Three Sisters Revival 2017 - Articles Page 7

Almeida Theatre has announced a socially distanced season of three world premieres for Christmas 2020 and into 2021.

I recently had the great pleasure of interviewing Vivienne Benesch, who is the Producing Artistic Director of PlayMakers Repertory Company in Chapel Hill, North Carolina. At PlayMakers, she has helmed productions of Life of Galileo, Leaving Eden, The May Queen, Three Sisters, Love Alone, RED, and In The Next Room (or the Vibrator Play).

The Soho Theatre has announced  Soho Six, Record Verity Bargate Award submissions, plus new on-demand plays and masterclasses.

Pittsburgh Ballet Theatre (PBT) has announced updates to its upcoming 2020-2021 Season in response to programs rescheduled due to the coronavirus (COVID-19) crisis that forced the closure of non-essential businesses, including PBT and the Cultural Trust venues in which the company performs. 

Three World Premiere English-language opera productions are available for livestream on the American Opera Project website, www.aopopera.org.

Who's Afraid of Virginia Woolf is officially in previews on Broadway! Two-time Tony Award and three-time Emmy Award winner Laurie Metcalf and Rupert Everett star on Broadway in Edward Albee's seminal drama Who's Afraid of Virginia Woolf? Directed by two-time Tony Award winner Joe Mantello, this production also stars Russell Tovey and 2019 Olivier Award winner Patsy Ferran.

I'm only recently discovering my own musical identity outside of the things I listened to in my parents' cars growing up. I discovered The Secret Sisters around the same time I discovered horror movies, around the same time I discovered a new kind of higher-stakes storytelling. “You Don't Own Me Anymore” was a masterclass in harmony and tension. It was a collection of those kinds of higher-stakes stories; the haunting beauty of a song about murdering your child taught me more about writing a character than pretty much any play or movie or TV show I've ever watched; naming and admonishing Davey White on “He's Fine” showed me an unapologetic way to channel anger and heartbreak. The whole album shrieks unapology, except it's not shrieking; it's speaking quietly but pointedly, in harmony and in unity. The title song is anthemic. It's feminine angst; less loud but more directly expressive than any other album of its kind I'd ever heard.

Irondale, Brooklyn's leading theatrical ensemble producing immersive and non-traditional performance, will present the On Women Festival, a three-week theater festival that places the feminine perspective in the spotlight, March 4-21. With two mainstage productions, To Moscow! A Palimpsest and Night Shadows - Or, One Hundred Million Voices Shouting, and two works-in-progress, England's Splendid Daughters and The Fainting Room,   coupled with educational workshops and a special performance by the Young New Yorker's Women's Ensemble, the festival highlights Irondale's mission to present relevant and reflective works while tackling current issues facing the community. 

Casting is set for Studio Theatre's production of Pipeline, playwright Dominique Morisseau's searing drama about the school-to-prison pipeline and a mother desperately trying to keep her son from becoming ensnared in it. The production runs January 15-February 16, 2020 and is directed by Awoye Timpo. Starring are DC theatre favorite Justin Weaks (Studio's Curve of Departure) as high school student Omari and Andrea Harris Smith making her Studio debut as his mother, public school teacher Nya. In its recent People Issue, Washington City Paper's called Weaks a 'standout,' going on to say: 'D.C. theater audiences love Justin Weaks. ...Weaks came to D.C. for a job about four years ago, not expecting to stay. But he kept getting cast in shows, and lucky for local theatergoers, he's still here.'

New York Theatre Workshop (NYTW) (Artistic Director James C. Nicola and Managing Director Jeremy Blocker) announced today performers, presenters and the host for the NYTW 2020 Gala, honoring NYTW Usual Suspect & Tony Award-winning director Rachel Chavkin (Hadestown, Light Shining in Buckinghamshire, Three Pianos at NYTW) and Tony Award-winning producer Jordan Roth (Producer of Hadestown; President of Jujamcyn Theaters). The Gala will be held on Monday, February 3 at Capitale (130 Bowery, New York, NY 10013).

