How Come? 1923 - Articles Page 2

Studio 180 Theatre is returning to in-person performances in the 2022-23 season, marking their 20th anniversary with their first 3-play season in three different venues, working with five different partners.

The 2022/23 Mirvish Theatre Season features 14 shows – 6 Main Season shows; 3 Off-Mirvish Season shows, and 5 Bonus shows. See the complete schedule and find out how to get tickets.

BroadwayHD is delivering a variety of titles this June for viewers at home to stream. Additionally, they offer an extensive list of titles and documentaries worth viewing in honor of Pride month!

Hedgerow Theatre Company will present Sarah Ruhl's In The Next Room, or the vibrator play, an adult comedy about marriage, intimacy and electricity.

Crossroads Comedy Theater, home to some of Philadelphia's most recognized comedy shows and programs, such as Not Yet Rated and Study Hall, is celebrating its one year anniversary with a series of hilarious presentations throughout the late winter and early spring months. 

Crossroads Comedy Theater, home to some of Philadelphia's most recognized comedy shows and programs, such as Not Yet Rated and Study Hall, is celebrating its one year anniversary with a series of hilarious presentations throughout the late winter and early spring months.

A limited number of tickets will be available for purchase beginning Friday, July 16 at 10:00am online. Learn more about the event and how to attend here!

Antaeus Theatre Company highlights the culture and history of six additional Los Angeles neighborhoods with Season Two of its popular 'The Zip Code Plays: Los Angeles' podcast series, set to launch May 20. Here are my interviews with the four female directors who discuss their own personal histories within the Zip Code Plays they direct. (Gigi Bermingham, Jennifer Chang, Saundra McClain, and Bernadette Speakes)

Opera Saratoga has announced today the company's return to the stage for its 60th Anniversary with a season of performances inspired by the iconic novel Don Quixote by Miguel de Cervantes. Opera Saratoga is committed to bringing audiences and artists together safely for the 2021 Summer Festival.

The Chamber Music Society of Lincoln Center has announced their Spring season of digital offerings from April 1 to July 1, which is dedicated to the late Gustave M. Hauser.  CMS presents 28 digital programs, with concerts premiering on Thursday evenings at 7:30 and educational and hybrid talk-and-performance programs premiering on Monday evenings.

The Chamber Music Society of Lincoln Center has announced its Winter 2021 Digital Season, with 26 new digital offerings, available for free, from January 14 to March 26, 2021.  CMS introduces a new online schedule in January, with concerts premiering Thursday evenings and educational and conversational programs premiering on Monday evenings.

New York Theatre Barn will continue to host weekly free live streams of its New Works Series each Wednesday evening at 7PM ET. Upcoming September installments of the series include excerpts from the new musicals A Walk On The Moon, Walt and Roy, We Live In Cairo, Loch Ness and more.

BWW Reviewer Peter Nason chooses the 101 greatest scenes in cinema from 1901 to 2020. See if your favorite movie moments made the list!

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

Finbar Lynch has enjoyed an extensive acting career, spanning stage, film and television. His theatre work includes Girl From the North Country (Noel Coward Theatre, Gielgud Theatre and Toronto) Translations (Donmar Warehouse), Richard III (Almeida Theatre), Antony and Cleopatra (National Theatre), and Antigone (Barbican and world tour). In 1999, he was nominated for both Tony and Drama Desk awards for his performance as Canary Jim in Tennessee Williams' Not About Nightingales. He talks to BroadwayWorld about his role as the Stage Manager in the London transfer of Paula Vogel's Indecent at the Menier Chocolate Factory. A Tony Award-winning hit on Broadway, Indecent explores the origins of the controversial play God of Vengeance by Sholem Asch.

With the roaring twenties fast approaching, it's time to reflect on all the shows that made an impact on us over the last decade, and on what we would like to see on stage in the decade to come. The 2010s gave us some groundbreaking new shows - Hamilton, Hadestown, Waitress - incredible revivals - Oklahoma, The Color Purple, Pippin - and breakout stars - Ben Platt, Alex Brightman, Cynthia Erivo, just to name a few. So many shows that graced the stage in the 2010s made lasting impact on audiences. Let's take a look at what shows we'd like to see a revival of in the 2020s!

Yara Arts Group will offer the American debut of its new work 'Opera GAZ,' December 19, 20 and 22 at La MaMa, 66 East 4th Street. This opera was created by director Virlana Tkacz, who heads Yara Arts Group in New York, and the composers Roman Grygoriv and Illia Razumeiko. It features the performers of Nova Opera in Kyiv. Live performances and traditional instruments are combined with electronic music to present the story of an explosion at a futuristic gas factory that produces all the energy for the industrial world. The visually striking production is sung in English, Ukrainian and German but is universally accessible.

The Oregon Shakespeare Festival will open two new plays in early July with origins at the festival: La Comedia of Errors and Indecent.

VOICE OF THE PRAIRIE is a story worth telling at the Lofte Community Theatre

Paula Vogel's INDECENT has already begun its previews at the Ahmanson Theatre. Vogel and director Rebecca Taichman continue their collaboration, from the workshops and the Broadway run (for which Rebecca won her Tony Award directing INDECENT), to this co-production between the Center Theatre Group and the Huntington Theatre Company. I had the opportunity to delve into the inner creative workings of the man portraying Sholem Asch - Joby Earle.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!

INDECENT is a more than decent as good theatre. I'd see it again if only for the beauty of the production. Performances run through April 14th with tickets available at http://bluebarn.org/tickets/ or by calling 402-345-1576.

Indecent is about the power of theater to dazzle and uplift. Playwright Vogel has discussed plays that make the hair stand up on her neck. That is exactly what Indecent does: makes the hairs stand up on the back of the neck, and we may be at a loss to explain.

Paula Vogel's 2015 play Indecent, in a production now arrived at Center Stage after stops at D.C.'s Arena Stage and the Kansas City Rep, is a staggering tour de force of playwriting prowess that is also a tour of a largely forgotten world: international Yiddish theater shortly after the turn of the last century. A play about a play about a play, it follows Sholem Asch's God of Vengeance on a circular path, from Lodz, Poland in 1906 to Warsaw, to various stages in Europe, through Ellis Island and various New York theaters, culminating with an abortive stay on Broadway, and thence back to Lodz once more, at the peak of the Holocaust. And then, in a sort of coda, it concludes in Connecticut with the last days of Mr. Asch. All these parts are contained within an initial framing device in which, like Pseudolus in A Funny Thing Happened on the Way to the Forum, a stage manager named Lemml (Ben Cherry), introduces the players and musicians, apparently members of a turn-of-the-century Yiddish theater troupe, and identifies the kinds of parts they will play (like male and female Ingenues). Everything that follows, i.e. a play about presenting a play, is presented as a play performed by this troupe.

The New York-based theater company, Theater in Asylum (TIA), will present six performances of Alice Pencavel's Totally Wholesome Foods at Episcopal Actors' Guild in New York City.