Martha 1944 - Articles Page 4

Joseph V. Melillo, executive producer of the Brooklyn Academy of Music, today announced programming for the BAM 2018 Winter/Spring Season. The season runs from January 15 through June 23 and includes theater, dance, music, and other live events in the BAM Howard Gilman Opera House, BAM Harvey Theater, and BAM Fisher. Scroll down for highlights!

As part of its Studio Series, the Martha Graham Dance Company will present a special holiday performance of Martha Graham's beloved masterwork Appalachian Spring. The complete dance will be presented in costume and with the classic Noguchi set, and will be introduced by Graham Company Artistic Director Janet Eilber. Performances are Friday, December 1, at 7pm, and Saturday, December 2, at 1pm (family matinee) and 6pm.

Date movie would be too tepid a phrase to describe director Tom Gustafson's sizzling film adaptation of Michael John LaChiusa's tensely erotic 1993 musical drama, HELLO AGAIN. The term foreplay flick comes to mind.

ARSENIC AND OLD LACE is one of the brightest jewels in the crown of comedic storytelling, and Westerly's Granite Theatre stages a real gem of a production.

Catch The Classic Arsenic and Old Lace at The Players!

You'll die laughing as The Players Centre for Performing Arts presents the classic black comedy "Arsenic & Old Lace" by Joseph Kesselring. This hilarious play was made into the popular 1944 film of the same name directed by Frank Capra starring Cary Grant. Keep cool during the hottest parts of the summer and enjoy some amazing entertainment and BIG laughs.

The Deborah Zall Project will present a program of works by legendary modern dance choreographers Jane Dudley, Sophie Maslow and Anna Sokolow, along with dances by Deborah Zall, May 12 & 13 at 8 PM at the Martha Graham Studio Theater, 55 Bethune St.   Zall has gathered an ensemble of artists, all former members of the Martha Graham Dance Company, to perform these timeless works that have been reconstructed by Abigail Blatt, Lynn Frielinghaus, Samantha Geracht, Martin Lofsnes, and Zall.

Pride. Greed. Envy. Sloth. Gluttony. Lust. Wrath. Collectively, they are the seven deadly sins - the cardinal sins, the antitheses of the seven virtues. Creatively, they are the inspiration for choreographer Christopher Stuart's most recent work, 7 Deadly Sins featuring music by the Nashville-based collective known as Ten Out of Tenn, and now brought to life by Nashville Ballet in a twin-bill that closes out the company's 2016-17 season on a resounding note of artistic achievement.

Hartford Opera Theater is pleased to present THE TENDER LAND with music by Aaron Copland, libretto by Horace Everett, as its main stage production. Directed by Kristy Chambrelli with music direction by Joseph Hodge, THE TENDER LAND tells the story of a young girl, who finds herself on the cusp of adulthood and must choose whether to remain in her small town or experience what the world has to offer.

The James Beard Foundation Award is the most coveted honor in the American food industry. It is often referred to as the 'culinary Oscars.' But what do we really know about the man whose name has become synonymous with culinary excellence?  

New York City Ballet will open its 2017-18 Season at Lincoln Center on Tuesday, September 19, and will continue with 21 weeks of performances, through Sunday, June 3, featuring 61 ballets by 15 different choreographers.

The Deborah Zall Project will present a program of works by legendary modern dance choreographers Jane Dudley, Sophie Maslow and Anna Sokolow, along with dances by Deborah Zall, May 12 & 13 at 8 PM at the Martha Graham Studio Theater, 55 Bethune St. 

The Joyce Theater Foundation, Inc. (Linda Shelton, Executive Director) is pleased to welcome back Centre National de Danse Contemporaine-Angers (CNDC), two years after its sold-out Joyce debut last season, from April 4 – 9. 

When the Nazis arrested 15-year-old Anne Frank in 1944, her diary was tucked away in a briefcase, and had the Nazis not dumped its contents during a search for what they might call 'valuables,' the diary would have been lost to time. 

