Moscow, 1938. A dangerous place to have a sense of humour; even more so a sense of freedom. Mikhail Bulgakov, living among dissidents, stalked by secret police, has both. And then he’s offered a poisoned chalice: a commission to write a play about Stalin to celebrate his sixtieth birthday.
Inspired by historical fact, Collaborators embarks on a surreal journey into the fevered imagination of the writer as he loses himself in a macabre and disturbingly funny relationship with the omnipotent subject of his drama.
Killing my enemies is easy. The challenge is to change the way they think, to control their minds. And I think I controlled yours pretty well. In years to come, I’ll be able to say: Bulgakov? Yeah, we even trained him. He gave up. He saw the light. We broke him, we can break anybody. It’s man versus monster, Mikhail. And the monster always wins.
John Hodge’s blistering new play depicts a lethal game of cat and mouse through which the appalling compromises and humiliations inflicted on any artist by those with power are held up to scrutiny.
Following its successful run in the Cottesloe Theatre, Collaborators is transferring to the Olivier Theatre on April 30 for a limited run.
After 16 years, George Bernard Shaw returns to the American Conservatory Theater (A.C.T.) stage in a sumptuous production of one of his most witty and richly invigorating works - Major Barbara. Salvation Army officer Major Barbara gets in an intriguing tangle of morality and religion when her church accepts money from her estranged father-a wealthy armaments manufacturer. If the price of supporting the poor is complicity with the country's most successful gun factory, who has the right to be righteous about saving the poor? Timely and topical, Major Barbara is a devilishly funny satire exploring themes of business, faith, family, and philanthropy. In the wake of highly successful Canadian productions, including No Exit, The Overcoat and Vigil, Major Barbara is co-produced with one of A.C.T.'s favorite Canadian collaborators, Theatre Calgary, which hosted A.C.T.'s visionary Tosca Project during its 2011 tour. Directed by Theatre Calgary Artistic Director Dennis Garnhum, Major Barbara features an international cast of both Canadian and American actors. This is the first staging of Major Barbara during A.C.T.'s tenure at The Geary Theater. Major Barbara runs January 8-February 2, 2014, at A.C.T.'s Geary Theater (415 Geary Street, San Francisco). Press night is Wednesday, January 15, 2014. Tickets ($20 -$140) are on sale now and may be purchased online at act-sf.org or by calling 415.749.2228.
On Monday, December 16 at 7:00 p.m. in Zankel Hall, the Carnegie Hall Notables-a membership and ticket program for music enthusiasts in their 20s and 30s-hosts Chris Thile and Friends, a special Notables-only performance featuring mandolin virtuoso, composer, and vocalist Chris Thile alongside frequent collaborators Michael Daves and Edgar Meyer and additional artists to be announced.
The Barbican today announced a stellar program of events for spring and summer 2014, pushing the boundaries of all major art forms for its diverse audiences. This new program builds on the most successful year ever for the Barbican, with attendances for events at the Centre exceeding 1 million for the first time, an increase of 36% on 2011/12. In this Olympics year, box office receipts also rose 33%, and the Barbican's commercial income increased by 35%.
Nico Muhly's opera Two Boys has its North American premiere at the Met tiday, October 21, in a production conducted by David Robertson and directed by Bartlett Sher. The two-act opera, which features a libretto by award-winning playwright Craig Lucas, is loosely based on true events and follows a lonely detective whose investigation of a seemingly simple crime draws her into a complex web of online intrigue. Alice Coote sings the role of Detective Inspector Anne Strawson and Paul Appleby sings Brian, the 16-year-old boy at the center of her investigations. Sher's staging, a co-production with English National Opera, premiered in London in 2011.
The Chicago Sinfonietta continues its 2013-14 season of innovation and collaboration with Dia de los Muertos, its annual holiday concert inspired by the Mexican holiday of The Day of the Dead. Sinfonietta Music Director Mei-Ann Chen with special guests, violinist Ade Williams, soprano Elizabeth Norman, theDePaul University Choir and collaborators Redmoon, lead a concert inspired by artistic expressions of grief and joy surrounding mortality. The Chicago Sinfonietta performs Dia de los Muertos in two concerts only, Saturday, November 9 at 8 pm
"We're looking forward to connecting with innovators and collaborators
who share Hyatt's passion for caring for people and creating thriving
communities all over the world," said Webb. "CGI's vision of mobilizing
for impact and turning ideas into positive actions is exactly what Hyatt
is all about. Through our collaboration with CGI and a variety of
partners, we can create lasting, scalable success in the neighborhoods
where our hotels are located, where our associates live and work and our
guests come to visit. As our company continues on its journey to make a
difference, we will continue to work with partners and allies that also
have human care and human spirit at the heart of their business."