Artist Series Concerts of Sarasota ramps up the holiday with Harmony for the Holidays, featuring the sweet-toned harmonies and sure-footed swing of acclaimed vocal jazz trio Duchess. The New York City-based threesome a?" Amy Cervini, Hilary Gardner and Melissa Stylianou - are joined by noted jazz pianist Carmen Staaf, bassist Don Mopsick and percussionist Rick Costa for a sparkling holiday program that includes such traditional favorites as Silver Bells, What Are You Doing New Year's Eve, and the Andrews Sisters' Christmas Island, plus holiday novelties like Santa Baby, Mele Kalikimaka (Hawaii's way to say a?oemerry Christmasa??), Christmas Compromise and much more. Performances are December 21 at 7:30 p.m. and December 22 at 3:00 p.m., at the Historic Asolo Theater, 5401 Bay Shore Road, Sarasota. Reserved seat tickets are $25 to $45; $10 student tickets are available at the door with current student ID. Tickets are available online at www.artistseriesconcerts.org or by calling 941-306-1202.

Back in 2017, Dear Readers, Book-It Repertory Theatre brought us the highly anticipated musical adaptation of Diana Wynne Jones beloved book, 'Howl's Moving Castle', adapted by Myra Platt with music and lyrics from Justin Huertas. The show was certainly a charmer but, personally, I found the storytelling confusing and muddled. Platt and Huertas have now remounted the piece with some welcome additions. Still a few confusing bits and superfluous elements but this new adaptation brings so much more of the story to life making the evening of fantasy even more charming.

Jermyn Street Theatre kicks off its 2020 season with three of Samuel Beckett's finest short plays. The Beckett Triple Bill will be directed by Trevor Nunn and feature the stellar cast of Niall Buggy, Lisa Dwan, James Hayes and David Threlfall. These works are as funny as they are poignant, as compelling as they are lyrical and, together, they demonstrate Beckett's remarkable range, inventiveness, and wit.

GRAMMY Award-winning singer, songwriter and performer Brandi Carlile is nominated for three awards at the 62nd Annual GRAMMY Awards: Song of the Year (“Bring My Flowers Now” performed by Tanya Tucker), Best Country Song (“Bring My Flowers Now” performed by Tanya Tucker) and Best Country Duo/Group Performance (“Common” performed with Maren Morris). “Bring My Flowers Now” was written by Carlile, Tucker and Carlile's longtime collaborators and bandmates Tim and Phil Hanseroth and is from Tucker's acclaimed new album While I'm Livin'—co-produced by Carlile and Shooter Jennings—which is also nominated for Best Country Album.

Sundance Institute's Theatre Program will support three ambitious new works for the stage, and their four women creators, at this year's two-week Theatre Lab at the Massachusetts Museum of Contemporary Art (MASS MoCA). The Lab, which runs from November 10 to November 24th, will feature the concentrated and abundant time and resources, including individual casting from a dedicated acting company and daily rehearsals, that has long been a signature of Sundance's Labs.

Live Arts Bard (LAB), the residency and commissioning program of the Fisher Center at Bard, announces Where No Wall Remains, the third edition of the acclaimed LAB Biennial, temporarily reconfiguring the Fisher Center as a site for innovative and interactive performances and installations (November 21-24). Co-curated by Lebanese live artist Tania El Khoury, a 2019 Soros Art Fellow, and Gideon Lester, the Fisher Center's Artistic Director for Theater and Dance, this four-day festival considers the subject of borders: political borders, physical borders, historical and contemporary borders, borders seen and unseen, the borders of the body, borders between art forms, between performers and spectators, the borders that divide or define us, borders to be crossed, tested, resisted, destroyed, rebuilt, or transcended. Where No Wall Remains follows The House is Open (2014), which explored the relationship between visual and performing arts, and We're Watching (2017), which examined contemporary states of surveillance. This third edition of the festival features nine new performances and installations by contemporary artists from the Middle East and Central America, commissioned by Live Arts Bard. Please see below for dates and times for each work. 