Artistic Director of Santa Barbara Dance Theater since 2012 (UC Santa Barbara's professional dance company in residence), Pilafian is at this writing preparing for the company's winter season, Anima and Animus, which will roll out over two weekends of performances at UCSB's Hatlen Theater, January 13-22. The program includes works by guest choreographer Becca Lemme, Brandon Whited (UCSB Theater and Dance Assistant Professor- and newly minted dance faculty member), and Artistic Director Pilafian himself. Also, included in the program will be a work by mid-century firebrand choreographer (and dancer for the dispossessed) Jane Dudley, as restaged by longtime Dudley interpreter Nancy Colahan. Is there a thread that connects these seemingly disparate dance pieces? Pilafian replies without hesitation.

White Christmas, always a treat on film (1954), creates a unique and refreshing glow on stage. The original Broadway and touring productions - the first national tour played the Pantages in 2005 - were gloriously directed by Walter Bobbie and choreographed by Randy Skinner, who turned the second act opener 'I Love a Piano' into one of the most inventive and lively tap sequences ever. Now in a short tour and directed and choreographed by Skinner, White Christmas The Musical finally returns to the Pantages but only for a week, through December 4. This is a sparkling production with terrifically paced staging and superior choreography by Skinner and a sturdy acting ensemble which includes the presence of  the delightfully funny Lorna Luft as Martha Watson. Yes, it's a frothy concoction and weak on plot, but so heartwarming and... with the spectacular Irving Berlin tunes, who cares? Run to get tickets while they are available!

Here are our suggestions - our choices, as it were - for the shows to catch, the people to see, before Monday morning rolls around. Again. When work beckons, we promise you'll have so much more interesting water cooler chatter to share that you'll be the envy of everyone at the office:

Joseph Kesselring's Arsenic and Old Lace, a genteel and sometimes beguiling 'suspense comedy,' is a favorite among the nation's various and sundry community theater companies. And for good reason: It's slyly amusing, despite its age, and it features some genuinely engaging (if somewhat despicable, depending upon your perspective) characters who have entertained audiences for 75 years (it bowed on Broadway in 1941).

This fall, the Jewish Museum is upending museum conventions with Take Me (I'm Yours), an exhibition featuring artworks that visitors are asked to touch, participate in, and even take home.

This fall, the Jewish Museum is upending museum conventions with Take Me (I'm Yours), an exhibition featuring artworks that visitors are asked to touch, participate in, and even take home.

Joseph Kesselring's dark comedy farce Arsenic and Old Lace dates back to 1941 and was made into one hilarious film starring Cary Grant and directed by Frank Capra in 1944. Nevertheless, the comedy is timeless, so it still holds up quite deliciously in 2016. One never tires of murder especially when it's played out in a spooky old Brooklyn mansion adjacent to a cemetery...and most of the Brewster family who inhabit it are most definitely certifiable. Elderly Abby Brewster (Robin LaValley) and her sister Martha (Eliane Weidauer) dispose of over the hill lodgers all alone in the world - to bring them peace and eternal happiness. They offer homemade Eldeberry wine laced with arsenic and think they're doing the old codgers a favor. It seems perfectly harmless to them. In fact, they already have 11 bodies buried in the cellar and are about to embark on a funeral service for number 12 who is resting comfortably in the window seat of their living room. It helps when their nephew Teddy (Robin Thompson) - who thinks he's Theodore Roosevelt - carries out their orders and buries the bodies, convinced that he's digging locks of the Panama Canal. When brother Mortimer (Tim Benson) - a drama critic for a local paper - discovers the body by accident, he automatically assumes it's Teddy who has killed the man, never dreaming that his sweet aunts are responsible.

Cagney's pugnacious attitude and formidable talent grabbed Creighton by the lapels, and now he's starring in a Yankee Doodle Dandy of a musical.

This June, FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents some of the brightest stars from Broadway, cabaret, jazz and beyond. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.

DanceAfrica, BAM's longest continuing program, enters its 39th year with new Artistic Director Abdel R. Salaam leading this traditional Memorial Day weekend extravaganza, beginning today, May 25, and continuing through May 30.

On May 11, 2016, dancers from the Meadows School of the Arts at Southern Methodist University will be the first to perform Martha Graham's iconic choreography for APPALACHIAN SPRING with a new version of Aaron Copland's score for full orchestra, completed in collaboration with the Martha Graham Dance Company and the Aaron Copland Fund for Music.