Dancer/actress Charlotte Bydwell brings her acclaimed solo show, Woman of Leisure and Panic, to the 17th annual New York International Fringe Festival for five performances, beginning today, August 11, and continuing through August 23 at the Theater at the 14th Street Y, 344 East 14th Street (near First Avenue). The show, written, choreographed and performed by Bydwell, premiered in the 8th Annual soloNOVA Festival, 2011, and received a nomination for a New York Innovative Theatre Award for Outstanding Performance Art Production.
Dancer/actress Charlotte Bydwell brings her acclaimed solo show, Woman of Leisure and Panic, to the 17th annual New York International Fringe Festival for five performances, August 11-23 at the Theater at the14th Street Y, 344 East 14th Street (near First Avenue). The show, written, choreographed and performed by Bydwell, premiered in the 8th Annual soloNOVA Festival, 2011, and received a nomination for a New York Innovative Theatre Award for Outstanding Performance Art Production.
To conclude its 45th season, Berkeley Repertory Theatre welcomes back a pair of acclaimed collaborators: Sarah Ruhl and Les Waters, the creators of Eurydice, Three Sisters, and In the Next Room (or the vibrator play), return to Berkeley Rep with another tale of love and longing in Dear Elizabeth.
Naomi Goldberg Haas is a dancer, master teacher, choreographer and director of DVP. She is the creator of Variable Pop Expressive Dance Method and Movement Speaks - a Community Collaborative Dance Program. Highlights from her work in theater, opera and film include collaborations with The Klezmatics, composer Michael Nyman, playwright Tony Kushner, directors Brian Kulick and Oskar Eustis and Disney animation. Her work with the Silesian Dance Theater and persons with disabilities was presented in 2010 at the International Contemporary Dance Festival in Poland and in 2011 at Chutzpah Festival in Vancouver, B.C. Recent projects include Golem with the Czech American Marionette Theater for the 50th anniversary of La Mama etc. She formerly danced with Pacific Northwest Ballet and holds an MFA from Tisch Dance at NYU. She has taught dance at Cal State, Long Beach and Loyola Marymount University and currently teaches at NYU, the Harkness Dance Center at the 92 Y and in DVP's programs.
To conclude its 45th season, Berkeley Repertory Theatre welcomes back a pair of acclaimed collaborators: Sarah Ruhl and Les Waters, the creators of Eurydice, Three Sisters, and In the Next Room (or the vibrator play), return to Berkeley Rep with another tale of love and longing in Dear Elizabeth.
It wouldn't be summer in NYC without the annual four-week engagement of Pilobolus Dance Theater at The Joyce Theater, this year from July 9 - August 4. Renowned for its inventive, awe-inspiring choreography and collaborations with artists of various backgrounds, the wildly popular Pilobolus will present two programs this summer each including a highly anticipated New York premiere, part of the company's thriving International Collaborators Project. The premieres this season include a collaboration with masters-of-trickery Penn & Teller, and another with filmmakerTrish Sie and musicians Nortec Collective Presents: Bostich & Fussible. There also will be a special family matinee performance, Rules @ Play, on Wednesday, July 24 at 1pm. Tickets for Pilobolus at The Joyce range from $10-$75 (subject to change) and can be purchased by calling JoyceCharge at 212-242-0800 or online at joyce.org. The Joyce Theater is located at 175 Eighth Avenue at West 19th Street.
To conclude its 45th season, Berkeley Repertory Theatre welcomes back a pair of acclaimed collaborators: Sarah Ruhl and Les Waters, the creators of Eurydice, Three Sisters, and In the Next Room (or the vibrator play), return to Berkeley Rep with another tale of love and longing in Dear Elizabeth.
Excitement is building for Kansas City Rep's presentation of the Rodgers and Hammerstein musical Carousel, directed by Kyle Hatley, the theatre's associate artistic director. This is the musical theatre event that sparked delight in hearts of audience members and critics alike when it was first presented in 2011 by The Living Room (TLR), one of Kansas City's most imaginative small theatre companies. The Rep is now bringing TLR's beautifully re-envisioned Carouselto Spencer Theatre for a second production.
