Titanic the Musical opened on Broadway in April of 1997. The musical tells the story of the maiden voyage of the RMS Titanic, or what would soon be aptly named “The Unsinkable Ship.” However, as history tells us the ship sank on its maiden voyage on April 15, 1912. The 1997 Broadway production won five Tony Awards including Best Musical and was directed by Richard Jones. Following the opening of its Broadway run, Titanic was adapted for film and released the same year in 1997 by James Cameron starring Leonardo DiCaprio and Kate Winslet. Both of which the musical and film have no correlation to the other.
Maury Yeston who was a Broadway composer and lyricist for Nine was inspired by the discovery of the wreckage of the Titanic off the coast of Newfoundland in 1985. Yeston said he was inspired by all the ship represented. So Yeston met with Peter Stone who wrote the libretto and Titanic the Musical was born. Of the five Tony’s that Titanic went onto win among them were Best Score, Best Book, Best Orchestrations, Best Scenic Design as well as Best Musical mentioned above. Previews started in 1997 at the Lunt-Fontanne Theatre and received mixed but positive reviews. After 804 performances, Titanic the Musical closed in March of 1999.
Boasting a whopping 20 musical numbers in Act One and 12 in Act Two this behemoth of a musical is grand in design, and song. This musical also features a cast of 37 some doubling multiple roles. Proving to be a huge undertaking for amateur productions and professionals alike.
Next month, FEINSTEIN’S/54 BELOW, Broadway’s Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond.
Shakespeare's Globe has announced the Summer Season 2022 full of pomp, pageantry, politics, and power.
Historical themes have always been incorporated into stage shows, from classic Broadway musicals to contemporary productions. Contrary to what some may believe, not all historical-themed productions are old Broadway musicals. Several historical musicals have gone on to become classics, though this is not specifically a golden age musicals list.
The cast includes Spencer Plachy as 'Scar,' Gerald Ramsey as 'Mufasa,' Gugwana Dlamini as 'Rafiki,' Nick Cordileone as 'Timon,' Jürgen Hooper as 'Zazu,' Ben Lipitz as 'Pumbaa,' Darian Sanders as 'Simba,' Kayla Cyphers as 'Nala,' Keith Bennett as 'Banzai,' Martina Sykes as 'Shenzi' and Robbie Swift as 'Ed.' Jaylen Lyndon Hunter alternates the role of 'Young Simba', along with Charlie Kahler.
Coinciding with DREAMGIRLS 40th Anniversary, DREAMGIRLS’ original Effie Jennifer Holliday will perform her concert HERE’S TO LIFE at The Wallis October 9, 2021. Had the chance to chat with Jennifer of her current LIFE, her signature song, and her one-upping lockdown.
Above buzzy tapas bar Laurels Whitley Bay, Laurels Theatre is a wee place to tell big stories and where everyone on the NE coast will be going to see the most exciting work before it breaks the big time. Partnered with the amazing tapas and bar downstairs, this venue offers a chilled out accessible space to bring live theatre, visual arts and comedy together.
TheatreWorks Silicon Valley will resume in-person performances when it launches its previously announced 51st season, featuring eight plays and musicals presented October 2021 through August 2022, kicking off with the new indie folk-rock musical Lizard Boy.
Director Caitlin Lopez, the Associate Artistic Director of Ophelia's Jump Productions (OJP) who also serves as Improv Director for the company elaborates, 'Twelfth Night tells the story of Viola who has washed up on the shores of the vibrant and uninhibited Illyria after a shipwreck. In this modern queer fairytale, she and a cast of colorful characters all must discover what it means to truly love and embrace their heart's desires.' I decided to speak with Caitlin about both her directing and appearing in the production, as well as her background with the history of OJP.
This week (June 21-28) in live streaming: Kate Reinders, Amanda Kloots and Jennifer Nettles visit Backstage Live, Fredi Walker-Browne shares Ten Minute Tidbits, a Kerry Butler masterclass, Tovah Feldshuh in Becoming Dr. Ruth, and so much more!
Today (March 12) in live streaming: Broadway celebrates Liza Minnelli, Women of Broadway unite, and more!
Piano Bar Live! continues Tuesday, June 30th at 7:15 pm ET, following New York City's 7 O'Clock Cheer. This week's guests will be John Bronston, Kathy 'Babe' Robinson, Ruby Rims, Katie Dunne McGrath, Rick Jensen, Michael Kirk Lane, Riley Yates, Collin Yates, Scott Barbarino, Tony Javed and our weekly mystery guest.
Today (May 13) in live streaming: Ben Cameron counts down song about Spring, Laura Michelle Kelly sings Rodgers and Hammerstein and so much more!
Today (May 12) in live streaming: It's the Day of the Show Y'all with Spencer Glass, Ken Davenport chats with James Snyder and so much more!
Today (May 11) in live streaming: Join the BroadwayWorld Book club, JRB and Georgia Stitt visit Stars in the House and so much more!
The Beatles! Rihanna! Michael Jackson! Johnny Cash! Kanye West! The Rolling Stones! Aretha Franklin! Bob Dylan! Miles Davis! Nirvana! BWW Reviewer Peter Nason chooses the greatest albums from the rock and rap era (1950-2020); see if your favorites made the grade!
BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!
This season, Two River continues its commitment to produce all 10 plays of August Wilson's American Century Cycle with Brandon Dirden's production of 'Radio Golf,' the sixth play in the Cycle produced at the theater. Broadwayworld.com had the pleasure of interviewing Carl Hendrick Louis who plays Harmond Wilks in the show.
In what has become an annual ritual, a total of 40 established and emerging composers, lyricists, and librettists will converge on the Goodspeed campus from mid-January through mid-February 2020 to participate in the Johnny Mercer Foundation Writers Colony at Goodspeed Musicals. The writing teams, representing 15 new musicals, will populate the campus, creating a truly exciting environment for discovery and inspiration.
Following a hugely successful Autumn season where Richmond Theatre celebrated 120 years of inspiring theatre, Richmond Theatre announces its' Winter season, jam-packed with beloved classics, gripping adaptions and toe-tapping music nights.
This Month, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.
Celebrating its 37th anniversary, Outfest - the Los Angeles-based nonprofit organization promoting equality by creating, sharing, and protecting LGBTQ stories on the screen - today announced the complete programming lineup for the 2019 Outfest Los Angeles LGBTQ Film Festival, presented by HBO. The nation's leading LGBTQ festival will be held July 18-28, 2019.
Queensland Music Festival today launches a transformative state-wide program unfolding an unforgettable musical journey through the cities, regions and remote corners of Queensland and celebrates twenty years of bringing the gift of music to all corners of the state. A program which focuses on musical excellence, curiosity and creation, public participation and making a difference through music, the biennial event cements its place as the 'largest, most diverse music festival in the world'.
A Haunting Tale of Anastasia On Tour
IFC Center today announced an impressive and wide-ranging lineup for the third annual Split Screens Festival (www.splitscreensfestival.com) taking place Wednesday, May 29 through Monday, June 3, 2019, at the IFC Center in New York City. The festival consists of special events offering a variety of looks at history, identity and the mystery of existence itself, including panels on series that explore dystopian realities and alternate timelines, and screenings that transport us into any number of time periods and places, be it a late-1800s South Dakota town or the height of 1980s ballroom culture in New York City.
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