norwegian novel Before I Burn by Gaute Heivoll, and features actors, video projection and life-sized puppets.
Lookingglass Theatre Company presents the world premiere of Act(s) of God, by Ensemble Member Kareem Bandealy, directed by Ensemble Member Heidi Stillman. Act(s) of God runs February 13 April 7, 2019 at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson. The press performances are February 22 and February 23 at 7:30 p.m.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.
As 2019 gets underway, the Rural Touring Dance Initiative (RTDI) will tour a fresh selection of shows created by dance companies whose work has been enjoyed on both national and international stages and can now be seen in to village halls and rural venues across the UK. Shows are offered in the form of 'menus' so local promoters are able to select the work that best suits their venue. This year's menu will bring an eclectic mix of dance adaptations of classic novels, fairytales and Shakespeare, Northern adventures and Windrush stories to an ever-growing audience who might not otherwise have the opportunity to see them. The initiative is a partnership between the National Rural Touring Forum, The Place, China Plate and Take Art.
Lookingglass Theatre Company presents the world premiere of Act(s) of God, by Ensemble Member Kareem Bandealy, directed by Ensemble Member Heidi Stillman. Act(s) of God runs February 13 April 7, 2019 at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson. The press performances are February 22 and February 23 at 7:30 p.m.
On February 9th, Opera San Jose's 35th season continues with Moby-Dick, by 2018 Grammy Nominated composer Jake Heggie (Best Contemporary Classical Composition, Great Scott) with a libretto by Gene Scheer.
Cleveland Play House (CPH) is raising the swashbuckling stakes on the Robin Hood folklore with an exciting adventure that conjures up joy, romance and merriment. Ken Ludwig's Sherwood: The Adventures of Robin Hood, is a lightning speed tale full of playful characters that will take over the Allen Theatre at Playhouse Square from February 2nd through February 24th, 2019.
Theatre for a New Audience presents About Alice, the world premiere of a new play by Calvin Trillin, inspired by his 2007 memoir of the same name. The production, directed by Leonard Foglia, plays January 8-February 3, 2019 at Polonsky Shakespeare Center (262 Ashland Place, Brooklyn).
Theatre for a New Audience presents About Alice, the world premiere of a new play by Calvin Trillin, inspired by his 2007 memoir of the same name. The production, directed by Leonard Foglia, plays January 8-February 3, 2019 at Polonsky Shakespeare Center (262 Ashland Place, Brooklyn).
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