Excitement is building for Kansas City Rep's presentation of the Rodgers and Hammerstein musical Carousel, directed by Kyle Hatley, the theatre's associate artistic director. This is the musical theatre event that sparked delight in hearts of audience members and critics alike when it was first presented in 2011 by The Living Room (TLR), one of Kansas City's most imaginative small theatre companies. The Rep is now bringing TLR's beautifully re-envisioned Carouselto Spencer Theatre for a second production.
Red, a drama Josh Logan, will open at the State Theatre in downtown Eustis on February 21 and run through February 24. Called "a visceral exercise in art appreciation" by the New York Times, Red tells the story of artist Mark Rothko, and his commission in 1958 to paint a series of murals for the Four Seasons restaurant in New York. The play explores the heart of a controversial artist and the compromises that must sometimes be made between art and the need to survive. This production features long-time friends and collaborators Terrence Shank and Joel Warren.
TimeLine Theatre Company continues its 2012-13 season with the Midwest premiere of Concerning Strange Devices from the Distant West, reuniting long-time collaborators playwright Naomi Iizuka and director Lisa Portes in their TimeLine debuts. Performances run now through April 14, 2013 at TimeLine Theatre, 615 W. Wellington Ave, Chicago. BroadwayWorld has a first look at the production below!
According to The Hollywood Reporter, HBO is adapting the Broadway play Stick Fly by Lydia Diamond, who will also write the script for the hourlong TV drama and executive produce with former collaborators Alicia Keys and Nelle Nugent.
American Repertory Ballet has announced upcoming events throughout New Jersey this Spring 2013. Based in Princeton, ARB has been consistently designated a "Major Arts Institution" by the New Jersey State Council on the Arts for the past two decades, and, in 2008 and 2011, was voted Jersey Arts' People's Choice for Favorite Dance Company. Presenting innovative choreography to music by such greats as Stravinsky, Prokofiev, and Vivaldi, ARB's upcoming performance season promises to be inspiring.
Today we are talking again to one of Broadway's recent rising stars all about his sensational sophomore solo album, STILL DREAMING OF PARADISE, as well as his role in this weekend's invitation-only reading of the new musical AMAZING GRACE - 2011-2012 season standout and JESUS CHRIST SUPERSTAR Tony Award nominee Josh Young. Espousing on the many elements that converged to make his solo album a reality, Young outlines his process with his close collaborators by discussing the imperative inspirations, subsequent arrangement experimentation, actual studio recording, scientific song selection process, major project goals and a lot more, as well as shares memories of what many of the album's tracks mean to him on a personal level and what we can expect from albums from him in the future, near and far. Plus, Young reveals his affection for his first major New York post-SUPERSTAR production, AMAZING GRACE, as he shares his enthusiasm for the daring subject, rich source material - no less than the life of controversial historical figure John Newton - and the purportedly thrilling new score composed for it and the unique and compelling tale behind it as the new musical takes this next step in its developmental process in the Lincoln Center-set industry presentation. Additionally, Young touches upon his favorite memories from the Tony Awards and participating in the Transport Group's recent concert production of BABY - and much, much more!
Eager to feed Music City's growing appetite for quality original theatrical material, Playhouse Nashville is now accepting submissions for the fourth incarnation of its popular showcase for Middle Tennessee artists, The Ten Minute Playhouse-named one of The First Night Award's Top 11 Theatrical Events of 2011.
Celebrating, and empowering, through works from some of the nations most artistically significant Black female voices, KTC's Skylight Theatre is providing a home for this unique five-week production. Featuring new plays, visual arts, and community events, collaborators have created this platform for encouraging Black women to self-identify as dynamic, expressive, and nurturing contributors to society.
Today, October 22, the Dramatists Guild of America features archived audio footage of legendary composer and lyricist Stephen Schwartz discussing his career, his working relationship with collaborators and the process of adapting work from another medium. This conversation, with Los Angeles member Larry Dean Harris at the Guild's first National Conference, is part of the Guild's ongoing series, In The Room.
Celebrating, and empowering, through works from some of the nations most artistically significant Black female voices, KTC's Skylight Theatre is providing a home for this unique five-week production. Featuring new plays, visual arts, and community events, collaborators have created this platform for encouraging Black women to self-identify as dynamic, expressive, and nurturing contributors to society.
In Song of a Convalescent Ayn Rand Giving Thanks to the Godhead (in the Lydian Mode), longtime collaborators Michael Yates Crowley and Michael Rau once again tap into the political zeitgeist with an audacious collage of ideas, scenes, sketches, songs, poetry, and PowerPoint lectures that challenges the myth of the suffering artist. The production will have its world premiere at the Greenwich Village theater incubator IRT from tonight, September 15th to 29th.
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