With the new Tom Patterson Theatre taking shape on the banks of the Avon River, the Stratford Festival is thrilled to announce key casting as it builds the acting company for its monumental 2020 season.

The Old Globe continues to make theatre matter to more people by inviting everyone to enjoy three unique productions of original work developed through coLAB, a program developed by the Department of Arts Engagement. coLAB unites community and artists to develop unique participatory theatre. Having the perspective of participants at the forefront of the storytelling experience is central to this artistic collaboration. Community members work with an artist over several months developing stories. The culmination of the work is a presentation with a community partner organization of a public performance and celebration. These productions take on many forms but always feature the stories and perspectives of the participants.

CBS All Access today announced a number of new guest stars are set to appear in season three of the service's Funny Or Die comedy series NO ACTIVITY, which will debut later this fall.

Blake Hackler's new play surrounds three sisters in an East Texas town that have a dark family secret. Weaving scenes from the past and present, What We Were is a story of escaping, coping, and caring, decades in the making. Can one ever truly go home again?

After winning Best Comedy at their first Melbourne Fringe Festival in 2017, The Travelling Sisters have been touring their award-winning show Toupé nationally and internationally to critical acclaim. Back at the Fringe to debut their new show, The Travelling Sisters take you on a ride into the lives of three blokes from Dalby who repped the mullet before the mullet was cool again.

The Old Globe today announced the cast and creative team of a sparkling comedy in our summer season, The Underpants, by the Globe's second-most-popular playwright-in-residence, Steve Martin. Directed by multiple-award winner Walter Bobbie (Globe and Broadway's Bright Star, Broadway's Venus in Fur, Chicago) and adapted from Die Hose by Carl Sternheim, the play was originally commissioned by Erna Finci Viterbi Artistic Director Barry Edelstein when he ran New York's Classic Stage Company. This is the fourth Martin work in recent seasons at the Globe, from 2014's world premiere musical Bright Star, which went on to Broadway and five Tony Award nominations, to 2016's twice-extended, world-premiere comedy Meteor Shower, to 2017's smash-hit revival of Picasso at the Lapin Agile.

WSC Avant Bard's Script in Play Festival, started in 2016, has been an opportunity to test out shows for full production treatment through the guise of a series of staged readings and post-play discussions. Written and performed by rising professional talent, these readings have led to some memorable productions, including new versions of Shakespeare's Taming of the Shrew and Twelfth Night and Lauren Gunderson's hit Emilie: La Marquise Du Chatelet Defends Her Life Tonight. In 2017, a reading of playwright Matt Minnicino's 'distillation' - not 'adaptation,' as we get into below - of Moliere's The Misanthrope was performed. Written entirely in rhyming couplets, it follows a professional cynic who falls in love with an ingenue, and finds his devotion to insincerity tested. Now, it's the capper of Avant Bard's 29th season. I spoke to Minnicino about his career thus far, the adaptation process, and why audiences should be excited for this show.

Immerse yourself in the wild and indomitable female spirit with the Third Annual Andromeda's Sisters Gala to benefit the dance theater company The Neo-Political Cowgirls. The compelling three-day journey includes play readings, a private estate fundraiser and an interactive creativity workshop on June 14th 22nd and 23rd which can be enjoyed collectively or individually. The brain child of Kate Mueth who is the founder of the 501 ( c ) 3 company Neo-Political Cowgirls, Andromeda's Sisters is an arts and advocacy forum to create more work for women in theater and to increase the female voice in the narrative of our society's stories. Mueth brings her vibrant, unconventional, mind-expanding magic to the event. This is not your typical write-a-check and have a cocktail fundraiser. Guests will be treated to talented voices of the theater, advocacy, and legal world to expand their horizons and network with fascinating women. This is the uniquely fertile soil where community, arts and advocacy merge to grow both roots and blossoms. And men are most welcome to join in the fun.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!